53two Archives - North West End UK

26Sep

By Louise KershawNo Comments

North West

JB Shorts 27 – 53two

Although the first JB Shorts was produced in March 2009 as a one off ‘festival’ of short plays it has grown each year and is now a much anticipated bi annual event presenting 6 short plays over one evening and last night presented its 27th iteration of the format. Track and Field by Sarah Macdonald Hughes Directed by Martin Gibbons When two women meet at a local athletics club attended by their children, a friendship develops between them as their cheer on their offspring from the sidelines. Performed beautifully by Sarah Macdonald Hughes and Rosina Carbone this hilarious observation of friendship between women was an excellent opener to the evening’s entertainment. Its darkly comic content performed with great rapport between the two actors observed the mundanity o...

8Sep

By Peter RuddickNo Comments

North West

Can’t Complain – 53two

Described as “a new electropop audiodrama”, Can’t Complain is the brainchild of musician Sam Easton. The genesis of this show is not necessarily standard for new musicals. An original cast recording has been made and will be released this week. Two listening events of the album have now been held, in London and Manchester. An excerpt has been performed live. However, there have been no full live productions, as yet. Despite essentially being a playback session of a pre-recorded concept album, the Manchester premiere was still slightly theatrical. A dinner table set for four is centre of the 53Two stage. Three plates lie empty. One spaghetti bolognaise lies ominously untouched on the fourth plate. Behind the table, a large screen displays the visuals to accompany each track....

14Jul

By Lou SteggalsNo Comments

North West

Wink – 53two

In the dimly lit arches of 53two, an unsuspecting audience is about to receive an almighty gut punch, courtesy of Phoebe Eclaire-Powell’s darkly funny and unsettling play, Wink. Updated from its 2015 debut with the latest social media and cultural references, Wink is brutal in its timeliness, holding a mirror to the worst excesses of online culture - from toxic ‘alpha male’ influencers through to the horrendous consequences of Catfishing. Photo: Shay Rowan Despite the heavy source material and a worryingly long list of trigger warnings, the play remains hugely compelling and crackles with humour. We meet 16-year-old Mark who idolises his too-cool-for-school French teacher, Mr Martin. Unbeknownst to him, Mr Martin is struggling with his own frustrations, particularly around his cru...

What Does It Take to Slay a Dragon – 53two

13Jun

By Adam WilliamsNo Comments

North West

What Does It Take to Slay a Dragon – 53two

The first rule of dramatic writing is to “show not tell”. Drama works best when the audience is engaged in the story, its characters and the conflict that lies within it. They are drawn in and become involved, developing a genuine care for the characters. That feeling may be love, or it may be hate, but they are interested because they are watching something dramatic unfold. It is disruptive, then, for people watching if the actors simply break the fourth wall and just tell them what is happening. Structurally, this play was a mess. The writer, Rebekah Harrison, warned the audience that they were in for something different, and whilst it may be seen as a brave move to tell the story in the way she did, it simply did not work. It stopped you from caring about the characters and made itse...

27May

By NewsdeskNo Comments

NEWS

Win a signed Dr Who Clapperboard

53two is giving you a once in a lifetime opportunity to win a priceless Dr Who clapperboard, signed by 9 members of the cast! MUST END MIDNIGHT, SATURDAY 31st MAY 53two, Manchester's fully accessible and leading arts venue, is thrilled to announce an exclusive raffle, giving Dr Who’s immense fanbase the chance to win a genuine and extremely rare piece of Dr Who memorabilia. This clapperboard was used during the filming of season two, featuring the 15th Doctor, Ncuti Gatwa and was donated to them by their patron and star of Dr Who, Ruth Madeley. This priceless clapperboard is an iconic symbol of the show and represents a unique collector's item for enthusiasts of the long running BBC series. With added value being signed by 9 members of the cast; Anita Dobson, Jemma Redgrave, Varad...

