REVIEWS Archives - Page 92 of 548

A Practical Guide On How To Save The World When No One F***ing Else Is – Tara Theatre

21Apr

By Anisha PucadyilNo Comments

London

A Practical Guide On How To Save The World When No One F***ing Else Is – Tara Theatre

Tara Theatre’s vision to provide rehearsal space and financial support for 18-25-year-olds to script and develop new theatre is commendable. Over a 4-month programme, the young company works with industry professionals to develop their skills and build their professional networks. The culmination of this mentorship has resulted in the play, ‘A Practical Guide on How to Save the World when no one f***ing else is’. The vision of artistic director, Natasha Kathi-Chandra is to ‘uncover the urgent and current realities of those around you’. Over five weeks, the young team directed by Gavin Joseph rehearsed with provocations around the theme of 'Climate change'. Each actor formed characters through devising exercises, and conversation prompts. Between sessions, playwright Nicole Latchana wrote s...

Jesus Christ Superstar – Buxton Opera House

18Apr

By Brian MaddenNo Comments

North West

Jesus Christ Superstar – Buxton Opera House

Buxton Opera House’s staging of Jesus Christ Superstar offers a visually striking and musically impressive take on the iconic rock opera. With memorable performances and thoughtful design choices, this production successfully captures the emotional and thematic weight of the story—while still leaving room for refinement. Louis Moore shines as Jesus, with “Gethsemane” standing out as the emotional high point of the evening. His performance in this pivotal number is both vocally and emotionally powerful, showcasing his ability to convey the vulnerability at the heart of the role. Ross Clifton brings vocal strength and stage presence to the role of Judas, and while his singing is commendable, at times the acting across the cast felt slightly stilted. A touch more naturalism in delivery ...

17Apr

By Abigail PendleburyNo Comments

North West

Guys and Dolls – Blackpool Grand

The Blackpool Grand Theatre's 2025 production of Guys and Dolls, presented by the Blackpool Operatic Players, delivers a vibrant and heartfelt rendition of this classic musical. The show beautifully captures the essence of 1950s Broadway with its dynamic performances and memorable score. Set against the bustling backdrop of Damon Runyon's New York, the narrative follows the escapades of gamblers, showgirls, and missionaries. The very talented Leo Appleton plays Nathan Detroit, ever the schemer, who seeks to organize the city's biggest craps game while evading the watchful eyes of his long-time fiancée, Adelaide, played by Claire Gaskell. Gaskell adds some well-timed humour and glamour as Adelaide, who just wants her beloved Nathan to marry her and give up the game. Neil Mcknight’s port...

17Apr

By Ralph JeffreysNo Comments

London

Ghosts – Lyric Hammersmith

Ibsen’s Ghosts is a serious challenge for anyone to update and adapt. This production falls unfortunately short of meeting that challenge, despite some bright moments. We follow a rich family of mother, Helena, and her difficult son, Oz, as they prepare for the grand opening of a children’s hospital using the money of Carl, Helena’s recently deceased husband. All this is complicated by the presence of Andersen, a lawyer helping to launch the hospital and an old flame of Helena, and Reggie and Jacob, who have worked for Helena and her family for a long time. Soon, all of the buried skeletons come out of the closet, and there is manipulation, suicide threats, and incest. Sadly, where Ibsen’s original is a masterpiece of writing, Gary Owen’s update is not of the same ilk. His adaptation...

Peter James: Picture You Dead – The Lowry

17Apr

By Kathryn GortonNo Comments

North West

Peter James: Picture You Dead – The Lowry

Opening night at the Lowry Theatre’s Lyric Theatre welcomed a full house and a palpable buzz of anticipation as the stage adaptation of Peter James’s Picture You Dead took to the stage. Known for his 20 gritty, pacey crime thrillers about Detective Superintendent Roy Grace and the spin off TV series Grace - James has built a devoted following through his Roy Grace novels, and this latest adaptation brought that dark, intriguing world vividly to life. I have been an avid James ‘ … Dead’ book reader for years and was excited to see it on the stage as I am not a lover of the TV series finding it flat and lack lustre. The plot is of a struggling couple (the Kiplings) buying a painting from a car boot which turns out to be a lost old master from the 18th century. ...

