Scotland Archives - Page 77 of 93

Anna Clifford: I See Dead(ly) People – Gilded Balloon Teviot (Balcony)

15Aug

By Roger JacobsNo Comments

Scotland

Anna Clifford: I See Dead(ly) People – Gilded Balloon Teviot (Balcony)

As anyone who’s ever spent any time in Ireland knows, when something is referred to as ‘deadly’ (or ‘savage’) it generally means ‘good’. Likewise, and not altogether obvious, is that ‘brutal’ just means ‘bad’ and to illustrate it Anna uses the example of a ‘brutal’ murder; it doesn’t mean merciless, it just means whoever committed the felony made a botch of it, one of those Friday afternoon/Monday morning homicides. This is a high-octane performance from a sparky player with a huge presence and the wise-cracks persist throughout as we learn about her family, relationships and hatred of the mood music employed in waxing parlours. The show pivots around events in March 2020 (a month we’ll all probably still be talking about in fifty years’ time) as Anna returns home to see her boyfriend only...

Leaves on the Line – theSpace @ Surgeons Hall

15Aug

By Ella CatherallNo Comments

Scotland

Leaves on the Line – theSpace @ Surgeons Hall

I, like many English people who’ve moved to Edinburgh but still have family down South, am very familiar with the trainline between Kings Cross St Pancras and Edinburgh Waverley. This show focusses primarily on the lives of six people on one of the trains covering this route, as they all attempt to get up North for various reasons, such as hill walking, going to a hen do or (ironically) visiting the Fringe. This feels like a quintessential, quirky Fringe show. It fits perfectly into the shorter run time and limited space characteristic of Fringe shows, never feeling limited by these restrictions but also never feeling like the show is too small or unambitious. This is a perfect fit for the Fringe when viewed from every dimension. The highlight of this show is its score. Equal blends ...

15Aug

By Anna ChiariNo Comments

Scotland

Hungry – Roundabout at Summerhall

At the centre of the Roundabout tent, a minimal and effective installation by Paines Plough's production to gather the many pilgrims of the Fringe in a circle, a culinary drama unfolds that uses the metaphor of food to investigate themes such as identity, emotional dependence and cultural appropriation. Although playwright Chris Bush's new play sins by an excess of verbiage, the pièce takes flight thanks to the naturalness and communicative energy of the two lead actresses. An encounter-clash between the insecure and fragile chef Lori, played by Eleanor Sutton, and the grumpy and recalcitrant Bex (Melissa Lowe) at the two extremes of two kitchen trolleys that clash, drift apart and grow closer as their relationship progresses. Of romance, affection or passion there is very little, releg...

15Aug

By Louise BalaguerNo Comments

Scotland

Speed Dial – Pleasance Dome

Vibrant colours, retro telephones and upbeat music, this show screams 70s – and dare I add Scooby Doo, in the best possible way. There is mystery, characters chasing after each other frantically (yet in a wonderfully choreographed manner), riddles, lurking figures and even stage fog, just to add that little extra bit of spookiness. Yes, this show is one that sucks you in from the very beginning. When a university Professor’s daily routine is disturbed by the ominous ringing of telephones following them at every turn, they are plunged into a spiral of puzzles to find their missing daughter. Making up this vibrant comedy-thriller that is Speed Dial, we find, alongside The Professor (Hamish Lloyd Barnes), The Dean (Tullio Campanale), Flora, the daughter (Genevieve Sabherwal), The Groundske...

Baxter vs The Bookies – Gilded Balloon Teviot (Wee Room)

15Aug

By Roger JacobsNo Comments

Scotland

Baxter vs The Bookies – Gilded Balloon Teviot (Wee Room)

Our hero William Baxter justifies the chequered life of an inveterate gambler by bemoaning the fact he left school at fifteen with no qualifications, but proudly pointing out he’d made an ashtray in woodwork. This is just the first of many bon mots and one-liners in a one-man play adapted from Roy Granville’s book. One could be forgiven for thinking the role had been written especially for Andy Linden, an actor instantly recognizable (Harry Potter, Count Arthur Strong, to name just two from a long, long line of film and TV credits) his lugubrious face and earthy London tone enabling masterful storytelling. The play was split into five ‘episodes’ each with a twist at the end, Andy playing other parts beyond Baxter; Jeff Armstrong (a bookie so morose that ‘if he ran a funeral parlour peop...

