53two Archives - North West End UK

23Mar

By Lou SteggalsNo Comments

North West

Buckled – 53two

It’s Wine O’Clock somewhere. Hic-Hic-Hooray. Eat, sleep, Gin, repeat. How many of us can honestly say we haven’t reached the end of a working week and our mind has turned to relaxing with friends or family and a few drinks via an alcohol-themed pun or two. But where is the line when enjoying a bevy becomes a serious problem? Helen Jeffery’s slick and thought provoking one-act play, Buckled, which she also directs, gives us a glimpse in the consequences of out-of-control drinking. A simple set of a table and two chairs is thoughtfully used and, through a mix of mono- and dialogues and ensemble speeches, delivered by three excellent actors, and a cleverly curated Britpop soundtrack, we have the opportunity to consider our own relationship with the ‘demon drink’ (and possibly feel s...

31Oct

By Adam WilliamsNo Comments

North West

Frank 4 Sophie 4 Eva – 53two

Of all the politics in the world, sexual politics is perhaps the most difficult to navigate especially when the initial thrill has gone. It is bad enough when sex has become a chore, a lie back and think of England job, where you have to fantasise about Scottish heroes from the 17th century to get you through it. Yet for Frank (Simon Naylor) and Sophie (Alexandra Maxwell) sex isn’t even that. They have completely stopped doing it and are visiting a sex therapist to see if they can sort out their love life. Are sex and love the same thing they ask? Can you have one without the other? Frank is full of one-liners and bravado. He is definitely up for it and can’t understand why Sophie does not want to have sex with him anymore. Why does she fancy Jamie from Outlander and prefer to read ...

11Oct

By Paul WilcoxNo Comments

North West

JB Shorts 25 – 53two, Manchester

Under the arches at 53two’s Watson Street headquarters, JB Shorts is now firmly established on the Manchester theatre scene as the place to experience sharp new writing and watch both emerging and established actors hone their craft. Now in its 25th iteration, tonight’s offerings were as eclectic as ever, managing to mix the farcical and surreal with more thoughtful offerings to delight the packed midweek audience. Railway Sleepers Kicking off the evening with a familiar train journey from Piccadilly to Euston, we meet Frank (Will Travis) and Sue (Sue McCardle) ostensibly travelling south for a conference and striking up a conversation with fellow passenger Cheryl (Rosa Brooks) around how best to reply to a text message received from Frank’s mysterious boss. The piece worked quite we...

19Jul

By Gill LewisNo Comments

North West

Some Masterchef Sh*t – 53two

Expect the unexpected in this thoroughly entertaining comedy drama where two unlikely worlds collide as a result of ‘wanting to do something nice for someone’. Taboo is on the table in this down to earth portrayal of when two strangers meet, whilst at the same time, trying not to make things too weird. The debate around the need for content warnings has become a point of contention in the theatre industry, with many viewing pre-performance advisories as a way of removing the element of surprise and the unexpected. Perhaps a conscious decision then by Liam High’s Some Masterchef Sh*t to omit any such content warnings from the programme information. Despite touching on themes worthy of having them, it’s certainly recommended to go into this play without any prior concepts or anticipation,...

12Jul

By Adam WilliamsNo Comments

North West

Dead Dad Show – 53two

I read an article by the comedian Cariad Lloyd about the death of her father. In particular, she wanted to give advice to people on how to approach someone dealing with grief. Her favourite reaction, she said, came from the comic actor Ken Campbell who asked if her dad was going to come and see the show they were performing and she explained he had died and he replied, “Huh, yeah, they have a habit of doing that, dads.” Humour, as opposed to sentimentality or the stock phrase, was, as always, the best policy. Which is the attitude of this rip-roaring, full-on, no-holds barred of a show which is not averse to the odd profanity, contains nudity, cross-dressing but also has a cool satirical edge. It is brash, cocksure you might say, cheeky, confident and it certainly has plenty of s...

