Scotland Archives - Page 6 of 61

27Nov

By Greg HolsteadNo Comments

Scotland

Amplifi – The Queens Hall, Edinburgh

Amplifi is a series of gigs showcasing the best in modern Scottish music, held every few months in the quirky bar space venue of The Queens Hall, Edinburgh. Performed mid-week I was somewhat surprised to find such a large diverse and enthusiastic audience, ready to heartily support the three acts on display tonight. Presented by Arusha Qureshi in association with Halina Rifai and supported by Creative Scotland and The City of Edinburgh Council, and We Are Here Scotland this is a really nice initiative to support the fringe musicians and minorities looking for a stage and platform to showcase development. First up on the mini stage is Elaine Cheng, Edinburgh based composer/sound artist who takes us through an electronic soundscape featuring her own voice, rising and falling, at times...

27Nov

By Greg HolsteadNo Comments

Scotland

Play Pretend – Traverse Theatre

A brand new play from writer Katie Fraser, directed by Laura Walker for Framework Theatre, a Scotland-based charitable organisation which supports emerging and early-career theatre makers. This play certainly has the feel of a development piece, a bit rough in places, but also fresh with clever ideas, enough to keep you leaning in and invested to the end. Chemistry, synergy, comradeship, trust, improvisation; all elements of acting which are extremely important and which are played out as exercises in drama schools everywhere. But in today’s society have the methods of building on-stage and on-screen relationship with your fellow actors become outdated, dangerous even. And how close is too close today? This play-within-a-play sees seasoned actor Greg rehearsing his role as Bonnie Pr...

No Spray No Lay – St Augustine United Church

20Nov

By Oliver GigginsNo Comments

Scotland

No Spray No Lay – St Augustine United Church

Bare Productions exists for its local and accessible approach to theatre, with its “Bare Academy” doing the same for dance, vocal and acting skills. It therefore only makes sense that No Spray No Lay is a musical. Written by new writers Kat Dobell and Lara Dunning, who were also creative directors on the project, the show takes place in the ladies bathroom of a night club in 2005. It was intended as an ode to the female experience, with the female toilets creating a micro-society, one notorious for the bonds it creates. And with alcohol known for the drama it can cause (not to mention excusing some first night flubs, such as two characters getting their own names wrong), this club toilet quickly becomes both the eye of the storm and sometimes the storm itself, a centre for all the drama o...

20Nov

By Kathleen MansfieldNo Comments

Scotland

Learning to Fly – Traverse Theatre

James Rowland’s one-man show, Learning to Fly, is engaging, heartwarming and very funny. He is a gifted storyteller with a tender heart and a grand sense of the absurd. After a tough week, he really lifted my spirits. His tale is personal. It’s about growing up and having an unusual bond with the old lady across the road. He lives it on stage and so do we. There’s something about his face and expression that transforms into a twelve-year-old with all its innocence that I found charming. He embodies the three characters he portrays with simplicity. It’s not a show of gymnastic characterisation, it’s a confessional, sharing a poignant and funny episode between people from different age groups, growing closer over classical music and cups of milky strong tea. Some people had see...

Through the Mud – Lyceum Theatre, Edinburgh

6Nov

By Greg HolsteadNo Comments

Scotland

Through the Mud – Lyceum Theatre, Edinburgh

Extraordinary! The first word to come out of my lips after this exceptional performance. From the creators of ‘Black is the colour of my voice’, comes a powerful new story about the experiences of two African American women separated by 42 years, but suffering the same racial discrimination living as citizens in the, supposed, Land of the Free. Written and performed by Apphia Campbell and co-produced by Royal Lyceum Theatre Edinburgh and Stellar Quines, Through The Mud is a re conceived version of Woke, the one-woman play which won Campbell a Scotsman Fringe First Award in 2017. Although I never saw Woke, changing this from a one-woman to a two-woman play looks to have been a very inspired idea indeed. Alongside the seasoned Campbell, is the excellent Tinashe Warikandwa playin...

4Nov

By H.S. BakerNo Comments

Scotland

All, Here & Now – The Studio, Edinburgh

Unearthed Dance Company perform four dances, produced by Oliver James Anwyl for Dance Horizons, directed and choreographed by Hannah Mason. The company of ten dancers comprised nine females and a solitary male. Book Worms was a delightful piece inspired by Roald Dahl’s Matilda. The dancers appear in childlike costumes of shorts and t-shirts each carrying a book in front of their face, the books being cleverly lit to illuminate the faces. They sit cross legged on the floor and individually address the audience with lines from inspirational and fantastic literature, their faces full of wonder. Of course, they’re dancers, but a little voice work in preparation would not have gone amiss because some could barely be heard. The dancing though, was spot on....

The Barber of Seville – Festival Theatre

4Nov

By Nazaret RaneaNo Comments

Scotland

The Barber of Seville – Festival Theatre

On the evening of November 3rd, 2023, opera enthusiasts gathered at Edinburgh's Festival Theatre to witness a remarkable production of Rossini's 'The Barber of Seville.' This comedic masterpiece, directed by Sir Thomas Allen, unfolded in English, featuring Amanda Holden's translation, and was a testament to the enduring charm of this operatic classic. The narrative centred around Figaro, a character known for his wit and resourcefulness, navigating a world filled with young love and the eccentricities of the elderly. Count Almaviva, smitten by the enchanting Rosina, sought Figaro's assistance in winning her heart. However, the journey was fraught with challenges, as Rosina's guardian, Doctor Bartolo, harboured plans of marrying her himself, keeping her under lock and key. This reviv...

3Nov

By Beth EltringhamNo Comments

Scotland

Disney’s Aladdin – Edinburgh Playhouse

As a childhood favourite movie for a lot of people, Disney had a lot of work cut out for them to translate the magical animated masterpiece onto the live stage. Whilst they have some fantastic cast members and wonderful costumes, I’m sad to say the magic fell a little short. One cannot deny that the casting choices of the production team are impeccable: Gavin Adams plays the perfect cheeky thief Aladdin. His vocals never waver along with his energy. Our Princess Jasmine (Desmonda Cathabel) is head strong, witty and regal; she makes the perfect Princess Jasmine, bringing the animated beauty to life. Also true to the movie our villain Jafar (Adam Strong) has nailed the voice made famous by Jonathan Freeman and of course the laugh. Beside him Angelo Paragoso makes a hilarious Iago (hum...

The Grandmothers Grimm – Traverse Theatre

2Nov

By Greg HolsteadNo Comments

Scotland

The Grandmothers Grimm – Traverse Theatre

Having just finished a quick nine reviews at the too-short Edinburgh Horror Festival, it was somewhat ironic that my next outing, The Grandmothers Grimm, had its premiere in Edinburgh at the very same event some six years previously. The show, written and directed by Emily Ingram in association with, Some Kind Of Theatre, has been on my radar for the last few years, doing the rounds in Scotland and further afield. I have always, somehow missed it, so I was doubly delighted to finally track it down, and to corner it in one of my favourite viewing spaces, Traverse 2. Expecting great things from what must surely be a polished pebble of a show, six years old, a lifetime in theatre land, I settled back expectantly to view proceedings. The first scene, probably my favourite of the whole p...

Dead Dad Dog/Sunny Boy – Traverse Theatre

2Nov

By Roger JacobsNo Comments

Scotland

Dead Dad Dog/Sunny Boy – Traverse Theatre

It’s a shame circumstances prevented us seeing ‘Sunny Boy’, the sequel to ‘Dead Dad Dog’, but, 35 years on from its debut in the late 80’s, with the luxury of hindsight, the original play delivered some unexpectedly poignant twists and turns. The historical context more clearly defined, the father/son relationship represented not just the uneasy shift between generations, but also the seismic changes affecting Scotland as ‘Thatcherism’ took the entire UK down and up a new capitalism rollercoaster designed to replace the coal, steel and shipbuilding industries finally forced to give in to global economic pressures. Traditional pubs faced the threat of imported concepts like ‘Brasseries’ and the ‘Smoked Sausage Supper’ was besieged by a thing called Broccoli. ‘Looks like unripe cauliflower’...