Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Monday, April 14

Ikaria – Old Red Lion Theatre

Ikaria is a moving capture of two young people’s lives in college over a semester. The play recreates for us young love and passion. However, a cloud of loneliness and sadness lurks over our lead Simon. The protagonists’ choices may shock and surprise you. We share the intimacy of being in their bedroom in the University halls, but all is not revealed to us until the last scene.

Playwright Philippa Lawford’s debut play, IKARIA, has won one of 5 runner-up awards for the Ambassador Theatre Group Playwrights’ Prize 2022, in association with Platform Presents and Time Out. Her reflections during covid on loneliness, isolation and clinging to a personal relationship in the time of crisis are present in the characters’ ruminations. A close observation of the challenges and realities of living in the university halls, where the dryer does not work, and a cup doubles up to be an ashtray, is funny and familiar.

©Tristram Kenton

James Wilbraham’s portrayal of Simon is honest, capturing his naivety, melancholy, and brooding. Amaia Naima Aguinaga’s portrayal of 18-year-old Mia is endearing. She is enthusiastic and exuberant about being the first to go to college from her family. Both actors portray their points of view with great chemistry.

Sound Designer Laurie Blundell has made unconventional choices for music. Upbeat for the mental breakdown and classical music that left us churning. The light and sound by lighting designer Shane Gill are faithful accompaniments for deepening the shifting moods of our protagonist. The blinking computer screen of loud, violent video games in the death of the night, the flickering lights while Simon confronts his deepest fears.

Before watching the show, the play requires content warnings for blood, self-harm, and suicide. They did organize chits with emails and phone numbers to the Samaritans, Campaign against living miserably, and Papyrus – for people under 35. However, the social factors of deteriorating mental health were missing from the play.

Reviewer: Anisha Pucadyil

Reviewed: 10th November 2022

North West End UK Rating: ★★★

0Shares