Scotland Archives - Page 10 of 127

Will Rowland: Sunshine By Candelight – Banshee Labyrinth

18Aug

By Greg HolsteadNo Comments

Scotland

Will Rowland: Sunshine By Candelight – Banshee Labyrinth

Part comic, part philosophiser, part literary critic, Will Rowland returns to the Fringe with a solo hour that proves he’s more than just the funny man from Crizards. Alone in the Banshee Labyrinth, he blends sharp stand-up with musings on literature, philosophy, and the strangeness of modern life. Rowland’s “dimpled cavalier” presence makes him instantly likeable, but beneath the charm is a restless, analytical brain. He begins with friendships that have shifted from reminiscing on old times to marathons and wild swimming, joking that maybe people are running not for fitness but from life’s lack of meaning. Delivered with irony and sincerity, it sets the tone for a set that veers between profound and playful. One thread sees him praising Wordsworth’s genius wh...

18Aug

By Greg HolsteadNo Comments

Scotland

Because You Never Asked – Summerhall

Because You Never Asked is a clever, at times mesmerising performance by Montréal-based collective We All Fall Down. Conceived by Roger White and choreographer Helen Simard, the work draws on the recorded memories of White’s grandmother, Marianna Clark (née Goldmann), a Jewish teenager in 1930s Germany who eventually escaped to Edinburgh just before the start of WW2. It’s an emotionally charged blend of dance, music, and archived testimony, and its effect is quietly profound. The cast comprises four dancers, three women and one man, whose presence is physically stunning and emotionally evocative. Émile de Vasconcelos-Taillefer and Maxine Segalowitz set the tone with intense, expressive sequences early on, while Lina Namts delivers a haunting spoken passage before folding seaml...

18Aug

By Greg HolsteadNo Comments

Scotland

Hot Mess – Pleasance

The Fringe thrives on bold ideas, and Hot Mess, the new pop rom-com musical from Jack Godfrey and Ellie Coote, delivers one of the festival’s cleverest conceits. Earth and Humanity meet, date, fight, fall in and out of love, and in the process chart the fate of the planet itself. It’s a relationship comedy where the stakes couldn’t be higher. The show is anchored by two knockout performances. Danielle Steers (best known for SIX: The Musical and Bat Out of Hell), as Earth, has the kind of vocal power that can fill a West End house, let alone a Pleasance studio. She moves effortlessly from the low, smoky tones of conversational numbers to full-on belt, with songs like The Next Big Thing and Better With Time (appearing early and reprised later with even greater punch) setting the...

Nowhere – Here and Now – Traverse Theatre

18Aug

By Greg HolsteadNo Comments

Scotland

Nowhere – Here and Now – Traverse Theatre

The Traverse has always been a home for ambitious, politically charged theatre, and Nowhere – Here & Now sits firmly in that tradition. Created and performed by Khalid Abdalla, the show is an urgent, deeply personal exploration of revolution, displacement, and identity. It is at once sweeping in scope and intimate in detail, and though its ambitions sometimes spill over into excess, the experience is powerful and memorable. From the outset, Abdalla frames the performance with haunting questions: “This nowhere is safe. But there are places in the world where nowhere is safe. And when the unfathomable becomes persistent, where do you go?” That sense of uncertainty and statelessness runs through the performance, which draws heavily on his own experiences during the Egyptian u...

A Covert Affair – Venue 39 at theSpace on the Mile

18Aug

By Marcelina KruczyńskaNo Comments

Scotland

A Covert Affair – Venue 39 at theSpace on the Mile

A Covert Affair is brought to this year’s Edinburgh Fringe by Belvedere Productions. This new play written by Alex Macfarlane and co-written by Charlie Turner explores a potentially romantic connection between two agents from opposing states. A Covert Affair is a flirty and fantastic and very well constructed play. Before hitting the Fringe, A Covert Affair had its first run at a scratch night where the play’s first scene was performed. Now at the Fringe, Belvedere Productions have pulled all the stops to deliver a professional quality play. Great attention was put into the set, sound and lighting. The room was packed to the max which was great to see however only from the front row and from certain spaces off the sides could the full effect of the stage be appreciated. Noneth...

AI: Save Our Souls – Greenside at George Street

18Aug

By Joe LangNo Comments

Scotland

AI: Save Our Souls – Greenside at George Street

With all the current fears surrounding artificial intelligence, it was certainly refreshing to see an inventively lighthearted and fun take on the impending doom that many of us feel is either here or on its way regarding the state of A.I. Whilst not offering a truly prophetic insight into what may become of it in relation to humanity, it certainly scratches the surface of this topic and does so while providing nonstop laughs and catchy songs directed by Victoria Klipova. The cast all brought a unique energy to this piece and constructed their characters in almost cartoonish ways, helping the performances stick in your mind long after watching it. Major props go to the protagonist Steve, played by Patrick Kelly, who had a great leading man quality and perfectly bounced off the rest ...

18Aug

By Jessie MartinNo Comments

Scotland

Mary, Queen of Scots – Festival Theatre

Scottish Ballet presented their contribution to the Edinburgh International Festival this year with the brooding portrayal of the historical Mary, Queen of Scots. Co-created by choreographer Sophie Laplane and director James Bonas, this is a bold show with outstanding production design and provocative content, contrasting a dark grungy tragedy with moments of ludicrous humour and cyber-punk neons. Bringing modernity to tradition, Scottish Ballet embraces evolution, focusing not only on choreographic motifs but also a heavy-handed stylism that focuses on the way in which the design and story are represented. With Soutra Gilmour’s set and costume design, this is a completely elevated ballet featuring moving walls, a clown dressed in bright lime, and a giant farthingdale-like c...

Smile: The Story of Charlie Chaplin – Pleasance

18Aug

By Greg HolsteadNo Comments

Scotland

Smile: The Story of Charlie Chaplin – Pleasance

If you want big budget spectacle, this is not the show for you. If you want to spend an hour wedged into a tiny basement with less than 50 people while laughing at the genius of Charlie Chaplin brought to life, then you have come to the right place. The Pleasance Below is a tiny venue, just a few rows of tightly packed raked seating, and when I was there, it was full. This is theatre in its most intimate form, no one more than a couple of metres from the performer, and absolutely nowhere to hide if you are picked for a bit of audience interaction. Marcel Cole, who both wrote and performs Smile, takes on the impossible task of distilling Chaplin’s life and art into a single hour, and somehow makes it feel both complete and personal. The show mixes physical comedy, mime, and a light s...

18Aug

By Greg HolsteadNo Comments

Scotland

Mary’s Daughters – theSpace Triplex

Three women, one legacy, and a ghostly reunion that’s far sharper than it sounds. I step into theSpace @ Triplex on the final day of the run, catching Mary’s Daughters just in time. What I see is well worth the last minute decision - a tight, intelligent piece of theatre with super acting that leaves me thinking that it should have run longer. We arrive to a thrust stage strewn with papers and feathers, as if the past itself has been ransacked. Out of this visual chaos, three figures emerge hurrying around in all directions, confused ghosts. Mary Wollstonecraft, played with commanding empathy by Megan Carter, her lesser-known daughter Fanny Imlay, portrayed with delicate intensity by Kaya Bucholc, and the more famous Mary Shelley, given a finely balanced mix of literary gravitas ...

Sh!t-faced Shakespeare: A Midsummer Night’s Dream – Underbelly, McEwan Hall

18Aug

By Greg HolsteadNo Comments

Scotland

Sh!t-faced Shakespeare: A Midsummer Night’s Dream – Underbelly, McEwan Hall

One actor drunk, the rest soberly soldiering on through Shakespeare. It’s a crowd-pleasing premise, and the chaos is real. But if you don’t know your Midsummer Night’s Dream inside out, a lot of the humour sails past. Funny? Yes, at times. Insightful? Not so much. On paper, this sounds like a perfect Fringe mash-up: take a cast of classically trained Shakespearean actors, lace one of them with enough booze to make Falstaff blush, then watch the Bard’s poetry get sideswiped by slurred asides, physical stumbles, and improvised derailments. In theory, it’s both a homage to the rough and ready theatrical tradition and a sharp parody of Shakespearean reverence. The night I saw it, the chosen drunk was Lysander, who gradually morphed into “the crazy little Greek kid who gap-yeared in R...