17Apr

By Robert BartleyNo Comments

West Midlands

Kinky Boots – Birmingham Hippodrome

Undeniably the best musical ever to be set in Northampton, the story of ‘Kinky Boots’ first came to the nation’s attention back in 2005 in the non-musical film version. Although brilliant, it always felt that this story was born to be brought alive with sequins, sparkles, and as its leading diva describes them, “a gaggle of fabulous Drags”. So just shy of a decade later, Broadway legend Harvey Fierstein and icon of pop Cyndi Lauper got their hands on it, and turned it into the glittering musical that we know and love today. One of the rare examples of a musical adaptation being better than its original source material, the story of the failing shoe factory that turned its fate around by manufacturing outrageous boots for drag queens has seen great success both on Broadway...

15Apr

By Ralph JeffreysNo Comments

London

Heisenberg – Arcola Theatre

A brilliant production, Heisenberg is a reimagining of Simon Stephen’s excellent play about relationships and their inherent uncertainty. Portrayed for the first time as a relationship between two women, we follow seventy-five-year-old Alex and the much younger Georgie in a story of an unlikely relationship that all begins when Georgie unexpectedly plants a kiss on Alex’s neck in the middle of a train station. The quality of Simon Stephen’s writing is superb. His characterisation is full of knotty complexity and his dialogue is expert at pulling out all of the tensions between Alex and Georgie. For example, Stephens plays with the form of the characters’ conversations to show us who is in control, who is driving, who is comfortable, and who is not. Thus, it is Georgie who does most of t...

Donald Grant and The Scottish Ensemble: Thuit an Oidhche Oirnn (The Night Overtook Us) – Queen’s Hall, Edinburgh

15Apr

By Greg HolsteadNo Comments

Scotland

Donald Grant and The Scottish Ensemble: Thuit an Oidhche Oirnn (The Night Overtook Us) – Queen’s Hall, Edinburgh

A foot tapping and thought provoking night from one of Scotland’s finest fiddle players accompanied by the tartan security blanket of the Scottish Ensemble, who together created something of a sonic explosion at The Queen’s Hall. Following on from their puppet based space Odyssey The Law of Gravity which I loved at The Traverse earlier this year, The Scottish Ensemble, champions of classical Scottish string, led by Artistic Director, and 1st violin Jonathan Morton head back to their native roots, but with many a twist along the Highland track. Before Donald Grant takes to the stage we are treated to the Ensemble’s remarkable rendition of Touch and In Memorium, by Martin Suckling, like a murmuration of starlings, swooping and wheeling seemingly defying logic (or melody) and yet still ...

12Apr

By Alan Stuart MalinNo Comments

London

Supersonic Man – Southwark Playhouse

Southwark Playhouse Borough hosted the world premiere of ‘Supersonic Man’ this week, a new musical written and directed by Chris Burgess, which sets out to blend science fiction spectacle with emotional resonance and love within the LGBTQI+ community. It is inspired by the remarkable real-life journey of Peter Scott-Morgan, as seen in Channel 4’s ‘Peter – The Human Cyborg’, and follows Adam, a Brighton-based influencer, who faces a devastating diagnosis and chooses to defy it, not by surrendering, but by exploring an experimental path, exploring transhumanism to reclaim control and live a full life. The production offers up a bold premise, full of potential for both drama and imagination, but unfortunately, it doesn’t quite live up to the ambition of its concept and remains somewhat und...

Gideon: A Play with Music – Hallé at St Michael’s

12Apr

By Mark DavorenNo Comments

North West

Gideon: A Play with Music – Hallé at St Michael’s

This important play, developed by Modalways and written by Daniel Mawson, hits all the right notes under the diligent direction of Sue Dunderdale as we follow the life of a magnetic musician and his family as they face an impossible choice. World War I ends in November 1918 and the world is on the brink of new opportunities. A year later, Gideon Klein (Max Gallagher) is born into a musical Jewish family in Moravia, and displaying a musical talent from an early age, his sister, Lisa (Rosie Hilal), a fantastic pianist in her own right, encourages her parents to let him move to Prague with her when he is twelve. They are eventually joined by their mother, Ilona (Rebecca Scroggs), in spite of her guilt at leaving her sick husband behind. When Gideon’s opportunities are dashed by the rise...