Choir Boy is an engaging and thought-provoking play that centres on the character of Pharus played by Terique Jarrett, an outspoken, confident student at an elite prep school for Black boys. As a young, gay man, Pharus is navigating both his identity and his place within a rigid, tradition-driven environment.
The production balances humour and tension effectively. There are several genuinely funny, laugh-out-loud moments, often driven by the boys’ natural banter, playful teasing, and bursts of spontaneous energy, including unexpected dancing. These interactions feel authentic, capturing the way teenage boys might behave with one another. The cast as a whole deserves credit here; their chemistry makes the dialogue feel fluid and convincing, with a rhythm that adds to both the comedic and dramatic impact.
At its core, however, the play explores more serious themes. Pharus’ experience at the school highlights the challenges of being openly gay in a space where masculinity and conformity are strongly emphasised. His peers’ reactions vary, from discomfort and exclusion, such as reluctance to share a room with him, to mockery, and at times, quiet support. These dynamics are portrayed with nuance, showing the different ways young people grapple with difference and acceptance.
The play also delves into ideas around secrecy and identity, particularly through its depiction of closeted relationships. It captures the internal conflict of characters who are unsure how to reconcile their sexuality with their environment, adding another layer of emotional complexity.
Additionally, the production touches on historical and cultural themes, particularly through its use of music rooted in the legacy of slavery. It raises interesting questions about how these songs should be interpreted today, whether as expressions of resistance, survival, or, in some cases, simply as songs without deeper coded meaning. This element adds intellectual depth, encouraging the audience to reflect on history and its ongoing influence.
However, while the play’s ambition is admirable, it occasionally feels overextended. By tackling so many significant issues, identity, sexuality, masculinity, history, and belonging, it sometimes loses focus. As a result, certain themes are not explored as deeply as they could be, and the overall impact can feel diluted. At times, the production leans too heavily into seriousness, which slightly undermines the balance it initially establishes.
Overall, Choir Boy is a compelling and layered production with strong performances and important themes, even if its breadth occasionally works against its depth.
Choir Boy runs until 25th April 2026 at Stratford East with tickets available at Stratford East.
Reviewer: Zain Russell
Reviewed: 31st March 2026
North West End UK Rating: