Friday, October 11

Scotland

Country Roads: One Night of Country Classics – Festival Theatre
Scotland

Country Roads: One Night of Country Classics – Festival Theatre

“I’m Johnny Cash” says a performer, and we believe him, with his soothing, authoritative voice and stage presence. The line-up also includes dead ringers for Patsy Kline, Kenny Rogers, and the one-and-only Dolly Parton. They aren’t the real superstars, of course, but they put on a hell of a show. Songs include “Ring of Fire” (apparently inspired by a Wetherspoons curry), “Rhinestone Cowboy” and “Jolene”, as well as the title song. The performers want us to join in, and gradually, the audience gains confidence and starts singing along. The front-of-house staff were bemused by the number of audience members who went up to the front of the stage, and they spent the second half of the show trying to get people to get people to go back to their seats. There was a party atmosphere in the pack...
Sunset Song – Royal Lyceum Theatre
Scotland

Sunset Song – Royal Lyceum Theatre

Dundee Rep in a major co-production with the Royal Lyceum Theatre bring a contemporary reworking of a piece of classic Scottish fiction for the next ten days, marking the end of an East coast tour through Dundee, Aberdeen and Inverness. It is not surprising that the tour has stayed in sight of the North Sea given that almost the entire dialogue is performed in the Doric language native to the North East coast of Scotland. A script that would have had my sadly departed Mother-In-Law, Isobel, chortling away and no doubt reminiscing on her Invergorden crofting roots. Much of the setting of Lewis Grassic Gibbon’s Sunset Song would have been familiar to Isobel; the chains that bind you to the land, to family and hardship. The tears, the toil, the unending bleakness and the stoic endurance...
Uncanny – I Know What I Saw – Festival Theatre Edinburgh 
Scotland

Uncanny – I Know What I Saw – Festival Theatre Edinburgh 

How have I not heard of Danny Robins?  He clearly has a huge following judging from the whoops and hollers from the near capacity audience when he made his appearance at the start of the show.  Opening with spooky music (uncredited), fog effect and a back projection screen showing a skinny bloke walking through a forest, said bloke’s appearance on stage resulted in an eruption of ecstatic applause, cheers and whistles, prompting my companion to ask, “Who’s that?”  The only reply forthcoming from me was, “No idea!” It turns out that Danny Robins is an erstwhile comedian and comedy writer, now a journalist and podcaster.  His investigations into the paranormal have led to several radio series and podcasts on the subject, including “The Battersea Poltergeist” and “Uncan...
Chitty Chitty Bang Bang – Edinburgh Playhouse
Scotland

Chitty Chitty Bang Bang – Edinburgh Playhouse

An amazing spectacle and upbeat tunes (plus the most expensive prop in British theatre history), Chitty Chitty Bang Bang, sweeps you along for a few hours of happy distraction with ease and admiration. The lighting, designed by Ben Cracknell and implemented by Ryan Van Delden and deputy head of lighting, Sophie Meredith, is a work of perfection. Gareth Tucker’s set design works seamlessly under the management of Phil Sykes, Lee Harvey and Natasha Wood. The ever-present picture frame and blueprints create a sense of fantasy, innovation and endless possibility. And whatever team designed and created that flying car …  not Caractacus Potts himself, I assume … hats off to you. Thanks must go to Kielan Yates and Ellie Holloway for enabling this amazing star in its own right, night after...
I’m Sorry I Haven’t a Clue – Edinburgh Festival Theatre
Scotland

I’m Sorry I Haven’t a Clue – Edinburgh Festival Theatre

For the long-standing listener, a chance to see just exactly how they do it. Twice, as it happens, which makes for a long night but detracts not a jot from the hugely entertaining formula honed and tweaked over the years, the A-List cast (Rory Bremner, Pippa Evans, Milton Jones and Fred MacAuley) and its A-List Humph replacement, Jack Dee. Who, on reflection has been at it for pretty much 15 years now. The show with no apparent end to its stamina was conceived in 1972, a riposte to the wave of ‘panel’ games taking over our screens and wireless units. So that’s what he looks like! The first reveal is the appearance in front of three tourquoise-covered tables of producer Jon Naismith, who performs the oft-belittled role of warm-up bloke with greetings, explanations and the odd cracker of ...
The Music Man – Festival Theatre, Edinburgh
Scotland

