Friday, December 5

Yorkshire & Humber

Outlawed – Hull Truck Theatre
Yorkshire & Humber

Outlawed – Hull Truck Theatre

I might possibly need counselling after sitting through a performance of Outlawed, at the Hull Truck Theatre, on Wednesday night. And I’ve only myself to blame for breaking my own lifetime golden rule and willingly “audience participating”. I’ll never know what possessed me to roll a chunk of dry bread up into a ball and throw it at Robin Hood performing a heartfelt ballad on the stage. Poor thing didn’t deserve it. Mind you, it’s a good job my theatre buddy sister, Chrissy, was more restrained and didn’t throw a large potato gifted earlier to her by the balladeer - now that would have hurt. On second thoughts, I’m putting all the blame on my demise on to the four madcap performers acting out a night of burlesque, drag and comedy. The intimate Godber Studio at Hull Truck was...
The Shawshank Redemption – Hull New Theatre
Yorkshire & Humber

The Shawshank Redemption – Hull New Theatre

At precisely 7.30pm on Tuesday evening, the chatter among the Hull New Theatre audience quieted as the curtain rose on a production of The Shawshank Redemption. Seconds later the chatter resumed - the curtain having changed course and descended downwards. An apology resounded around the theatre. However, it was only another few seconds before the curtain rose again; and the aforementioned chatter ceased once more. That damn curtain seemed to have a life of its own as it descended once again; this time joined by its accomplice in crime, the fire safety curtain. Ten minutes after the scheduled start time, both barriers to the stage rose revealing the grey, grim interior of the Shawshank Maximum Security Penitentiary, in Maine, US. At first I thought I was watching The Full ...
Dear England – Sheffield Lyceum
Yorkshire & Humber

Dear England – Sheffield Lyceum

Brought by the National Theatre, this production covers the sporting tale of near-missing, culture-creating half-darling of the English eye Gareth Southgate, and his impactful tenure as manager of the England men’s national football team. Whilst it flirts with the bluster of testosterone fuelled dressing rooms, it brings with it a very deliberate and in-your-face softness that is credited as being part of the winning formula for Southgate and the England team. Except they didn’t win. So why are we hearing this story?  The first thing that needs to be said is Es Devlin’s set design is sensational. Slick, bold and powerful, it is alive and breathing and extremely well utilised. Jon Clark’s lighting design accompanied with Ash J Woodward’s video design make the piece a pleasant feast ...
Black Is the Colour of My Voice – Crucible Theatre
Yorkshire & Humber

Black Is the Colour of My Voice – Crucible Theatre

‘Black is the Colour of My Voice’ takes on the phenomenon of gospel, jazz and blues icon Nina Simone, and her activism leading up to and during the height of the civil rights movement in the United States. Fictionalising events and names so that it serves more of an ‘inspired by’ or a ‘representation of’ the life of Simone, there is a shared understanding of this unofficial autobiography being that of Simone. This solo show stars Florence Odumosu as Mina Bordeaux, unpacking her life in the wake of her father’s death. Odumosu navigates Bordeaux’s early years - wowing her family with her piano playing abilities at the age of 3 reciting her mother’s favourite hymns, through to unresolved youthful crushes and turbulent, violent relationships with men, before climaxing with the death of Doct...
Gwenda’s Garage The Musical – Sheffield Playhouse
Yorkshire & Humber

Gwenda’s Garage The Musical – Sheffield Playhouse

Sheffield, South Yorkshire, a Lesbian run garage named after the 1930’s racing driver Gwenda Stewart, three female mechanics and an apprentice, 1980’s Thatcher’s Britain, a time of protest and strikes and a time of a vibrant women’s movement. The controversial Section 28 of the local government act to prevent the ‘promotion of homosexuality’ as a ‘pretended family relationship’ empower the women through activism, solidarity and sheer hope to strive for a better future. This Out of Archive in association with Sheffield Theatres production with an onstage band of five, and written by Nicky Hallett with musical numbers by Val Regan, Gwenda’s Garage is an excitingly raw and exuberant episode taking the stories of local women and placing them into the iconic location. Directed by Jelena Budi...
Cirque Éloize: iD Reloaded – Hull New Theatre
Yorkshire & Humber

