Sunday, December 22

Scotland

Tubular Bells – Edinburgh Festival Theatre
Scotland

Tubular Bells – Edinburgh Festival Theatre

It’s funny to think that one of the albums driving so many into the arms of Punk back in 1976 should have been so instrumental in launching Richard Branson’s fledgling Virgin Records. Released in 1973 it – not least the money its success generated – enabled the label, a few years later, to sign and propel the short-lived, incendiary career of The Sex Pistols. Further intriguing that a piece, at points ethereal and plangent, should end up soundtracking a film like The Exorcist. Though the haunting aspect of the snatches employed in the film have in no way been diminished or Tarantino’d, representative of the fact they were part of a work more substantial; for here we are, over 50 years later, with a superb band, marshalled by director Robin Smith, bringing it to life on stage. Something the...
Dementia The Musical – The Sudio, Edinburgh
Scotland

Dementia The Musical – The Sudio, Edinburgh

Written by Ron Coleman (aka The Demented Poet), himself a dementia sufferer, the inspiration for this thought-provoking musical was three people living with the diagnosis.  They are James McKillop, Nancy McAdam and Agnes Houston, dementia activists, who are portrayed on stage by three 30 somethings.  More of that later.   Having started life as a play, it soon turned into a musical, composed by Sophie Bancroft with additional music by Andrew Eaton-Lewis.  The narrative is based on the campaigning work of the three dementia activists and set in the near future when the fictitious British Bill of Rights allows the system to control individuals with dementia, deciding for them where they live and what they can do. Karen Tennent’s set design is simple and versatile,...
Blue Man Group: Bluevolution World Tour – Festival Theatre
Scotland

Blue Man Group: Bluevolution World Tour – Festival Theatre

Where to start?  Well, if you don’t like rib rattling drumming, strobe lighting and a full on multisensory happening, don’t see this show!    It is an experience of epic proportions, colourful, loud, funny and stompingly engaging. The fun starts before the show begins, with public announcements being displayed on a board reminiscent of those motorway signs. Neon red letters requested us not to be annoying with our phones and announced that the flying of drones was definitely not allowed.  Blue Men come in threes.  They are mute, bald, blue and strangely endearing.  They are curious about everything, like silent aliens they seek to connect with the unfamiliar world in which they find themselves.   Essentially, I suppose the Blue Men are dru...
Dr Louise Newson – Hormones and Menopause: The Great Debate -Festival Theatre
Scotland

Dr Louise Newson – Hormones and Menopause: The Great Debate -Festival Theatre

It started in my mid-forties. A woman, maybe a decade older than me, would look around to check for eavesdroppers, then say something like, ‘I can’t drink coffee anymore. Not since the menopause.’ Nobody had prepared them for the change of life. Nobody spoke about it. For generations, everyone was blindsided by the menopause, just like that other taboo experience, menstruation. Now approaching the big five-oh, I’m a member of the first generation in recent history to have access to information on the menopause, thanks to the courage and kindness of those who walked this path before me. Dr Louise Newson is one of those women. She’s a GP, but her medical education barely covered the menopause. The symptoms of perimenopause started in her late thirties: depression, cystitis, loss of con...
Love The Sinner – The Studio, Edinburgh
Scotland

Love The Sinner – The Studio, Edinburgh

Approaching the end of a one month tour of Scotland’s finest smaller theatres, this gem of the spoken word is certainly getting to the well-polished stage. Expertly, co-produced with Vanishing Point, writer and performer Imogen Stirling simply oozes confidence and assuredness as she births every beautifully crafted line. The shame is that they whizz by at such a rate they barely have time to flower into fully formed life. Like snow on the river, white for a moment, then gone forever. Through a series of flawed characters, representing the seven deadly sins, Stirling’s prose expertly coaxes and cajoles us through the drowned streets of the river city. It has rained for days. Our unlikely hero is Sloth, who reluctantly rises from her quilted fort of bedroom stagnation only when it gets to...
Ruckus – Traverse Theatre
Scotland