The Music Man – Festival Theatre, Edinburgh

Watching Fraser Grant’s punchy Edinburgh revival of this lesser known gem one can begin to see why Meredith Willson’s musical easily won out over West Side Story at Broadway’s Tony awards in 1958. Underneath it’s folksy exterior this entertaining and inventive show with its lively toe-tapping score provides plenty of opportunities for the large cast of SLO to shine. The story is set in 1914 in the sleepy Iowa town of River City. Con man Harold Hill sets his sights on persuading the locals to set up a boys’ band, complete with expensive instruments and uniforms, pocket the money, then skip town before his tone-deaf ignorance is revealed. What the fast-talking spellbinder forgets to factor in is getting his foot stuck on haughty local librarian, Marian Paroo. The book, music and lyrics...
Dead Girls Rising – Traverse Theatre
Scotland

Dead Girls Rising – Traverse Theatre

The play opens in media res in a dark forest. At a pivotal moment in their lives, Katie (Helen Reuben) and Hannah (Angelina Chudi) accidentally summon The Furies Tisiphone (Izzy Neish), Magaera (Zoe West) and Alecto (Rebecca Levy), the Greek goddesses of justice. A life-time's obsession with murder (one in particular, literally close to home) has brought with it consequences and the two young women might need help. We follow them through a series of moments from childhood to adulthood, themed by reasons women and girls learn to fear men (here played by the cast in masks and androgynous/Michael Myers boiler suits) and linked with Riot Grrl-inspired punk songs written by Anya Pearson and performed by the Furies (plus drummer). At the start, the audience might get a bit caught in the middl...
Peebles Orchestra – The Leckie Memorial Church, Peebles
Scotland

Peebles Orchestra – The Leckie Memorial Church, Peebles

Until recently, the Scottish Borders was the only region in Europe without a rail service. I wonder if this lack of transport infrastructure led to a necessary blossoming of home-grown talent of exceptional quality. Peebles Orchestra, formed in 1976, plays a key role in the town's cultural life. Teamwork is found not just on the rugby pitch in the Borders. This collection of enthusiasts prove that talent has no bounds and a job outside of your musical passion is no obstacle to a desire for excellence. The Orchestra is fortunate to attract such prestigious names as Robert Dick to conduct. Dick’s international reputation has taken him around the globe and seen him collaborate with such distinguished soloists as Nicola Benedetti, Steven Isserlis, Anna-Liise Bezrodny and Murray McLachlan...
David Bowie and Me – Traverse Theatre
Scotland

David Bowie and Me – Traverse Theatre

Beg, steal or borrow to see this one, it’s an absolute banger! Now nearing the end of his UK wide tour, the laconic Scots Squad Chief, Jack Docherty, is a man who has found his stride, and his voice. And why not, when you have a script this good to deliver. Funny, heroic, nostalgic, musical, Parrallel Lives always aspires to keep it real and delivers on multiple levels, whipping the audience to belly aching laughter one minute and wiping away real tears the next as Docherty takes us on a whistle stop trip back in time to his 13-year-old self, and his joint first loves, Eleanor Mackie and David Bowie. We are transported back to the 70’s, to a time when Jack’s best friend Mark would sit cross-legged in the school playground, carefully placing pebbles around himself and playing with ...
Edward Scissorhands – Festival Theatre, Edinburgh
Scotland

Edward Scissorhands – Festival Theatre, Edinburgh

Matthew Bourne's ballet adaptation of Tim Burton's Edward Scissorhands made its much-anticipated return to the stage on the opening night at the Festival Theatre in Edinburgh. Bourne's instinct for selecting iconic stories to adapt aligns perfectly with his choreographic finesse. Originally conceived in 2005 and revived periodically since, Bourne's rendition stars Liam Mower as our protagonist Edward, a tragic figure left incomplete with scissors for hands following his creator's sudden death. Mower's portrayal captures the essence of Johnny Depp's iconic performance, as he takes us along Edward's journey from perplexed isolation to communal acceptance, vibrantly accompanied by an ensemble of archetypes and eccentrics. The ballet unfolds against a backdrop of 1950s suburbia, skilfull...