Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Sunday, April 27

Scottish Ballet: Twice-Born – Edinburgh Festival Theatre

I defy anyone not to love Schachmatt by Spanish choreographer, Cayetano Soto. It translates as Checkmate and playfully works its way through a range of eras, drawing an ongoing smile from this reviewer.

Acting as a warm-up to Scottish Ballet’s latest work, Twice-Born (developed by new boy on the block, Dickson Mbi) it is a fabulously entertaining and quirky piece.

At the get-go your curiosity is piqued as a moody stage is slowly revealed. What follows is witty, unique and brilliantly executed by a top-notch team performing with precision and speed.

Christopher Hampson, Scottish Ballet’s CEO, watched Schachmatt two nights in a row: “I remember feeling instant joy because I was watching craft at its highest level,” he said. He knew immediately he wanted to bring it to the Scottish Ballet repertoire. Good move!

Photo: Andy Ross

It is world-class Contemporary Dance and a fitting adjunct to traditional ballet.

The second piece, a world premiere, called Twice-Born, is an original score and choreography by Olivier Award winning street dancer, Dickson Mbi. It delves into evolution and human nature.

This is an exploratory piece whose music moved me close to tears at one particular point. The intensity of this piece and the power of the ensemble dancing was beautifully contrasted with the powerful solos from Marge Hendrick and Rishan Benjamin. Twice-Born works on many levels: emotionally; as a story; as a political message. 

It encompasses a lot of themes – evolution; matriarchy; barriers; leadership; death; rebirth; change; oppression. I’d have liked a sprinkling of sunshine and frivolity amid the sombre narrative. That’s not to say it wasn’t impressive. It was. Most definitely. I simply think that Dickson Mbi has more in the tank. 

Scottish Ballet is to be applauded for investing in new talent. This year it launched the Next Generation Campaign with a target of ten new works (short films, one act works and full-length ballets) by 2028. The aim is to give opportunities to new choreographers and everyone else involved in creating an imaginary world on stage.

Twice Born is the first one-act work to tour Scotland. It is a very promising start.

Reviewer: Kathleen Mansfield

Reviewed: 20th October 2023

North West End UK Rating:

Rating: 5 out of 5.
0Shares