Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Friday, March 14

Close Up Concert – Royal Liverpool Philharmonic

This concert in the intimate surroundings of the fantastic Music Room at the Royal Liverpool Philharmonic Hall features the outstanding UK clarinettist Julian Bliss accompanied by the excellent  pianist James Baillieu.

The concert included five superb pieces of music written for clarinet and piano.

Francis Poulenc’s Sonata for clarinet and piano  (1962) is a short, energetic, and quite dazzling piece. In three movements, Poulenc’s sonata simply soars and brings a whole new meaning to the word melodic – the second slow movement is absolutely  beautiful, and Bliss really shows us why he is  one of the UK’s first and foremost exponents of the clarinet.

Claude Debussy’s Premiere Rapsodie (First Rhapsody) (1910) is a sublime and exhilarating piece of music and although not as well-known as most of Debussy’s other works, it does retain a unique freshness and special charm in its own right. 

Henri Benjamin Rabaud’s composition Solo De Concours (1901) is a perfect addition to the programme and a prime example of late chamber music. Exciting and intriguing in turn, both Bliss and Baillieu give it the five-star treatment.

Robert Schumann’s  Stille Tranen (Silent Tears)  (1840) is an overwhelmingly romantic piece of music and Bliss gave an extraordinary performance  of this Schumann classic. Lilting and profoundly moving in turn, Schumann’s composition lingers in the memory for a long time after.

Brahms Sonata No. 1 in F minor (1894) is an astonishing  piece of work in four movements. The sonata comes from a period in Brahm’s later life when he discovered the beauty  of the clarinet, it was such a revelation to the composer that he produced not one but two sonatas’ for both clarinet and piano.

Sonata No.1 is a good choice to include in this concert because I think musically and structurally it is the strongest of the two pieces. It has  a real depth and  an emotional resonance that comes through in its composition and both Bliss and Baillieu perform with great verve and sensitivity.

This was an excellent concert with such a varied and enjoyable programme of short classics. Bliss’s performance throughout was genuinely off the scale, he gave a true virtuoso performance on the clarinet, and he was matched by the equally superb Baillieu on piano.

Reviewer: Kiefer Williams

Reviewed: 27th October 2023

North West End UK Rating:

Rating: 5 out of 5.
0Shares