Scotland Archives - Page 4 of 61

6Feb

By Wendy McEwanNo Comments

Scotland

Last Rites – Festival Theatre Studio

This is a story about a man who travels back to his family home in India to conduct a funeral ritual for his late, estranged father, who was a devout Hindu. As he conducts the ritual, he relives experiences from their difficult relationship. This solo piece, performed by Ranesh Meyyapan uses movement, BSL, subtitles and projected images. There is no spoken language. Sometimes the words onscreen are replaced with emoji-like images – for example, the father is represented by a pair of glasses. This nicely reflects the visual nature of gesture-based language. The sound design, by Tayo Akinbode, was a triumph. Music alternates with sound effects. The ambiguous sound of burning flames, or running water, as Meyyapan conducts the ritual, was particularly evocative and brought home the fina...

Simple Machines – Fruitmarket, Edinburgh

6Feb

By Wendy McEwanNo Comments

Scotland

Simple Machines – Fruitmarket, Edinburgh

I am a little bit afraid of robots. I was concerned that the automatons in this production would be sinister denizens of the Uncanny Valley. However, my expectations were turned on their head. Here, choreographer Ugo Dehaes has created a cynical alter ego. At least, I hope this is an alter ego: Dehaes’s performance is very convincing. Apparently, this soft-spoken character got into the arts with the intention of getting rich. When unlimited wealth and power fail to materialise, he looks to mega-corporations for inspiration, and decides to replace his workforce – the dancers – with robots. However, plan B doesn’t work out as he expected either. The philosopher Rene Descartes regarded non-human animals as “mere machines”, a view with profound ethical consequences. But perhaps we...

6Feb

By Oliver GigginsNo Comments

Scotland

L’Amour Du Risque – Manipulate Festival

In this show by Compagnie Bakélite, a man (show creator Olivier Rannou) is served dinner by a collection of automatised vacuum cleaners piloted off-stage by Morien Nolot. Covered in small tables equipped with everything you need for a meal, including romantic music, tablecloths, a candle and a surplus of spoons, these vacuum actors roam around the lined stage with a mixture of robotic awkwardness and occasional personality, bumping into some objects and ignoring others in their mechanical pursuit of simple functionality. The result is a comedic and hypnotic mix of Jacques Tati and a Pixar short. We watch as these vacuum cleaners struggle with their restaurant jobs, sometimes cleverly, sometimes not, and sometimes both, under Rannou's constant but mostly non-judgemental gaze. As the cus...

6Feb

By Kathleen MansfieldNo Comments

Scotland

The House – Traverse Theatre

The House is a fantastic little puppet world centered on the Warehouse Family Funeral Home. This particular cremation business is burning the midnight oil to please a manipulative, greedy woman. It is chillingly superb. The set is clever, revealing room upon room where unspeakable deeds are carried out. On her deathbed, the undertaker, Mrs Esperanza, changes her will which does not please some. And so begins the shenanigans of hidden identities, lost souls and nonsensical goings on with open and closing doors offering just one more opportunity for farcical fun. This magnificently bizarre horror story made me smile from ear to ear. It’s surreal, funny and enticing. Sofie Krog and her talented partner, David Faraco, clearly love their jobs and, as a result, they are master craft...

5Feb

By Greg HolsteadNo Comments

Scotland

Plinth – Traverse Theatre

Part of Edinburgh’s Manipulate Festival 2024, Plinth is created and performed by Glasgow-based, Al Seed. A darkly intense, wordless portrayal of human conflict, and a timely reminder that actions speak louder than words. A show that comes with a warning, that it contains loud music/sounds, flashing lights and smoke effects, and rightly so. At times this was certainly in the ‘uncomfortable’ zone. But then again, you could argue that the depiction of war should be uncomfortable. Reminiscent of one of my favourite shows from last year, As Far As Impossible (Lyceum), which questioned why some medics continually return to conflict zones, Plinth asks some similarly unanswerable wordless questions about the inevitability of conflict and the human thirst for ascendancy. Seed’s unquestio...

