Saturday, December 6

Yorkshire & Humber

Art – Sheffield Lyceum
Yorkshire & Humber

Art – Sheffield Lyceum

Yasmina Reza’s comedy Art is a renown work and this production shows than signs of downing tools and allowing its acidic wit to pale. Three friends Serge, Marc and Yvan deconstruct their own friendship whilst attempting to assimilate an objective verdict on Serge’s new £200,000 baby – a ‘blank’ white canvas. Or as Serge puts it, a canvas with shades of grey, thin lines and spots of red. This red is certainly not to be seen, nor is the profoundness of the work as Marc sardonically blasts the piece and Serge’s heinous modernist taste. This ignited the fuse between the two, catching the somewhat neglected Yvan in the process, who certainly tries his best to mediate. Seann Walsh, Chris Harper and Aden Gillett play masterfully across a majestical yet understated set design. While Wals...
Frankenstein – Hull Truck Theatre
Yorkshire & Humber

Frankenstein – Hull Truck Theatre

A cast of six brought the world’s most famous monster to the Hull Truck stage on Tuesday evening with a thought-provoking adaptation of Mary Shelley’s Frankenstein. As the 1818 thriller, now set in the war year of 1943, begins its second major UK theatre tour, would its producers, Tilted Wig Productions, have a monster hit on their hands? Stage settings are always something to look forward to at this popular local theatre and Tuesday evening was no exception. Though dark, unfussy and dimly lit, with sparse furnishings, the interior of a wooden cabin perfectly set the tone for the well-known horror story. I found the theatre itself was very cold on the night, which, though uncomfortable, added to the atmosphere. The cabin’s shabbily-dressed occupant, Captain (Basienka Blake - wh...
Chicago – Bradford Alhambra 
Yorkshire & Humber

Chicago – Bradford Alhambra 

There is no better opening in musical theatre than Chicago as a troupe of ripped and toned dancers shimmy, strut and shoulder roll their way round the stage in perfect unison as vaudeville performer turned murderess Velma belts out All That Jazz. Originally choreographed by the great Bob Fosse this is a show full of ‘jazz hands’, which is a concept that many people sneer at, but as Craig Revel Harwood constantly points out on Strictly strong hands make for great dancing.  There is something really elemental about a simple move like a hand roll, and the dancers in this cast nail some of the toughest and naughtiest routines in any show.  At heart Fosse’s wonderfully cynical book is both a tribute to the exuberance of vaudeville and to the nature of fame, aided by the med...
Hairspray – Sheffield Lyceum
Yorkshire & Humber

Hairspray – Sheffield Lyceum

It’s Welcome to the 60’s as Hairspray sprays the Sheffield Lyceum this week and You Can’t stop the Beat with this high energy, high octave musical. With the original screenplay by John Waters and the Musical Productions book by Mark O’Donnell and Thomas Meehan, the composer and co-lyricist Marc Shaiman and lyricist Scott Wittman collectively created a modern day classic - with all the ingredients to give Hairspray the longevity and wide spread appeal is deserves. Under the direction of Paul Kerryson and Brenda Edwards with top notch choreography by Drew Mconie this current UK tour easily equals, and I think surpassed its predecessor. With minimum set (Takis) and lavish caricatured costume the vast stage of the Lyceum is filled with an incredible cast which has a heart as big as its storyli...
NOW That’s What I Call A Musical – Bradford Alhambra
Yorkshire & Humber

NOW That’s What I Call A Musical – Bradford Alhambra

Back in the eighties when CDs first came on the market NOW That’s What I Call Music! compilations packed full of mega chart hits dominated the hit parade, so it’s no shock that a jukebox musical version is on the road. We’re back in 1989 with Brummie best mates livewire April and sensible Gemma, who for some reason is in love with Jay Osmond, but years later like many intense teen friendships they have drifted apart until a school reunion. Shock, horror - it’s all soundtracked by the sort of middle of the road bangers featured on the NOW collections. Pippa Evans' slightly flabby book is full of eighties inspired gags, but she does cleverly weave the narrative from 1989 to the reunion, and then backwards and forwards. Evans makes some good points about the fragile nature of friendship...
A Midsummer Night’s Dream – Leeds Grand
Yorkshire & Humber

