Part of this year’s Camden Fringe, Feminine Rage tackles one of the most urgent and devastating issues in modern Europe: the wave of femicides in Greece. Writer Venice Billia weaves a concept of striking potency, imagining victims of male violence gathering in the afterlife to build a fragile sanctuary for themselves. It is an idea that resonates deeply; these women deserve voice, presence, and dignity, and the framing offers a space to mourn and reflect on a crisis too often pushed aside.
The script carries weight, particularly when it edges toward naming and acknowledging the silenced women. Yet, the production struggles to match the gravity of its subject. The set is stark to the point of looking unfinished, reminiscent of a school-level staging rather than a professional platform. Technical elements are rudimentary, and incoherent, which could be forgiven if the performances anchored the work. Unfortunately, the acting lacks conviction and emotional depth, and the three young performers, who embody successive unnamed victims, fail to channel the necessary intensity or nuance, leaving the material feeling diluted and somewhat amateur.
With greater investment in set design, lighting, and sound, the piece could move from underpowered to immersive. Atmospheric staging would not only strengthen the narrative but also give the audience a more visceral connection to the stories being told.
There is an important story here, and a strong concept at its core, but it cries out for sharper storytelling, a more ambitious production, and a stronger, more mature trio of voices to truly deliver its impact.
Reviewer: Alan Stuart Malin
Reviewed: 15th August 2025
North West End UK Rating: