Thursday, December 18

Scotland

The Court – Hill Street Theatre
Scotland

The Court – Hill Street Theatre

If you fancy yourself a sleuth, a Judge Judy, or even a Jeremy Kyle, this show is for you.  The Court, produced by Edinburgh Little Theatre, invites audience members to participate in a mock trial, testing their powers of discernment and morality.  Cathy, the defendant is accused of illegally euthanising her terminally ill mother.  It is up to the audience to decide whether it was murder, or manslaughter.  With pie and drink retrieved (both of which are included in the ticket price), we were guided into the courtroom.  The braver members of the sell-out audience got the chance to volunteer as the jury, getting a seat next to the witness stand right amidst the action.  “All Rise!” shouts the judicial assistant, and so it begins.  The interactive ...
Lies where It Falls – Quaker Meeting House
Scotland

Lies where It Falls – Quaker Meeting House

Written and performed by Ruairi Conaghan, Lies Where it Falls is heartfelt and full of love. Conaghan (an ensemble actor with major shows such as Downton Abbey under his belt) takes us on an autobiographical, topical and socially important journey through the impact of growing up in Derry. It explores the lasting personal reverberations of The Troubles in Northern Ireland. And not in a Derry Girls kind of way. Conaghan’s uncle, the Catholic Judge Rory Conaghan, was shot and killed by the IRA as he held his young daughter’s hand on his own doorstep in 1974. Conaghan was just eight at the time. And, sure, everyone gets on with life as best they can under the circumstances. When Conaghan later took flight from Northern Ireland to study drama in Liverpool, he thought he’d escaped. Bu...
Austentatious – McEwan Hall, Edinburgh
Scotland

Austentatious – McEwan Hall, Edinburgh

The eleventh year of Austentatious at the Edinburgh Fringe Festival in what has become their regular slot; 13:30 at the glorious 1100-seater McEwan Hall. Full, on the day I attended, and with limited tickets for the remainder of this short run, tells you plenty. The Uber talented troupe presents a completely improvised play daily, in the style of Jane Austen, with each show a previously untold (and never to be told again!) novel. The audience are asked to shout out potential titles until a ‘suitable’ one is reached. Todays unearthed gem was, The Unbearable Hotness of Being. Never has needlework been so hot in Hampshire! When a recently orphaned brother and sister arrive in the county by hot air balloon they become the talk of the manor. The handsome brother is soon s...
Frankenstein (On a Budget) – Pleasance Dome (Jack Dome)
Scotland

Frankenstein (On a Budget) – Pleasance Dome (Jack Dome)

Lamphouse Theatre returns to Edinburgh with a variation on its winning theme. Frankenstein (On a Budget) follows hot on the heels of their highly successful War of the Worlds (On a Budget). As the title suggests, there’s no fancy set or fancy props or even fancy costumes. What you will find is oodles of creativity and playfulness galore. Tom Fox and Becky Owen-Fisher clearly enjoy their work and their enthusiasm and silliness transfers to the audience whose shoulders shake with laughter. It is a very happy hour of nonsense with a Becky-fan or two in the audience. Fox is our performer, Owen-Fisher the narrator. The show involves a lot of costume changes at speed and more than a handful of home-made props. Fortunately, Fox is multi-talented and can sing and do voices with ease. Owen-Fi...
Carmen – Festival Theatre, Edinburgh
Scotland

Carmen – Festival Theatre, Edinburgh

Bizet’s Carmen was first performed on March 3rd, 1875 at the Opéra-Comique, Paris. Now the very same company brings a modern, super-sensual version to Edinburgh from 4th – 8th August, co-produced by Opernhaus Zürich. On Opening Night in 1875, several morning papers published vitriolic letters. One claimed: "Carmen presents most unsavory characters, in such bad taste that the work might very well be ill-advised." Yet, go ahead it did, to healthy box office takings. Bizet, unfortunately, died of a heart attack at the very moment the curtain fell on the 32nd performance on June 3, 1875. Soon after it was closed in Paris, but it was soon to be a hit in Vienna and Brussels. When you go to see a world class, flamboyant and colourful opera like Carmen, you expect (and take for granted) that...
Edinburgh International Festival Opening Concert – Usher Hall, Edinburgh
Scotland