A Midsummer Night’s Dream – Leeds Grand

The journey to Leeds across the M62 saw far from midsummer weather – gusting winds, driving rain, whirling leaves – but once inside the Grand Theatre and Opera House a much warmer welcome awaited. Opera North’s revival of Martin Duncan’s production is directed this time by Matthew Eberhardt.  Johan Engels’ set is minimalist but very effective – translucent Perspex pillars signify the trees of the forest, whilst the canopy (or are they dream bubbles?) float high above the stage.  These pillars then take the colour of Bruno Poet’s subtle lighting design, which contrasts beautifully with the 1960s-flower-power-style outfits of the lovers, Helena and Demitrius, Hermia and Lysander. And setting this production in the swinging sixties, when the work was first performed, with its ...
Re:INCARNATION – Hull New Theatre
Yorkshire & Humber

Re:INCARNATION – Hull New Theatre

Not being familiar with the Yoruba philosophy which forms a big part of Re:INCARNATION, a show brought to the Hull New Theatre stage by the QDance Company, I Googled and learned of its values - in the hope of it helping me to understand more of what I witnessed on Friday evening. Reading that there is a supreme being known as Olorun or Olodumare, plus numerous divinities known as Orisha, revered ancestors and malevolent or benevolent spirits, and that Yoruba people's cardinal virtues - love, morality, temperance, honesty, honour, bravery, justice, prudence, and fortitude - helped me not a jot. So, I relied on my imagination, relaxed in my seat on Row I and prepared to soak up what turned out to be an amazing spectacle produced by 10 young Nigerian dancers, plus two on-stage musicians...
Only Fools and Horses the Musical – Bradford Alhambra
Yorkshire & Humber

Only Fools and Horses the Musical – Bradford Alhambra

Bonjour! What a show! And what more can you ask for other than Del Boy, dancing and a dry sense of humour, this show will have you gripping at your sides in fits of laughter. Caroline Jay Ranger captured the authenticity of the hit sitcom perfectly, while also intertwining entertaining musical numbers and infectious routines, sprucing up all the action. The show throws you right back into the boot of the totters van and sells itself to you like Rodney does when he’s trying to auction off another knock off product. If you’re worried you won’t experience the well known and loved working class Londoners that feature in the TV show, let us reassure you these actors have the characters spot on. Sam Lupton well and truly had Del Boy down to a T, the voice, personality and even his mann...
Heathers The Musical – Sheffield Lyceum
Yorkshire & Humber

Heathers The Musical – Sheffield Lyceum

Heathers: The Musical offers a darkly comic take on American high school culture, that whilst not asking to be taken too seriously successfully manages to dismantle the nihilistic allure of teenage angst with bopping, in-your-face musical numbers. Kevin Murphy and Laurence O’Keefe’s musical adaption of the 1989 film by Daniel Waters has impressed audiences initially in the mid to late 2010’s. This production demonstrates it has no signs of growing stale. Set in the misery-inspired yet typically relatable school of Westerberg, the plot follows new girl Veronica as she navigates numbskull jocks and the notorious ‘Heathers’ - three girls of the same name who offer very little in individuality but plenty in toxic reputation management. On her journey, Veronica runs into the mysterious JD, a...
Opera North’s The Magic Flute – Leeds Grand Theatre
Yorkshire & Humber

Opera North’s The Magic Flute – Leeds Grand Theatre

Opera North’s Magic Flute, reviving James Brining’s 2019 production of Mozart’s final opera, comes with literally all of the bells and whistles.  (Well, magic bells and the eponymous magic flute, together with an ever-so-slightly-irritatingly out-of-tune set of pipes.)  And, being sung in English in Jeremy Sams’s excellent translation, it’s also an ideal introduction to opera for newbies, as well as a season-opening treat for those notsos. A pre-show message from company Music Director Garry Walker proudly reminded us that Opera North delivers learning and engagement to no fewer than 3,000 school children per week, and has a full time chorus, orchestra and technical crew.  A not so subtle message for the CEO of Arts Council England, in tonight’s audience, perhaps. The ...