Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Thursday, April 3

Death Drop 2: Back in the Habit – Liverpool Playhouse

Playing to a full audience, there was high expectation for the keenly awaited comeback of Death Drop to the stage. It did not disappoint. If you are looking for an evening that serves, laughs, scares and complete REALness, this is the show to see. With an all-star cast hailing from RuPaul’s Drag Race, the return of the murder mystery (or ‘Dragatha Christie’), to St Babs Convent was a tasteful idea, and one with hilarious possibilities.

Drag has sashayed into a whole new format with this kind of theatre, and Jesse Jones has allowed these queens to shine. The current vocabulary, inclusive dialogue, and killer soundtrack all added to the crowd’s appreciation for the performance of Mother Superior and her nuns.

Photographer: Matt Crockett

Set in the wonderful Playhouse, the modern meets the traditional and it did not feel out of place. The performances, (including singing) were of a high standard, and each character lived up to the quality of their costumes and setting.

If you’re squeamish and you don’t like blood, maybe cover your eyes for some parts. Yet, the well-timed comedy using the versatile set will get you over the gruesome props, (and the jump scares).

Having not seen the first Death Drop myself, I did not feel like I was missing anything, which is testament to Rob Evans’ writing and ingenuity for the sequel.

This performance opens the eyes of those who see drag parts on the stage restricted to the pantomime’s dame, creating fresh possibilities that accommodates an important part of our community.

Reviewer: Hannah Esnouf

Reviewed: 7th February 2023

North West End UK Rating: ★★★★★

0Shares