“The world is ugly; the work is beautiful.” Farm Hall is an extraordinary production directed by Stephen Unwin in the beautiful historical Theatre Royal Haymarket. The show explores morality and historical events, focusing on the physicists detained at Farm Hall in Cambridgeshire just after World War II.
The play opens with all six cast members introducing themselves as they find themselves held at a stately home in Cambridgeshire. The set is minimal, depicting a single room where the men pass their time by chatting, playing games, and enjoying music. In the first act, we see them struggling to fill the long hours with little to do. The arrival of a new piano, for example, provides a brief moment of excitement and distraction.
The first act is brisk and fast-paced, filled with dialogue, witty remarks, and conversations that reveal the personalities of the physicists, all members of the Uranium Club tasked with manufacturing the atomic bomb. The act ends dramatically with the cast learning that the atomic bomb has been dropped on Japan by the Americans.
The second act delves into the aftermath of this revelation, as the characters grapple with the reality of what has transpired. They question the truth of the news, how America could have beaten them to it, and whether their own efforts had been futile. This is where the play truly shines, raising thought-provoking questions about the Uranium Club’s true intentions. Alan Cox delivers a convincing performance as Heisenberg, particularly in a scene where he reconstructs the physics behind the atomic bomb overnight after learning of America’s success. This moment heightens the tension and raises further questions: Were they genuinely close to creating the bomb, or were some of them deliberately slowing down progress—whether out of laziness or a moral decision to prevent Hitler from acquiring such a devastating weapon?
The simplicity of the production allows the audience to focus on the inner conflicts and ethical dilemmas faced by the characters. One particularly resonant line, “I needed the work,” challenges us to reflect on our own lives today: could we, too, become involved in something we don’t fully agree with out of necessity, or have we learned from history to resist such compromises?
Overall, the cast delivers strong performances, and the play, while simple in its staging, effectively immerses the audience in the tense, reflective atmosphere of the room. However, I would have liked to see the play delve deeper into the implications of the scientists’ work and what ultimately became of them after their time at Farm Hall. This production serves as a compelling introduction to a lesser-known chapter of history, making it both interesting and thought-provoking to watch.
Playing until 31st August, https://trh.co.uk/whatson/farm-hall/
Reviewer: Zain Russell
Reviewed: 13th August 2024
North West End UK Rating: