Dear England, written by James Graham, tells the story of the ‘New’ England football team and centres on the origin story of Gareth Southgate as Manager of the England team between 2016 and 2024. Gareth is determined to bring life and heart back to the squad and we are immersed in his journey, striving for solidarity and a better England.
The lighting, sound and projection work of this production is exceptional, as is the set by Es Devlin. As the audience enters, they see a circular stage with a semi-circle above it lit up, representing a football stadium. There is a low hum of the crowd that can be heard which builds anticipation. The semi-circle becomes a space for powerful projection which aids the progression of the show. The revolving stage is used throughout the performance, never overbearing but used skilfully to create perfect staging. Creative yet minimal set pieces complement the actors on stage and are used to depict different scenes. However, this show is nothing without its exceptional cast.
The performers are individually talented, but work together well to portray the team spirit required for this play. The ensemble are a key part of this production, each playing different characters skilfully and morphing into each one seamlessly. Small costume changes and comedic wigs enhance the character of this show. Particularly memorable and moving moments were when the team spoke up and expressed their feelings to one another, especially when Raheem Sterling (Gamba Cole) and Marcus Rashford (Jude Carmichael) shared their experiences growing up in England. The scenes depicting brutal racism as a result of the penalty misses of Marcus Rashford, Jadon Sancho, and Bukayo Saka in the 2020 Euros final are dealt with carefully and sensitively yet still giving enough weight to the intensity of the situation.
The movement sequences orchestrated by Ellen Kane and Hannes Langolf are meticulous, finding the balance between the boys physically training for the sport in large and energetic movements and moments of stillness for more powerful scenes. The stage is used wholly, which, incorporated with the revolving stage and blocking choices, create appropriate and dramatic moments. Creating the illusion of a football game is no easy feat on stage, but the movements executed by the cast and their believability make the audience feel immersed with the action on stage, despite knowing the outcome.
Something unexpected from this show its comedy from the very start which continues throughout. Sandwiched in between sweeter moments, the unexpected and surprising one liners are littered throughout which all land perfectly. There is a play on British stereotypes during these comedic moments but expertly executed by the cast to be not at all offensive. Familiar political faces pop up in the likes of Theresa May and Boris Johnson as caricatures and pop culture references are made throughout which remind the audience of the authenticity and truth to this story.
The focus on the importance of not only writing your story but the journey to get there is a powerful and engaging message, the essence of this play capturing the English spirit and significance of understanding your roots. For non-football fans, the prospect of watching an entire play surrounding football seems daunting, but this performance does not disappoint. While surprisingly intense and emotional, the show is full of heart and soul and touches on what it means to be English in a compelling and meaningful way.
Dear England is currently playing at the Olivier Theatre in the National Theatre until 24th May 2025. More information and tickets can be found at https://www.nationaltheatre.org.uk/productions/dear-england/
Reviewer: Maani Way
Reviewed: 19th March 2025
North West End UK Rating:
Rating: 5 out of 5.