Edinburgh International Festival Opening Concert – Usher Hall, Edinburgh

The opening of the 2024 Edinburgh International Festival by Nicola Benedetti marks the beginning of an exhilarating 24 day, 160 event celebration of opera, dance, music and theatre in the Scottish Capital. Following last years’ tentative, ‘Where do we go from here?’, we start this year with the more upbeat, ‘Rituals that unite us. And the opening concert tonight could hardly be a better example of the statement. Spaniard, Osvaldo Gilijov’s extraordinary reinterpretation of Bach’s St. Matthew’s Passion was commissioned in 2000 to mark the composer’s 250th anniversary. Now, almost a quarter of a Century old and having been performed around the globe, it (finally!) has its first Scottish outing. But this is no Solemn biblical narrative, no, this is a shock of rhythm and colour, in mult...
The Cambridge Impronauts – Gilded Balloon Patter House
Scotland

The Cambridge Impronauts – Gilded Balloon Patter House

I cannot go to the Edinburgh Fringe Festival without seeing improvisation, and as I have never seen the Cambridge Impronauts before, I thought I would pop along.  The Cambridge Impronauts as a company were formed in 2003 and have been calling the Gilded Balloon home for the last seven years.  In their home town of Cambridge, they run open workshops for students and locals, and show off their improv skills in local shows. Today at the Gilded Balloon, we saw the team using short-form improv in a ‘Whose Line Is It Anyway’ style.  For those young ones who are too old to remember this show, there are short scenes improvised after taking suggestions from the studio audience.  There is a director setting the scene for the audience, who encourages ideas that will help to...
Oh, Calm Down – Edinburgh Summerhall (Cairns Theatre)
Scotland

Oh, Calm Down – Edinburgh Summerhall (Cairns Theatre)

In 2024 it’s customary for plays, books or TV programmes like this to carry a trigger warning for anyone who suffers from any form of anxiety. Happy to report that this doesn’t carry any such warning as it’s precisely the sort of thing one should see. It’s sometimes uncomfortable and one audience member is seen leaving the theatre in tears, but this was simply testament to how vividly the two performers represented the issues, so respect to them and director Ed White. Beautifully paced, it sped up when it needed to, slowed when required and not a pause was wasted. At points, despite the subject, it managed to be funny and entertaining too. To start with, both Claire (Charlotte Anne-Tilley) and Lucy (Maddy Banks) are late delivering something, in Claire’s case some coursework for ...
Penthesilea – The Royal Lyceum Theatre
Scotland

Penthesilea – The Royal Lyceum Theatre

This passionate fictional play set at the gates of Troy, was written in 1807 by Heinrich Von Kleist, who four years later would commit suicide with his married lover aged only thirty-four.  This may be an indication of his passionate nature, and why at age thirty, he could write such a romantic, but also violent play. Part of the Edinburgh International Festival, the ITA Ensemble who are the in-house team at the Internationaal Theater Amsterdam, are behind this bold production which is part rock concert, and part classical play.  The director Eline Arbo, who achieved great success with ‘Weg Met Eddy Bellegueule’ winning a director’s award in 2020, is working with Thijs Van Vuure who created the music which acts as the beat for the play.  Staged at the wonderful Royal Lyce...
I Sell Windows – Assembly @ George Square
Scotland

I Sell Windows – Assembly @ George Square

A tricky review to write, and only a three-star rating. Whilst most shows at the Fringe this year will be some good, some bad, this show is certainly at the extreme end, it is both very good and the very bad. Let me explain. First, the very good. Two-time NAACP (US based National Association for the Advancement of Coloured People) award winner Kacie Rogers provides an acting masterclass. A one-woman monologue extraordinaire. She does not put a single step wrong in this dense script, playing multiple characters to a tee. It is an authentic, emotionally charged performance. The story is a coming-of-age tale which follows a young aspiring American actress as she tries to make her way through the acting maze, whilst trying to handle her personal relationships and put money in the ban...