Scotland Archives - Page 26 of 127

Nick Costley-White Quartet – Traverse Theatre

25Jun

By Jessie MartinNo Comments

Scotland

Nick Costley-White Quartet – Traverse Theatre

Although small in number, they certainly weren’t small in sound—Nick Costley-White and his band absolutely rocked the Traverse with their unique jazz sound. Pulling inspiration from Brazil, West Africa, Malta, and more, Costley-White has curated a full-on hubbub of sound with an inventive and experimental flair. Those pieces which used these multi-cultural influences all began with a distinctive fusion sound. However, as improvisations took over from the pre-written work, we lost those cultural distinctions, falling into patterns and conventions that are perhaps more stereotypical to the traditional western jazz sound. It would have been exciting to hear the themes and ideas presented at the beginning of each piece carry over into the solos. Nonetheless, the quality of the solos was unq...

24Jun

By Jessie MartinNo Comments

Scotland

RANT – Traverse Theatre

With yet another instalment of Scottish traditional music, RANT brought their lively fiddle quartet tunes to an even livelier audience at The Traverse. Comprised of Bethany Reid, Anna Massie, Lauren MacColl, and Gillian Frame, RANT are a powerhouse of a band, bringing an energy to their music that finds your toe tapping involuntarily. Having attended many a music night at The Traverse, never have I seen an audience in such high spirits as I did at RANT. Starting off as a rather coy but enamoured crowd, after Anna Massie came to introduce the next tune, the audience were soon whooping, clapping and stamping. It is quite a skill to evoke that kind of energy from an audience—especially given that the demographic of most of The Traverse’s music nights are of an older, very well-mannered gen...

23Jun

By Tom ScottNo Comments

Scotland

The Stars and After – Traverse Theatre

Ten actors stand silently with bowed heads as the audience enters the auditorium. In the dim blue lighting we can make out pieces of corrugated iron and large machine cogs. This is a gloomy dystopian land. In this world of the future, there are two classes of people: the citizens who live above ground and live a comfortable life; and the workers who live below ground, leading a miserable existence. The citizens’ light, power and their whole lifestyle depend on the efforts of the workers. It’s a hundred years since the city of Goliath was founded. Citizens live a good if unexciting life. They are largely unaware of how they are manipulated into docility by their Leader. Above ground there is no darkness and no natural light, but citizens have the benefit of powerful lights. However...

21Jun

By Jessie MartinNo Comments

Scotland

Grease – Pitlochry Festival Theatre

The classic rock and rollin’, bunny hoppin’ musical Grease lands at the Pitlochry Festival Theatre this week after kicking off their run at the Blackpool Grand Theatre earlier this month. Pitlochry Festival Theatre and Blackpool Grand Theatre have worked together to co-produce this rough and ready production, showcasing the enterprise opportunities that come with collaborating both financially and creatively. Not only allowing for more freedom with budget, but also (very importantly) allowing this show to provide accessible commercial theatre for those more rural theatre scenes. With no typical-style ensemble and no typical-style band, the cast are tasked with acting, singing and dancing all while playing the score of Grease themselves. Jan (Leah Jamieson) rocks out...

21Jun

By Greg HolsteadNo Comments

Scotland

In The Cult of Work – Traverse Theatre

Edinburgh Youth Theatre charity, Strange town, return to the Traverse this week with three shows and this is the second of them. On stage tonight are the Tuesday 14 – 18-year-olds and they certainly put on a spirited and well rehearsed show, with no obvious line blunders, a well-drilled cohort who are a credit to director Catherine Ward-Stoddart. I’ve seen a few shows by Strange town over the years and what always comes across is the unbridled enthusiasm and commitment to the creative process from all involved. It’s always great to see the acting youth of Edinburgh taking over one of the best performance spaces in the Capital. Writer, Daniel Orejon was tasked with producing a short play on the theme of, Nobody wants to work anymore. In the centre of the stage a poster pronounces, ‘Ou...

20Jun

By Jessie MartinNo Comments

Scotland

Livin’ On a Prayer – Traverse Theatre

‘Are we making the most of our time?’ is the question posed by Strange Town in their latest piece of new writing: Livin’ On a Prayer. The Edinburgh-based youth theatre company of 8-25 year-olds took on the writing and direction of James Beagon who has worked with Strange Town for almost a decade, currently working as the Youth Theatre Manager. Beagon’s Livin’ On a Prayer is set in a karaoke bar in which a selection of Greek Gods and Deities enjoy the sweet taste of ambrosia (the source of their immortality). But when Dionysus, God of madness, decides to hide their ambrosia, the Gods must work together to decipher the clues left for them by Dionysus. Initially led to believe that if they enter a singing competition, the winner will earn the remaining ambrosia, howeve...

15Jun

By Greg HolsteadNo Comments

Scotland

Hidden Door – Edinburgh Paper Factory

Looking like a set from Blade Runner, lit up with coloured lasers and strobe lighting, the gigantic Paper Factory, out near the airport, is Hidden Door’s most ambitious project yet, and quite possibly it’s final resting place, and why not? This architectural maze is a sprawling series of wide-open spaces, culminating in the cathedral grandeur of The Crane Shed where you have to break your neck to see the ceiling. The Factory Floor is open plan on a vast scale and will take your breath away. Grimy, grungy and littered with looming hulks of dead machines, illuminated from within by carefully placed coloured LEDs, this is a steam punk’s fever dream come to life. Hidden Door is the Capital’s five-day yearly arts and music festival, known for transforming unique often overlooked spaces i...

14Jun

By Jessie MartinNo Comments

Scotland

Soundhouse: Sian – Traverse Theatre

With tales of criminals, swan hunters, and torrid affairs, folk-group Sian had the audience of the Traverse in awe. Presented by Soundhouse, we were blessed with yet another live folk performance at the Traverse Theatre. Sian is a three-piece group of folk singers, performing exclusively in Gaelic and accompanied by Innes White on electric and acoustic guitar. Composed of Ceitlin Lilidh, Eilidh Cormack, and Ellen MacDonald, this is a group that celebrates its Hebridean roots—featuring songs that tell the traditional stories which have stood the test of time, having been passed down through the ages in areas around Skye and Lewis. The vocal agility and control of Sian is astounding, as they sail through the lilting nature of the pieces with ease. They uphold the rich history of the songs...

12Jun

By Oliver GigginsNo Comments

Scotland

Quadrophenia – Festival Theatre

Translating a rock opera to the stage might seem like a logical sequitur, until one remembers that in this case it is translating an album – in which the storytelling is done almost entirely through lyrics (and may still not be the clearest then) – into an entirely non-verbal medium – a ballet. But this was the task of Quadrophenia: A Mod Ballet, taking The Who's (well... really Pete Townshend's) second/third rock opera (depending on whether we count A Quick One While He's Away) 1973's Quadrophenia, stripping out its lyrics and replacing guitars, synths and Moonish drumming for an orchestral version of the album by the Royal Philharmonic Orchestra. While waiting outside, another audience member asked me how many people I thought were there for the music. Having seen at least one The Who...

12Jun

By Jessie MartinNo Comments

Scotland

Firelight Trio – Traverse Theatre

Presented by Soundhouse, Firelight Trio take us on a journey through European folk music, finding unity in the sounds of a myriad of cultures from klezmer to polka. Working in partnership with the Traverse as well as other venues around Edinburgh, Soundhouse is a charity organisation with the aim of promoting live music in Edinburgh. Firelight Trio are featured as a part of Soundhouse’s Summer lineup at the Traverse which holds focus on showcasing the talents of upcoming folk artists. With weird and wonderful modifications to their instruments, an adept knowledge of their craft and a passion to share it, it is clear that Firelight Trio’s music is created with deep intentionality and expertise. The trio are highly credited, with Ruth Morris (who plays the Swedish ...