Thursday, November 28

Scotland

Moonset – Traverse Theatre, Edinburgh
Scotland

Moonset – Traverse Theatre, Edinburgh

Finishing it’s too short 15 day run at Traverse Theatre, Edinburgh, Citizens Theatre Glasgow brings a thought provoking coming-of-age piece which has its roots in the infamous burning in 1697 of seven witches, known as the Paisley or Bargarran witches. The play, set in modern day, follows 15-year-old Roxy (Layla Kirk) as she tries to come to terms with her mother’s recent cancer illness at the same time as pre-exam stresses. This is a loss of control for Roxy, which throws her into a tailspin. At her lowest point we see the importance of her friendships with studious Bushra (Cindy Awor), who also has her own sexuality/faith issues, rebellious live wire, Gina (Leah Byrne) and glamor-pus rich kid Joanne (Hannah Visocchi), with boyfriend troubles. Evoking the turmoil of young minds, Jen...
Bring It On – Pleasance Courtyard
Scotland

Bring It On – Pleasance Courtyard

Setting the tone, pennants representing the rival schools of the story (Truman and Jackson) adorned the walls of this hallowed hall. But one sported a shamrock and the word ‘Leprechauns’. The penny dropped in humorous fashion later… Before it did, we were treated to a show of energy, conviction and commitment that belied the fact it was a - on paper - non-professional production. The Edinburgh Footlights is clearly blessed with talent, Amy Stinton (Director) excellently harnessing the many elements of a musical but leaving room for it to flourish. One wouldn’t have guessed some of these characters were studying things like Maths, Politics or Economics (despite the close relationship between politics and acting). A swift pre-show peruse of the programme read like the introduction to ...
Scottish Opera: The Verdi Collection – Usher Hall, Edinburgh
Scotland

Scottish Opera: The Verdi Collection – Usher Hall, Edinburgh

Two 30ft tall gilded iconic Columns and Pilasters support the muscular un-curtained proscenium arch framing the gargantuan stage of the Usher Hall, internationally acclaimed music venue. It is angular, strong unfettered and on the tiered stage the orchestra of Scottish opera are arranged, and ready. The orchestra immediately launch into a frenzied overture, La Forza del destino, under the baton of Stuart Stratford, which puts a wide smile on the faces of the nearly full audience. Stuart then, rather breathlessly, addresses the packed audience and introduces a collection of some highlights from the middle years of Giuseppe Verdi, one of opera’s most beloved and recognisable figures. The format of the show is somewhat problematic, without a set, costume changes, lighting effects or pro...
Madama Butterfly – Edinburgh Playhouse
Scotland

Madama Butterfly – Edinburgh Playhouse

Three weeks into a five-month tour of the UK, Director Ellen Kent brings the Ukrainian Opera and Ballet Theatre, Keiv, to Edinburgh Playhouse with a triple bill of La Bohème, Madama Butterfly and Aida, playing on consecutive nights. This is quite an undertaking for any company, but Ellen Kent who is celebrating thirty years of bringing opera and ballet to the UK was never likely to take the easy option. And if this powerful rendition of Puccini’s masterpiece, Madama Butterfly, does not move you, the finale featuring a passionately sung Ukrainian National Anthem, together with ubiquitous blue and yellow flag, surely will. Madama Butterfly is perhaps the best known of Italian composer, Giacomo Puccini’s 12 Opera output. The story is set in 1904, when the Russo Japanese war is taking place...
Love Beyond (Act of Remembrance) – Traverse Theatre
Scotland

Love Beyond (Act of Remembrance) – Traverse Theatre

Love Beyond is a moving and deeply poetic piece of theatre. Part of MANIPULATE Festival 2023, and presented by Raw Material and Vanishing Point, the two performances at the Traverse Theatre on Friday 10th February and Saturday 11th February mark its UK Premiere. And what a successful premiere it was. With a sold-out performance and bustling bar filled with excitement both before and after the show, the awe felt by the audience was palpable. Written by Glasgow-based Singaporean theatre maker Ramesh Meyyappan and directed by Matthew Lenton, the story follows Harry (played by Meyyappan himself), an elderly man with dementia and sign language user, as he moves into a new home, and is subsequently flooded with memories of past times spent with his wife. His first interaction with his carer, ...
An Inspector Calls – Edinburgh Festival Theatre
Scotland

