Friday, November 22

Tag: Adrian Schiller

The Marlowe Sessions – Marlowe Theatre
South East

The Marlowe Sessions – Marlowe Theatre

Two years ago, I went along to watch the recording of Tamburlaine II, intrigued by this ambitious plan to record all seven of Christopher Marlowe’s plays in quick succession, here is the link to my interview with one of the cast members Alan Cox - https://northwestend.com/spotlight-on-actor-alan-cox-and-the-marlowe-sessions-at-the-malthouse-theatre-canterbury/, which sheds some light on this project. Christopher Marlowe (1564-1593) the poet/playwright, was controversial to say the least, his open homosexuality during a period of gay sex being outlawed, atheism, and his involvement as a spy for Sir Francis Walsingham, are evidence enough of his unorthodox thinking.  This spilled over into his plays, the blood thirsty Tamburlaine, the gay Edward II, and the ambitious necromancer, Doc...
The White Factory – Marylebone Theatre
London

The White Factory – Marylebone Theatre

At a time when war rages in Europe, a play written by Dmitry Glukhovsky and directed by Maxim Didenko - both political exiles from Russia about the things that people can be forced to do seems timely. The White Factory tells the story of the Kaufman family living in the Lodz Ghetto in Poland under Nazi occupation from 1938 onwards. The family of five are the heart of the story, husband and wife Yosef and Rivka, grandfather Ezekiel and boys Hermann and Volf. Initially in the wrong place and forced to translate, Yosef is forced to give up all he believes and take increasingly desperate action in efforts to keep his family safe. The horror that it takes to survive such a horror. Adrian Schiller is exceptional as Jewish Elder Chaim Rumkowski, appointed to run the city by the SS, forced t...
The Merchant of Venice – Shakespeare’s Globe
London

The Merchant of Venice – Shakespeare’s Globe

The current rise of antisemitism around the world gives extra resonance and relevance to Shakespeare's 16th Century play on usury, religious conflict, revenge and the manipulation of justice. Abigail Graham's direction packs a serious punch, with a stellar cast who draw out every nuance of the text. The claustrophobic atmosphere of the Sam Wanamaker Playhouse is brilliantly heightened in this beautiful candlelit production set in the present day, but which could relate to any era. Young Bassanio is a spendthrift and hedonist, partying with his buddies and going through money as though there's no tomorrow.  Needing cash to pursue his wooing of the rich heiress, Portia, he turns to his friend, the merchant, Antonio, who has bailed him out previously. Antonio agrees and asks Shylock, ...