4Apr

By Paul WilcoxNo Comments

North West

JB Shorts 26 – 53two

After a couple of days spent down at the wrong end of the M62 in Liverpool, it was a joy to be back reviewing in the 0161, and the pleasure was doubly sweet as the subject was the 26th iteration of the ever-reliable JB Shorts under the 53Two arches at Watson Street. The format is the same as ever; original, fifteen-minute short plays on any subject matter, showcasing some of the best in northern writing and acting talent. Number 26 features only five, rather than the usual six pieces and as ever the result is an eclectic mix of humour and thought-provoking work. Meeting Morag Writer Ben Tagoe wowed this reviewer a couple of years ago with ‘Better Days’ his one-man exploration of football hooliganism and rave culture and his latest offering gets the evening off to a great start. Pa...

23Mar

By Lou SteggalsNo Comments

North West

Buckled – 53two

It’s Wine O’Clock somewhere. Hic-Hic-Hooray. Eat, sleep, Gin, repeat. How many of us can honestly say we haven’t reached the end of a working week and our mind has turned to relaxing with friends or family and a few drinks via an alcohol-themed pun or two. But where is the line when enjoying a bevy becomes a serious problem? Helen Jeffery’s slick and thought provoking one-act play, Buckled, which she also directs, gives us a glimpse in the consequences of out-of-control drinking. A simple set of a table and two chairs is thoughtfully used and, through a mix of mono- and dialogues and ensemble speeches, delivered by three excellent actors, and a cleverly curated Britpop soundtrack, we have the opportunity to consider our own relationship with the ‘demon drink’ (and possibly feel s...

31Oct

By Adam WilliamsNo Comments

North West

Frank 4 Sophie 4 Eva – 53two

Of all the politics in the world, sexual politics is perhaps the most difficult to navigate especially when the initial thrill has gone. It is bad enough when sex has become a chore, a lie back and think of England job, where you have to fantasise about Scottish heroes from the 17th century to get you through it. Yet for Frank (Simon Naylor) and Sophie (Alexandra Maxwell) sex isn’t even that. They have completely stopped doing it and are visiting a sex therapist to see if they can sort out their love life. Are sex and love the same thing they ask? Can you have one without the other? Frank is full of one-liners and bravado. He is definitely up for it and can’t understand why Sophie does not want to have sex with him anymore. Why does she fancy Jamie from Outlander and prefer to read ...

11Oct

By Paul WilcoxNo Comments

North West

JB Shorts 25 – 53two, Manchester

Under the arches at 53two’s Watson Street headquarters, JB Shorts is now firmly established on the Manchester theatre scene as the place to experience sharp new writing and watch both emerging and established actors hone their craft. Now in its 25th iteration, tonight’s offerings were as eclectic as ever, managing to mix the farcical and surreal with more thoughtful offerings to delight the packed midweek audience. Railway Sleepers Kicking off the evening with a familiar train journey from Piccadilly to Euston, we meet Frank (Will Travis) and Sue (Sue McCardle) ostensibly travelling south for a conference and striking up a conversation with fellow passenger Cheryl (Rosa Brooks) around how best to reply to a text message received from Frank’s mysterious boss. The piece worked quite we...

19Jul

By Gill LewisNo Comments

North West

Some Masterchef Sh*t – 53two

Expect the unexpected in this thoroughly entertaining comedy drama where two unlikely worlds collide as a result of ‘wanting to do something nice for someone’. Taboo is on the table in this down to earth portrayal of when two strangers meet, whilst at the same time, trying not to make things too weird. The debate around the need for content warnings has become a point of contention in the theatre industry, with many viewing pre-performance advisories as a way of removing the element of surprise and the unexpected. Perhaps a conscious decision then by Liam High’s Some Masterchef Sh*t to omit any such content warnings from the programme information. Despite touching on themes worthy of having them, it’s certainly recommended to go into this play without any prior concepts or anticipation,...