Thursday, November 21

Tag: Abey Bradbury

Julie: The Musical – The Other Palace
London

Julie: The Musical – The Other Palace

A French-Opera-singing, sword-fighting, bisexual convent arsonist sounds like a character you’d meet in an especially bizarre dream after one too many espresso martinis. But life is often stranger than fiction, and this multi-hyphenate wonder was a very real person: Julie d'Aubigny, to be precise. Born in 1673, Julie had a particularly storied existence, and while some of her tales have been lost to history, many of her adventures are well-recorded, from romantic trysts with nuns to illegal duels (often with multiple men at once), to a prestigious career as an opera singer. So it’s no surprise that this legendary figure is the inspiration for a suitably quirky show: Abey Bradbury’s Julie: The Musical, playing at The Other Palace after a successful UK tour and sell-out run at the Edin...
Julie: The Musical – 53two
North West

Julie: The Musical – 53two

No one is more deserving of a jaunty, high-octane musical than Mademoiselle Maupin, and so this one-acter celebrates the sword-fighting, opera-singing, understated queer icon that she was. The life of Maupin, also known as Julie d’Aubigny, (Abey Bradbury) and her escapades are retold through comical, lyrical accounts. This tell-all biography-style piece may not be entirely historically accurate, but the events seen on stage are mostly all true. There is a lot to appreciate in Bradbury’s production, starting with representation in the form of an incredibly likeable bisexual heroine. Her script is witty and well-paced, with catchy songs and rib-tickling choreography making the ninety-minute run-time fly by. A slightly clumsy start gives way to a tight, tenacious performance from the...
A Midsummer Night’s Dream(ish) – International Anthony Burgess Foundation
North West

A Midsummer Night’s Dream(ish) – International Anthony Burgess Foundation

It is not often that a reviewer becomes part of the show but that is what happened to me as part of this entertaining, engaging and extremely fun one-woman re-telling of Shakespeare’s pastoral comedy. Your humble scribe was plucked out of the audience to play a wall. It took all my theatrical skill to stand on stage holding a plastic brick and it would not be correct to comment on my own performance but the other audience members who were chosen to appear on stage with me were all excellent. Yet, the real energetic, frenetic and comic star of the show was Abey Bradbury. She wrote and performed this whistle-stop tour through the Bard’s classic play with such verve and sheer pizazz it was a joy to behold. Her playfulness and obvious love of clowning were such a treat she really brought...
The Complete Works of Shakespeare*…*but just the Deaths (and the gory bits too) – The Space UK
Scotland

The Complete Works of Shakespeare*…*but just the Deaths (and the gory bits too) – The Space UK

Even though the title may be a tad too long, I could have carried on watching this play for much longer than its 45 minutes.  Taking their name from a quote in Macbeth, the Cream Faced Loons have done a remarkable job to stage this wonderfully refreshing take on Shakespeare’s plays in a digital environment.  Before the pandemic ‘the Loons’ liked to perform in site specific locations such as castles and parks but have adapted their style to You Tube and it showcases their versatility and unique take on the Shakespearean classics. The challenge is to perform all 10187 deaths that appear in Shakespeare’s 37 plays.  That seems rather a lot I hear you say, but all is made clear later on in the show.  Will you take up the challenge to tick off the deaths as the show goes o...