29Jan

By Wendy McEwanNo Comments

Scotland

Protest – Traverse Theatre

“This is a girl”. Three primary seven girls seek to address injustice in their everyday lives. Inspired by previous generations of women, they begin to find their voices. As soon as I saw the set, I just wanted to play on it. Amy Jane Cook’s design invites spontaneous, joyful movement. There is a winding path for the girls to run around, curved frames to climb and swing on, and platforms to rest, spin and jump on. The actresses are adults, but their performances are so convincing that it is easy to forget this. Movement director Nadia Iftkar has done an amazing job, and the girls move playfully, running with arms outstretched one minute, sitting cross legged and fidgeting the next. They beautifully capture the delight in movement that characterises childhood. The costumes, ...

David Suchet Poirot and More, A Retrospective – Festival Theatre

29Jan

By Oliver GigginsNo Comments

Scotland

David Suchet Poirot and More, A Retrospective – Festival Theatre

At one point in this show David Suchet tells the audience the moment he knew he had to be an actor. He describes seeing the stage be prepared from the audience and having the epiphany that this was storytelling, that this was magic. If there was ever any doubt that David Suchet was a born storyteller, and there wasn't, then this show proves it wrong. He has that magic. Suchet has spent 25 years (or at least part of every one of them) playing Agatha Christie’s Belgian detective Hercule Poirot. His interpretation is widely judged to be the definitive version of the character, not only in its characterisation but also its scope, as the series covered all (or almost all, if we're being pedantic) of the Poirot novels and short stories and is said to always be on TV somewhere in the world ev...

17Jan

By Oliver GigginsNo Comments

Scotland

Jekyll and Hyde – Royal Lyceum Theatre

This adaptation by Gary McNair of Robert Louis Stevenson's novel, is keen to point to its source's Edinburgh roots, though mostly through the programme and the lead (and only) actor's Scottish accent. Unlike some recent productions of Great Expectations or Dracula however, it stops short of relocating the story to Scotland. But even the medium of a play represents a coming home of sorts: this story began with the true tale of furniture-maker and lock-breaker Deacon Brodie, about whom Louis Stevenson first co-wrote a play entitled Deacon Brodie, or The Double Life, though it was his later retooling of the idea of duality into the novella Strange Case of Dr. Jekyll and Mr. Hyde which would find lasting success. The story is well-known (spoilers) for its crucial dual role, which lead a...

Elliot Bibby – The Best of Bibby – Scottish Storytelling Centre

2Jan

By Greg HolsteadNo Comments

Scotland

Elliot Bibby – The Best of Bibby – Scottish Storytelling Centre

Perhaps more than any other performer at Edinburgh’s Magicfest 2023, Elliot Bibby is unashamedly a comedian and entertainer first and a magician second. There is certainly no shortage of laugh-out-loud moments from this cheeky and charming magic man which make it quite different to all the others I’ve reviewed so far on the programme. Of course, comedy within magic is nothing new. Add a funny hat to the tall, dark Bibby and the Cooperesque comparison would be inescapable. No more so than when Bibby carries out the hilarious Bottle Glass, Glass bottle routine, which was one of Tommy’s absolute highlights. A lady behind me was in total hysterics during this sketch as bottle after bottle appeared on the ever diminishing table! Whilst comedy, can, of course, be a strength when combined...

Richard Wiseman – The Worlds’s Greatest Card Trick – Scottish Storytelling Centre

2Jan

By Greg HolsteadNo Comments

Scotland

Richard Wiseman – The Worlds’s Greatest Card Trick – Scottish Storytelling Centre

Prolific writer, Psychologist and magician Professor Richard Wiseman, who has attracted more than 800M views on YouTube and worked with the likes of David Copperfield, Penn & Teller and Darren Brown, comes across as a very unassuming and likeable chap who excels at interacting and entertaining the audience and also has some surprisingly good tricks up his sleeve. Combining erudite wit, a cardboard box full of self-made tricks and a deep knowledge of the subject matter is a compelling combination. The upper studio of The Scottish Storytelling Centre is an intimate space, with an audience of perhaps twenty, ranged in a semicircle around Wiseman. He happily gathers us into his tight spotlit table. Wiseman takes us on a brief tour of the life of some of the unseen and unknown in...