Northern Ballet’s ‘A Christmas Carol’ is infused with festive wonder and spectacle, but is ultimately haunted by ghosts of an unwillingly bygone era, suffering in real-time, solemnly foreboding a future of split community and chairs belonging, but not occupied.
There is an abundance of talent on display in this show, with some excellent set pieces and performances. It works well between large and small scale, with seamless interplay between soloists and group dancers. Even its transitional qualities in and out of scenes is impressive. This piece is both large and small, but for all the right reasons, it usually feels large.
The design of the show is fantastic, with an immensely adept understanding of transformative set design and utility. Wardrobe excels in many areas, with the Ghost...