9May

By Paul WilcoxNo Comments

North West

JB Shorts 24 – 53two, Manchester

A bare stage in a formerly disused railway viaduct would seem an unprepossessing setting, but when hosted by Simon Naylor and the superb team at 53two, JB Shorts has firmly established itself as a ‘must see’ on the Manchester Theatre scene over the previous twenty-three seasons of its existence. Tonight is no exception, the six plays- each lasting just fifteen minutes - address both the political and personal in modern society and make for an eclectic and enthralling theatrical evening. Isobel Openshaw Saves the Day Writer Joyce Branagh takes the lead as the eponymous Isobel, an Aldi shop assistant who decides to stand for election to parliament against the Conservative forces of darkness embodied by Rory Cheese Bogg (Callum Sim). Elements of Victoria Woodesque writing pepper the scr...

1Apr

By Scot CunninghamNo Comments

North West

Je Suis Charlie – 53Two, Manchester

It only takes a glimpse of 9/11-themed musical Come from Away or Carly Wijs’ Us/Them to appreciate that theatre and terrorism is an atypical yet resonating combination, when handled tactfully. Rough Boy Mcr attempts to do the same with Je Suis Charlie, but this verbose one-acter fails to lift any sort of new, thought-provoking interpretations from its source material. A Grindr hook-up takes an unforeseen turn shortly after the timid and youthful-looking Mike turns up to satirical cartoonist Charlie’s home; the two roles are dutifully played by Ben Bradfield and Ben Rigby respectively. Putting aside its several distracting plot holes, the serious conflict in Je Suis Charlie is interrupted by frequent, formulaic comedy that rarely sits right in the context- though Rigby’s gags and quip...

30Oct

By Peter RuddickNo Comments

North West

Spam Valley – 53two

There is something intensely personal about Spam Valley. Perhaps unsurprising given it is described as an ‘autobiographical monologue’ of Kevin P. Gilday’s journey from working-class Glasgow to a middle-class career on the stage. But what makes the show extra special is how universal and relevant it is. Blending poetry and spoken word this is part stand up, part sermon. A hilarious, heartbreaking and extraordinary analysis of class. Under the 53two arches sits a solitary plastic chair, a microphone on a stand and a clothes rail of jackets: from the classic Umbro zip up to the badged blazer beloved by the arterati. One person monologues like this rely on the audience feeling secure in the hands of the performer. Gilday emerges and delivers his brilliant poem The Old Men In Weth...

18Oct

By Alison BainesNo Comments

North West

Musicals That Made Us – 53two

There is no denying that musicals are a guilty pleasure for many people. Whether you’re openly a musical theatre lover or there’s the odd one you can’t help but sing along to, musicals make us feel something deeply; joy, sadness, confusion, sorrow, and there’s something so thrilling about watching a talented cast sing, dance and act their way into an audience’s hearts. 53Two’s latest show, ‘Musicals That Made Us’ is a celebration of all of that. Current Manchester School of Theatre student, Nejc Lisjak, and recent graduates Megan Keaveny and Lara Rose Hancox take the audience on an exploration of musicals old and new in a cabaret style performance. Described as a production that “takes you through the mistakes they’ve made and the lessons they’ve learnt through the medium of musi...

27Sep

By Alison BainesNo Comments

North West

Pornography – 53two

Simon Stephens’ Pornography is a dark, gritty play, spotlighting the lives of 8 people in London at a time of momentous excitement – and horror. It focuses on individuals living through the awarding of the 2012 Olympics, swiftly followed by the 7/7 bombings in the capital, showcasing the crash from euphoria to chaos. Red Brick Theatre, the collaborative, Manchester-based theatre company, took on the task of performing the first professional production of Stephens’ play since 2009, a year after it was published. The piece is written as a collection of seven scenes, published in numerical order to serve as a countdown to the bombings, but Red Brick opted to separate and intertwine these scenes instead – meaning that the performance had a highly fluid nature to it. Upon entering 53two’s...