Cirque Éloize: iD Reloaded – Hull New Theatre

If I had a tenner for every time I said “oh my God!” while watching the unbelievably talented Cirque Éloize circus crew perform at the Hull New Theatre, on Friday evening, I would be laughing all the way to the bank. This production, iD Reloaded, is inspired by the company’s international hit, iD, created in 2009. Presented by Dance Consortium and directed and created by the Canadian company’s co-founder, Jeannot Painchaud, I was immediately impressed by the wonderful opening stage setting of industrial metal frames with a backdrop of a built-up city scape - an eye-popping video backdrop that changed and dazzled throughout the performance. The action takes place in the heart of a busy city, out in the open, in a space that encourages individuals to express their personalities and ...
The Lion, the Witch and the Wardrobe – Sheffield Lyceum
Yorkshire & Humber

The Lion, the Witch and the Wardrobe – Sheffield Lyceum

Triumphant and sublime masterclass of theatrical storytelling – Enchanting! Selectively based on C.S Lewis’ novel of the same name and the first and best known of seven in the Chronicles of Narnia series. Direct from the West End, The Lion, the Witch and the Wardrobe takes its audience on a magical and majestic journey through the wardrobe into Narnia. Written in 1950, the story tells of four siblings Peter, Susan, Edmund and Lucy who are evacuated in wartime to the home of an eccentric Professor, they discover an old wardrobe in a spare room and upon entering it are transported to the mystical land of Narnia. Can the two sons of Adam and the two daughters of Eve aid both the animals and the returning saviour Aslan, the Lion, to rid Narnia of the White Witch and restore Narnia to its seaso...
Emma – Sheffield Lyceum
Yorkshire & Humber

Emma – Sheffield Lyceum

Ryan Craig’s adaptation is aptly contemporary in places and unapologetically Georgian in others. The best affectations of Austen’s linguistic prowess are set upon with great effect, creating a poetic environment for the audience to exist in. This shape is shared with characters that feel real, embellished only in earnest moderation. Ceci Calf’s set design is deliberately sparse, leaving director Stephen Unwin with a very minimal arena for the characters to wrestle in. It is adorned only by a backdrop of blue/grey British sky and a couple of trees planted in the recesses of the stage to evoke the abodes of well-off English country families. Despite not being a physically transformative piece either, this feels right for Theatre Royal Bath’s production. So verbose and linguistically remarkab...
Opera North & Phoenix Dance Theatre: Susanna – Leeds Grand Theatre
Yorkshire & Humber

Opera North & Phoenix Dance Theatre: Susanna – Leeds Grand Theatre

On a night when Storm Amy lashed Leeds with wind and rain, Opera North’s Susanna offered a different kind of tempest — one of moral reckoning, emotional intensity, and artistic boldness. Handel’s oratorio, reimagined through opera and dance, became a mirror for society’s treatment of women, power, and truth. The audience, braving the elements, were rewarded with a production as courageous in its staging as it was timely in its themes. Susanna belongs to a genre born of necessity and ingenuity. During Lent, staged operas were forbidden in 18th-century England, prompting Handel — ever the commercial opportunist — to pivot to oratorios. Though unstaged, these works were operas in all but name: dramatic, character-driven, and rich in musical storytelling. Susanna (1749) is a prime example, ...
The Lion, The Witch and The Wardrobe – Hull New Theatre
Yorkshire & Humber

The Lion, The Witch and The Wardrobe – Hull New Theatre

When C S Lewis wrote The Chronicles of Narnia, he couldn’t have envisaged that the second in the series, The Lion, The Witch and The Wardrobe, would still be entertaining folk 75 years after it was first published. To celebrate the anniversary, this week Hull New Theatre plays host to the West End smash-hit production and, taking my seat on Tuesday night, I noticed theatregoers of all ages in attendance.  Before curtain up we were entertained by a pianist, tinkling the ivories of an upright piano and dressed as a Second World War air raid warden, complete with steel helmet and overcoat.  As the strains of We’ll Meet Again rang out, this first scene, on a darkened, misty stage, brought the Second World War years into focus. The story centres around the four Pevensie si...