Friday, November 22

Scotland

The Play That Goes Wrong – King’s Theatre, Edinburgh
Scotland

The Play That Goes Wrong – King’s Theatre, Edinburgh

If I had to be absolutely honest, Cornley’s Poytechnic Drama Society’s performance of ‘Murder at Havisham Manor’ was about one-star at best, based purely on set design alone, but seeing as even that slowly disintegrated throughout the performance, this rating is dubious at best. You’ll therefore be glad to realise, reader, I was in attendance of Mischief Theatre’s ‘The Play That Goes Wrong’, a carefully crafted physical theatre farce, where, unnervingly, everything that could have possibly gone wrong, did go wrong. ‘The Play That Goes Wrong’ does what it says on the tin. The production framed through the narrative device of Cornley’s Polytechinic Drama Society’s latest production, which, thanks to inept planning and a lack of talent, goes very wrong indeed. It’s ram packed with every ki...
The Signalman – King’s Theatre, Edinburgh
Scotland

The Signalman – King’s Theatre, Edinburgh

Most notable was how, with extreme economy (one actor, a sparse set and some carefully understated lighting and sound), this play generated such power, intensity and atmosphere. It's set in 1919, forty years after the Tay Bridge disaster of 1879 as Thomas Barclay, the signalman, now 64, re-lives the events of the horrific night. The sense of place is perfectly evoked by Jon Beale and Andy Cowan’s carefully constructed soundscape, the gulls, wind and rain a constant reminder of the vast expanse of a raging Tay estuary. Beneath a sky shaken and stirred by the swirling, gargantuan storm that hit Tayside that Sunday we’re immersed in the cosy confines of the signal box as Tom McGovern plays a haunted, traumatised Barclay, moving restlessly about the small set of coat-stand, desk and two chairs...
An Unexpected Hiccup – The Studio, Edinburgh
Scotland

An Unexpected Hiccup – The Studio, Edinburgh

“An Unexpected Hiccup” was directed by Ian Cameron and Maria Oller and produced by touring theatre company Plutôt La Vie and Lung Ha Theatre Company, an Edinburgh-based theatre company for people with a learning disability. It tells the story of Murdo, a musician who, caught in a storm, is forced to take refuge in an isolated house whose inhabitants he may or may not have mutual friends with. They also seem to have quite a lot going on, including an apparently dying father in the next room and a fair few conflicting stories about what's going on... The play is based on a story by co-director Ian Cameron, itself apparently inspired by something that happened to him years ago. The script was subsequently developed by Michael Duke and the cast, Emma Clark, Ryan Duncan, Tim Licata, Emma ...
Beauty and the Beast – Edinburgh Playhouse
Scotland

Beauty and the Beast – Edinburgh Playhouse

"Be our guest" and so you should, this toe tapping bonanza of a musical is a treat for the eyes. Mixing pre-recorded projections, detailed set pieces of course some magic, this production is one for the whole family. The story follows a Selfish young Prince turned beast and a bookworm beauty who doesn't quite fit in and find herself pursued by a man who just can't take no for an answer. When her father is held prisoner by the beast, belle volunteers to take his place, thus beginning our love story. Of course, one cannot forget the merry band of living furniture who guide us along the way. Expect classics from Howard Ashman and Tim Rice such as: Beauty and the Beast, Be Our Guest, Human Again and Gaston. Casting for this production does not disappoint for the most part, with the ro...
The Enemy – King’s Theatre Edinburgh
Scotland

The Enemy – King’s Theatre Edinburgh

If you live in Scotland, you’ll know that we’re fiercely proud of many things, but few things can compare to the pride we have for our tap water. In our opinion, our humble council juice makes our hearts sing. That’s why The Enemy, Kieran Hurley’s brilliant reimaging of the classic Henrik Ibsen play, ‘An Enemy of the People’ is simply perfect. Not just because it resonates with a post-truth world but it’s perfect for Scottish National Theatre, a perfect for 2021 and perfect as a play performed in Scotland for Scottish people returning to our theatres.  Scientist Kirsten Stockman (Hannah Donaldson) has discovered a life threatening bacteria in the tap water of a Scottish town that’s about to open a luxurious water park and become of the UK’s next hot tourist spots. Naturally this di...
Starstruck – Edinburgh Festival Theatre
Scotland

