A Midsummer Night’s Dream – Shakespeare’s Globe
You don’t necessarily expect a take on a A Midsummer Night’s Dream to have Pete Quince’s troupe cutting cocaine with credit cards but that’s far from the biggest change to this adaptation. Playing here now as more tragedy than comedy, Headlong adapted A Midsummer Night's Dream for its debut in the candlelight Wanamaker.
Billed as a darker, more tragic version, there are still some laughs kept, perhaps some of them now more nervous laughs. There’s an undercurrent of sex and violence running throughout, sometimes uncomfortably combined. The lovers’ fallings-out in the woods, even when driven by Puck’s interference, move far away from the chaotic mischief and towards barely disguised emotional and physical abuse, playing with a hard edge to them.
Sergo Vares’ Puck carries an air of male...