Temping – Assembly George Square Studios

15Aug

By Ben PearsonNo Comments

Scotland

Temping – Assembly George Square Studios

Temping is like nothing else I’ve seen at the Edinburgh Fringe, being more of an interactive experience than a show. The premise is simple, you have been brought into the company to cover some shifts for an absent employee. I was led into my new office, an excellently decorated set inside a cargo container, and told that the owner of the office, Sarah Jane, had left an instruction message for me. Throughout the hour, I had to complete various tasks, primarily changing former employees’ statuses from active to deceased, as well as answer phone calls and emails, each instructing me on how to proceed. The genius of the show though, is that many of these emails are not scripted. If I replied to an email, I would get a response to it. In a way, it is like you’re improvising. The general script ...

Looking For Me Friend: The Music of Victoria Wood – Assembly Rooms

14Aug

By Caroline WorswickNo Comments

Scotland

Looking For Me Friend: The Music of Victoria Wood – Assembly Rooms

Victoria Wood is one of those northern comedians whose expressions find a way into your life, without you really even knowing it. ‘Seventy-two baps Connie, you slice, I’ll spread,’ her joke on how the British deal with the funeral of a loved one. She had a way of looking at life and finding the humour in people’s day-to-day existence. Even though it is six years since she died, she still has a loyal following, and her sense of humour runs through people like the message in a stick of Blackpool rock. As a northern lass and fan of the late Victoria Wood, I went along to spend an hour in the company of other fans who appreciated her and to enjoy reminiscing about her very funny material, but also the amazing skill she had in creating these amusing tunes. Paulus is a fe...

Troy Hawke: Sigmund Troy’d – Underbelly Bristo Square

14Aug

By Roger JacobsNo Comments

Scotland

Troy Hawke: Sigmund Troy’d – Underbelly Bristo Square

What would Jan Molby do? For those too young to know, Jan Molby was a Football Colossus who played for Liverpool, represented Denmark internationally (33 times), and artfully opened up opposition teams with passes defying accepted physics. All without ever moving more than a few yards from the centre-spot, pre-dating the Work-From-Home ethic. For ‘Football’, substitute ‘Comedy’ and you’ve Troy Hawke, the nattily-attired squadron heartthrob from 1930’s Biggin Hill, the chief contrast being he takes us on a voyage covering distances that would’ve given Jan digestive issues. Quite how he took us from a disgruntled online fast-food customer in Sidcup to Sigmund Freud’s exploitation of the Coca plant via Jeff Bezos, Elon Musk, Bernard Arnault, Gucci, and an exploration of imposter syndrome is d...

14Aug

By Anna ChiariNo Comments

Scotland

Pauline – Pleasance Courtyard

Pauline is a pure example of storytelling where the words, voices and testimonies of three generations of women meet and confront each other in what turns out to be a moving and necessary memoir for all contemporary women. An all-female story, with a strong feminist character that always remains intimate and never aggressive. A veritable exposé of human nature, of what it means to be a woman, of weaknesses, insecurities, sins even, and of the great moral strength that such a gender role seems to bring with it, the play lays bare three characters, three women who are different but bound together by blood and art, by a love of storytelling and telling. An excavation in the memory of the actress, alone and unique in this one-woman show, who seems to want to cling with all her might to what sh...

Fiji – Pleasance Upstairs at the Pleasance Courtyard

14Aug

By Caroline WorswickNo Comments

Scotland

Fiji – Pleasance Upstairs at the Pleasance Courtyard

After reading the press release, this is one of those plays that you walk-in to the theatre, not knowing what to expect. Co-written by Eddie Loodmer-Elliott, Pedro Leandro and Evan Lordan, the inspiration of the play (scarily), came from real-life events. Omnibus Theatre have joined forces with Clay Party and Conflicted Theatre to produce an alarming, disturbing play that revolves around the theme of cannibalism. For most of us, (hopefully), this will be a subject that does not feature in your daily life, and one wonders what inspired this delving into the culinary skills of a cannibal. The play begins with Sam (Sam Henderson) arriving at Nick’s place (Eddie Loodmer-Elliott) with his suitcase. Sam is nervous and it becomes clear that Sam and Nick have never met before but have chatte...