Ruckus – Traverse Theatre

Jenna Fincken’s revival of her one woman show, which premiered during the Edinburgh Festival Fringe in 2022, is timely. Violence against women was recently declared a ‘national emergency’. Two million women a year are estimated to be victims of violence by men. Nearly 1.4 million women are victims of domestic violence. Fincken has written and performs this intriguing, thought-provoking drama. We in the audience are her confidants, and she promises to tell us ‘everything’. She starts with 824 days ‘to go’ and this is emphasised by the projection of a countdown clock. Lou is a primary school teacher in her late 20s. She meets Ryan at an engagement party for her friend, Jess. Ryan is a manager at a homeless charity. He seems a really great guy, charming and considerate. When Lou gets dr...
A Chorus Line – Festival Theatre, Edinburgh
Scotland

A Chorus Line – Festival Theatre, Edinburgh

A Chorus Line, originally performed in 1975, is one of the most successful musicals on all time. However, it’s reputation for highly technical choreography and of requiring a large cast of superb dancers, with equally big voices, make it one of those shows which the amateur companies tend to give an almighty body swerve, which actually makes it quite a rare beast. This fabulous touring production is a must see for all serious musos, in fact with only four Edinburgh performances it is very much a case of catch it while you can. This classic Broadway hit follows harsh Director Zach (Adam Cooper) as he puts 17 hopefuls through their paces and baring their souls in the hope of being one of the chosen 8 for the chorus of a new musical. Highlighting the brutal reality of what it takes to get ...
Blood Brothers – Edinburgh Playhouse
Scotland

Blood Brothers – Edinburgh Playhouse

Blood Brothers is an emotional morality tale which is all about the narrative, less about the music.   Poor and fecund Mrs Johnstone discovers she is expecting twins shortly after starting work as a cleaner for rich infertile Mrs Lyons.  With her husband having done a bunk and too many mouths to feed already, Mrs Johnstone agrees to let Mrs Lyons have one of her twins.  Conveniently Mr Lyons is away on business for nine months, so Mrs Lyons is able to create the pretence of pregnancy, fooling everybody including her husband, into believing the baby is hers.  The show’s narrator constantly warns of the consequences of their actions and is the voice of impending doom throughout. Written by Willy Russell, directed by Bob Tomson and Bill Kenwright (resident director...
Last Night I Dreamt That Somebody Loved Me – Summerhall
Scotland

Last Night I Dreamt That Somebody Loved Me – Summerhall

Ben Harrison and David Paul Jones were both teenagers in the 1980s. Both felt suffocated by their respective small towns, and both found solace in the music of the time. Harrison tells a selection of stories from his youth, and Jones performs his own interpretations of some of those songs. It’s a nostalgic revisit to a vibrant era that now seems defined by its contrasts. Emery Hunter’s integrated BSL interpretation drew me in right from the start. I am not a BSL user, but to me, her performance felt like poetry. Her flowing movements were beautiful to watch, with a rhythm that synchronised with the others on stage, but delightful in their own right. I hope that I will have more chances to see BSL poetry in future. Jones has taken well-known songs and made them his own, from the t...
Rebus: A Game Called Malice – Festival Theatre, Edinburgh
Scotland

Rebus: A Game Called Malice – Festival Theatre, Edinburgh

Rebus, the mega-popular paperback sleuth created by Ian Rankin in an Edinburgh bedsit back in 1985, is back, but not in print. No, this time he is a walking, talking, breathing creation, brought to vital life by actor Gray O’Brien. Given that this is only the second incarnation of Rebus on stage, following Long Shadows in 2018, which Ranking co-wrote with Rona Munro, A Game Called Mallice is bound to appeal constant readers of the taciturn detective, who all inevitably have their own ideas of how he sounds, looks and moves. As a constant reader myself, I was more than a little intrigued to see if Rankin could pull this off and if O’Brien could fill the very sizeable shoes of Edinburgh’s finest DCI. The setting is an opulent and art filled Heriot Row townhouse Drawing Room, Paul and H...