An Inspector Calls – Edinburgh Festival Theatre

An upper class family oblivious to fact that the world around them is falling to ruin, a family laughing around a dinner table without a care in the world; that is until he arrives.  A detective. A dead girl and secrets to be explored. There’s a reason that An Inspector calls by J B Priestley has been wildly used in educational studies throughout the years and that’s simply because it fantastic. It’s a play that keeps us on our toes as it unravels itself with every character, providing us with twists and turns but also striving in the end to leave us with important moral lessons. The lessons of this tale clearly being ‘our own actions have consequences’ and that ‘we should take responsibility for how we treat others because we never know what could be going on in their lives’. T...
<strong>Jersey Boys – Edinburgh Playhouse</strong>
Scotland

Jersey Boys – Edinburgh Playhouse

Twelve months into an epic 18-month tour of the UK and Ireland, Jersey Boys splashes down at Edinburgh Playhouse. The lines are smooth as silk, the choreography is on point, hair is perfect, music is tight and the vocals – well… they are simply fantastic, and from the look of the packed audience, dancing, singing and whooping by the finale there is no denying this slick production is a hit. Having previously seen this musical 3 years ago, my expectations of being slightly bored by what I recalled as a somewhat formulaic juke box musical were quickly blown away by the sheer energy of this new cast with superlative acting and by the imaginative and brilliant staging. The two-storey scaffold set looked simple but with imaginative modelling and brilliant choreography the actors moved around...
<strong>Tam O’Shanter, Tales and Whisky – Traverse Theatre</strong>
Scotland

Tam O’Shanter, Tales and Whisky – Traverse Theatre

One Burns Night, a group of friends gather around the soothing glow of a campfire in an Edinburgh forest, to tell stories and sing songs. On a chilly January afternoon, Traverse 2 is sold out as folks gather to celebrate the poetry and music of Scotland. The set, by Polly Morris, is cosy – a campfire, with logs for the performers to sit on, and the musicians at the back in amongst the spooky trees.  The lighting, by George Cort, creates a dappled forest floor effect.  When I came downstairs to go into the theatre, I briefly thought I had got lost, and that I was about to go outside.  Happily, the room is nice and warm, and not at all Januaryish in temperature. Some tickets include a complementary nip of whisky, which would further enhance the atmosphere, but sadly I’m dri...
<strong>Snow White and the Seven Dwarfs – Festival Theatre, Edinburgh</strong>
Scotland

Snow White and the Seven Dwarfs – Festival Theatre, Edinburgh

Like an unruly bottle of Christmas fizz this Panto popped and sparkled in all the right places. And plenty of the wrong ones. The sentence ‘Macbiehill – watch yer bags everyone’ is not a sentence you’ll hear very often. Of Champagne Moments there were plenty: Nurse May’s (Alan Stewart) Prawn & Crab joke may be an old one but the punchline neatly utilised the richness of the local dialect, steamin’ and reekin’ being interchangeable for one who’s drunk, or just plain smelly… Lucifer’s (Grant Stott) song, nay, homage, to the Edinburgh Tram works was a release for those inconvenienced - meaning everyone in Edinburgh - for the last no-one-knows-how-many-years… the shirt-sleeves routine… the riotous 12 Days Of Xmas caper… Muddles’ (Jordan Young) précis of the entire show up to halfway… but n...
<strong>My Fair Lady – Edinburgh Playhouse</strong>
Scotland

My Fair Lady – Edinburgh Playhouse

Working-class flower girl Eliza Doolittle (Charlotte Kennedy) takes up an offer (or rather, bet) by renowned phonetician Professor Henry Higgins (Michael D. Xavier) saying that in six months he can teach her to pass for a member of the aristocracy enough to fool royalty. If they succeed, they will prove accents are a real but surmountable limitation on one's condition in Edwardian London and may improve one person's prospects, but if they fail, more than one life may be ruined. The musical, based on the 1913 George Bernard Shaw play and 1938 film Pygmalion (which was in turn based on the Greek myth of the same name about a sculpture who fall in love with Galatea, a statue of his creation), has been hailed as a classic since its 1956 stage and 1964 film premieres, with many classic songs...