Starstruck – Edinburgh Festival Theatre

Think of postmodernism and you won’t think of actor and dancer Gene Kelly, though his life and his work exists simultaneously to the peak years of the movement. In 1960, during the movement’s height, Kelly was lured to Paris to bring his trademark moves of the Hollywood movie scene to the world of ballet. The result was his pioneering work, ‘Pas Die Dieux.’ 61 years later, Scottish Ballet and Kelly’s widow Patricia Ward Kelly have brought this stellar piece of work back to the stage for it’s UK debut with a beguiling new twist.  It’s simultaneously lavish, entrancing, and as the kids would say, ‘pretty meta’. Kelly’s original ballet, ‘Pas Die Dieux’ focused on the classical tale of Aphrodite and Zeus and the trials and tribulations that they face on Mount Olympus. In the ballet’s n...
The Woman in Black – Edinburgh King’s Theatre
Scotland

The Woman in Black – Edinburgh King’s Theatre

To put it simply, Susan Hill's 1983 novel The Woman in Black is both a masterpiece and a classic, and we are not only fortunate to have it but also the masterpiece and classic it has inspired... No, not the underrated 1989 TV film starring Harry Potter's dad. No, not the 2012 cliché starring Harry Potter. No, definitely not the execrable 2014 sequel Angel of Death. Why don't you stop saying these stupid things and just let me finish? I am of course referring to Stephen Mallatratt's 1987 stage version, now the second longest-running non-musical play in West End history (after The Mousetrap). In it, and in every other version of the story, a lawyer named Arthur Kipps finds himself in deep marsh-water when he is sent off to foggy Crythin Gifford to attend the funeral and sort the papers...
Grease the Musical – Festival Theatre Edinburgh
Scotland

Grease the Musical – Festival Theatre Edinburgh

This production can be viewed two ways; a successful adaptation combining the best of the original, visceral, 1971 Chicago show and the candyfloss of the 1978 film… or something that falls between the two stools of these contrasting affairs. Undeniably it was lively, but frenetic rather than kinetic. The constant movement made for a spectacle but parts of the script, including many of the caustic, witty, one-liners, were lost in the hustle and bustle, denying the audience a glimpse of the themes so vital when Grease first made its impact. The screen greeting the audience prior to the start promised much, decorated with small black & white TV’s, transistor radios, the most modern of things back in the 50’s, both devices carrying – amidst Elvis and Westerns - the advertising that propell...
Ay Up, It’s Stand-Up: Paddy Young and Adam Flood – Laughing Horse @ The Free Sisters
Scotland

Ay Up, It’s Stand-Up: Paddy Young and Adam Flood – Laughing Horse @ The Free Sisters

When your Fringe comedy show partner in crime goes AWOL in extenuating circumstances, there’s only one thing for it, keep that show on the road come hell or high water. Poor Paddy Young delivers that blow with comic flourish and the audience isn’t to upset when he promises not one but two stand-in stand-ups. Keeping to the theme of Northern comics, Tom Little is the perfect tonic. With only about 15 minutes to keep us entertained, he dives straight into some cracking observational humour, remarking ‘there’s no time to connect it’ as he dives from his fear of a watermelon-based diet to the absolute audacity of dolphins. The humour is clever and strikes an amusing surrealist approach thanks to the time constrictions.  Little is brilliantly witty, and it’s a shame that the audience me...
Carmilla – Edinburgh Fringe
Scotland

Carmilla – Edinburgh Fringe

Carmilla, adapted and directed by Laura J Harris from Le Fanu’s original Gothic novella, is a tale of love, decorum, passion and vampires. The adaptation focuses on and enhances the LGBTQIA+ elements of the story, to create a piece of theatre which is haunting, tragic and wonderfully terrifying. The play opens with a dark and creepy stage with the background of a very Gothic castle. We see Dr Hesselius creeping across the stage with a lantern, towards a table holding an old book, glass of red wine and a delicate porcelain teacup. The good doctor is nearing the end of his life, and leafing through his casebook as he reflects on whether his future may lie in hell, or if the souls he saved were enough to gain passage to heaven. As he ruminates on what is to come, Laura rises from the be...