Maiden Voyage, a new musical with book and lyrics by Mindi Dickstein and music by Carmel Dean, tells the story of the 1989-1990 Round the World Whitbread Race Maiden crew, an all-female sailing team that broke barriers in competitive sailing and made history in the worldwide race.
The scope of this story is pretty narrow despite the globality of its setting, and the writers choose to focus almost exclusively on Tracy (Chelsea Halfpenny), the crew’s young skipper and navigator. Tracy builds the team up from her personal and professional circle into a solid chorus for her sea ballads. Halfpenny is an able performer and is well supported by the surrounding cast, but she is not particularly well served by the story itself, which doesn’t go very far in exploring its characters’ emotional depths as they tow viewers into the endless blue.
This musical skims the surface of both conflict and triumph, never really venturing boldly into any specific emotional territory but rather self-congratulatorily lauding the feminist choice of subject chosen by its clearly competent composers. Auditorily, the show is pleasant but not exceptional. The set design is solid, although surprisingly only “Associate Set Designer” Laura Burman is credited on that front.
Unfortunately, it is underutilized by a cast that is clearly not trained, or even particularly interested, in sailing. They spend a great deal of time miming tying knots that would have been easier to learn properly. This surface-level engagement is emblematic of the overall venture and leaves audiences adrift.
Reviewer: Kira Daniels
Reviewed: 28th July 2025
North West End UK Rating: