Since its premiere in Dublin on July 2nd, 1996, Michael Flatley’s Lord of the Dance has captivated over 60 million people worldwide. On Tuesday night, a packed Manchester Palace Theatre became the latest audience to experience the magic as Lord of the Dance: A Lifetime of Standing Ovations took the stage.
I had the privilege of reviewing the 25th-anniversary show in 2022, which left me “astounded” and “mesmerized.” Naturally, I was eager to see if this 2024 revival could match that experience. The answer is an emphatic yes—if not more so.
Just as in 2022, the performance opens and closes with on-screen appearances from Flatley himself, who remains the undisputed Lord of the Dance. Throughout the show, a massive video screen plays a key role, displaying breathtaking scenes of nature and the cosmos that enhance every performance.
The music was a driving force, with rhythmic drumming building tension and dynamic fiddle playing from Helena Gullan and Giada Costenaro Cunningham, propelling both the dancers and the audience into a near-frenzy.
The production masterfully tells the timeless story of the battle between good and evil, as seen through the eyes of Little Spirit, portrayed by Cassidy Ludwig. Her glowing presence and belief in the Lord of the Dance as the embodiment of goodness provide the heart of the narrative.
Matt Smith, in the role of the Lord, faces off against the Dark Lord and his warlords, with their conflict brought to life through Flatley’s signature lightning-fast choreography.
Tiernagh Canning, as Saoirse, and Andrea Papp-Kren, as Morrighan the Temptress, both delivered powerful performances, adding depth to their on-stage rivalry. Celyn Cartwright’s soothing voice as Erin the Goddess, especially during her rendition of “Carrickfergus,” created a standout moment amid the intensity.
The show struck a perfect balance between powerful, thunderous tap-dancing sequences and more delicate, almost balletic moments, only to have the Dark Lord and his warlords’ storm back onto the stage, bringing a thrilling energy with their commanding presence.
Visually, the production dazzled, with frequent costume changes and shifts in tempo, but the quality of the dancing remained consistently exceptional. Smith shone not only in his extraordinary tap-dancing but also as a charismatic showman who clearly enjoyed every second on stage.
Canning and Papp-Kren were equally impressive, embodying the forces of good and evil with finesse, while Ludwig’s Little Spirit added a bright and endearing touch to the story. The Dark Lord, masked and enigmatic, left a lasting impression, with Zoltan Papp, Connor Smyth, and Alasdair Spencer listed as possible performers.
It’s difficult to capture in words just how impressive the performers are—so fast and precise is their tap-dancing that even in slow motion, it would still astonish.
On Tuesday evening, Lord of the Dance: A Lifetime of Standing Ovations earned several more to add to its tally, ensuring it will continue to captivate audiences for many years to come.
Lord of the Dance continues at the Palace Theatre until 18th August 2024. For tickets, please visit https://www.atgtickets.com/shows/lord-of-the-dance-a-lifetime-of-standing-ovations/palace-theatre-manchester/
Reviewer: Brian Madden
Reviewed: 13th August 2024
North West End UK Rating: