REVIEWS Archives - Page 97 of 549

4Apr

By Paul WilcoxNo Comments

North West

JB Shorts 26 – 53two

After a couple of days spent down at the wrong end of the M62 in Liverpool, it was a joy to be back reviewing in the 0161, and the pleasure was doubly sweet as the subject was the 26th iteration of the ever-reliable JB Shorts under the 53Two arches at Watson Street. The format is the same as ever; original, fifteen-minute short plays on any subject matter, showcasing some of the best in northern writing and acting talent. Number 26 features only five, rather than the usual six pieces and as ever the result is an eclectic mix of humour and thought-provoking work. Meeting Morag Writer Ben Tagoe wowed this reviewer a couple of years ago with ‘Better Days’ his one-man exploration of football hooliganism and rave culture and his latest offering gets the evening off to a great start. Pa...

3Apr

By H.S. BakerNo Comments

Scotland

Little Women – Festival Theatre

Louisa May Alcott’s classic, much loved tale of the coming of age of the March sisters in 19th century Massachusetts, is brought to the stage in an adaptation by Anne-Marie Casey. The narrative will be familiar to many, and is loosely based on Alcott’s own life. Sisters Meg, Jo, Beth and Amy, living a frugal life with their mother, Marmee, whilst father is away fighting in the American Civil war, struggle to keep spirits up as they endure the deprivations that poverty brings them. They could ask rich Aunt March for money, but no one really likes her or her strict views on what is considered proper behaviour in good society. When father is injured in battle, Jo (always one for the dramatic gesture), cuts off her hair and sells it for $25 to help pay for Marmee to tra...

3Apr

By Jenn McKeanNo Comments

North West

Animal Farm – Liverpool Playhouse

All animals are equal, but some animals are more equal than others. As to be expected from a play, based on a novel by George Orwell, Animal Farm is a dystopian social commentary, that allegedly refers to the Russian revolution of 1917. It tells the story of Old Major, Napoleon, Snowball and the other animals of Manor Farm wanting to overthrow the human owner – Mr Jones and become free and self-sufficient. The production is one that would definitely be approved by Orwell himself, with a clever set designed by Ciarán Bagnall, which you don’t think would be much, as it is all set on the farm. But the moving parts that were added in – to create the windmill and show the commandments were clearly so well thought about and came across so well throughout the performance. It is truly...

3Apr

By Robert BartleyNo Comments

West Midlands

Dear Evan Hansen – Wolverhampton Grand

The West End production of ‘Dear Evan Hansen’ was one of the biggest casualties of the pandemic, forced to close 6 months into its run and then unable to gain back its momentum after its eventual re-opening, despite 3 Olivier wins (a mis-judged film adaptation released around the same time probably didn’t help either). Its fate is somewhat ironic, given the themes of isolation and longing for connection that run so deeply throughout the show, themes which were heightened during those Covid times. Fortunately, the musical has found a new lease of life with a well-received touring production which kicked off in Nottingham in September 2024. Now 6 months in, the tour has connected strongly with audiences, and rekindled the fire that burned all too briefly in the West End. ...

The Importance of Being Oscar – Jermyn Street Theatre

3Apr

By Paul AckroydNo Comments

London

The Importance of Being Oscar – Jermyn Street Theatre

There has never been anyone quite like Oscar Wilde. Famed as an author, playwright and poet in late Victorian England and then vilified for his homosexuality, his works remain as popular today,125 years after his death, as ever. Original Theatre and the Reading Rep Theatre have revived this dramatised biography, which was originally written and performed in 1960 by Micheál Mac Liammóir. Alistair Whately's one man show is a narrative of Wilde's life, illustrated with quotations from his best-known works: The Picture of Dorian Gray, The Importance of Being Ernest, as well as some of his best-known poems and letters. The first half focuses on his rise from his early life in Ireland to his fame in London for his poems and theatrical works. The second half is darker with his prosecu...

3Apr

By Mark DavorenNo Comments

REVIEWS

Turandot – Royal Opera House

In spite of the date, it was sadly no joke that due to technical issues with the transmission, we lost the majority of the opening act and just when everything was set for the final act to unfold, further issues saw us stutter through the opening of Nessun Dorma before a freeze and then a jump to the next scene. All of this combined with the fact that the wrong programme information was sent out gives great cause for concern when opera is striving to reinforce its audience and its future with a selected live performance transmitted globally – on this occasion to over one thousand cinemas in twenty-two countries. None of this is the fault of the creatives and cast and having seen the 2023 revival, that serves as a useful point of reference for me to review this 2025 revival in spite of t...

Shirley Valentine – Grand Theatre Blackpool

3Apr

By Rebecca CaseyNo Comments

North West

Shirley Valentine – Grand Theatre Blackpool

Octagon Theatre Bolton presents a one woman play in two halves, Directed by Lotte Wakeham. Willy Russell famous for creating Blood Brothers, Our day out and Educating Rita originally wrote Shirley Valentine in the mid-80s, it then became a film. The original version was set in Liverpool. For this touring production, the play has been reset and imagined using the actresses native accent. Having never seen the film I didn’t know what to expect and quite honestly the thought of watching one actress on stage for such a long time isn’t something I would be keen to watch, however I was pleasantly surprised. Mina Anwar returning to the role of Shirley Valentine is spectacular, with the very relatable script make her portrayal of the character likeable, she comes across as the salt of the...

2Apr

By Paul WilcoxNo Comments

North West

Red Or Dead – Liverpool’s Royal Court

When the email allocating this review landed in my inbox, I could be forgiven for thinking that my Liverpool supporting editor was playing an April Fool’s prank. The choice to send a Salfordian and Manchester United fan to review a play about the inexorable rise of Liverpool FC - staged in the heart of that city - could be seen as cruel and unusual punishment. I would object, if it were not for the fact that his decision meant I was fortunate enough to attend one of my highlights of the theatrical year, with a stunning central performance and enough heart to fill Old Trafford, let alone Anfield. ‘Red Or Dead’ Is a stage adaptation of the 2013 novel by David Peace telling the story of the reign of Liverpool’s legendary manager Bill Shankly, from his appointment in 1959 through to his une...

2Apr

By Annette NuttallNo Comments

West Midlands

Ghost the Musical – The Alexandra

The popular romantic thriller film from 1990, Ghost, has been adapted into a musical. This current production takes to the stage in Birmingham for the week. Sam and Molly are a young couple with their lives and many adventures ahead of them. All this changes with Sam’s untimely death. Trapped between two worlds Sam enlists the help of psychic Oda May Brown to contact Molly. Can they both move on and find happiness again? Although songs and dances have been added, the musical remains pretty much faithful to the film, the favourite moments are all there. The characters are faithful to the original without trying to imitate the film’s stars, each member of the cast make the roles their own. The standout performance of the night was Rebekah Lowings as Molly. She pulled out every emoti...

Beauty and the Beast – Church Hill Theatre

2Apr

By Greg HolsteadNo Comments

Scotland

Beauty and the Beast – Church Hill Theatre

We all know that opening nights can go one of two ways; either a riot of mistakes ,technical blunders and missed lines or that rare perfect explosion of nervous energy which propels the production to new heights. I’m happy to say that tonight, on April Fool’s day, this is no blundering joke, instead it is one of those unique stunning, wonderful events. But this is no happy accident. Whether by stick or carrot, Director Louise Sables pulls off a masterclass of amateur direction and casting, to marshal the talented folks of EMT to tell a simple story with real emotion, humour and clarity, and at a pace that many a professional production would only dream of, whilst eking out a meagre budget in all the right places. Take the costumes for example: to open the programme and find that the ...