Monday, May 6

REVIEWS

Agatha Is Missing – Edinburgh Fringe Online
Scotland

Agatha Is Missing – Edinburgh Fringe Online

Written and performed by Prudence Wright Holmes, ‘Agatha is Missing’ is a single-handed performance about super sleuth ‘Miss Clarissa Marbles’ and her quest to find out about the real-life disappearance of Agatha Christie in 1926. This year the show is an online performance and opens to Miss Marbles setting the scene regarding the disappearance of Christie having left her home ‘one dark stormy night...’ With previous sold out shows at Edinburgh Fringe, Holmes is undoubtedly one confident performer. A US based performer and playwright she has had a varied career. From performances in the original cast of the 60s production of ‘Godspell’ to acting alongside Meryl Streep in ‘Happy End’ on Broadway and Whoopi Goldberg in ‘Sister Act’ and ‘Sister Act 2’, Holmes knows her craft well. ...
Murder She Didn’t Write – Pleasance Courtyard, Pleasance One
Scotland

Murder She Didn’t Write – Pleasance Courtyard, Pleasance One

Have you ever fancied watching a murder mystery where even the murderer doesn’t know its them until halfway through the show? Well then, this murder mystery improvised phenomena may just be right what you’re looking for. Taking all the classic elements of a typical ‘who done it’ murder mystery but shaking it up with the plot, characters and murder weapon being decided upon by the audience right at the start of the show. It’s a wonder how the Degrees Of Error theatre company manage to come up with a fully-fledged play that still leaves it’s audience gasping with shock when the truth is revealed. With the events of the play being decided upon during the show I feel no fear in revealing the plot of our performance:  Donald Trump’s trial and the tiny shark. To even shape such a...
DOM – The Play – Assembly Rooms, Edinburgh
Scotland

DOM – The Play – Assembly Rooms, Edinburgh

This is a show which hits the ground running - a fast-paced production, directed by Michael Kingsbury. It’s a comedy about Boris Johnson and his erstwhile Chief Adviser, Dominic Cummings, former Director of Vote Leave, and the architect of the Johnson election victory in 2019. It tells the story of the EU Referendum Campaign and the Boris Johnson premiership from the point of view of Cummings. This show, already seen in London and Windsor, has been shortened and updated for the Festival Fringe. The author, we are told, prefers to remain anonymous prompting speculation that it is the work of a Westminster ‘insider’. The play opens with Dom speaking directly to the audience. He greets us as ‘weirdos and misfits’ - a reference to Cummings’s strange blog post in 2020 when he invit...
I Work in Customer Service but I’m Actually a Pop Star – Blunderbus
Scotland

I Work in Customer Service but I’m Actually a Pop Star – Blunderbus

Glaswegian Barbie on a bus. Amelia Bayler (Scottish Comedy Awards' Best Newcomer) takes the BlundaBus for an energetic combination of stand-up and singing. The venue was the perfect spot to see Bayler who turned the old-style bus into a party bus with her high energy performance. The show was not meticulously put together, but it wasn’t trying to be. Instead, it was a chaotic look into the creative mind and life of Bayler. The moments of scripted comedy, such as her re-enactment of her Skype interview, were funny and relatable, especially to those who have worked in customer service. Whilst spur-of-the-moment conversations with the audience enhanced the enjoyable chaos of the show. Her unhinged songs, about anything from Tupperware’s to Greggs, were lively and original. A fav...
Gaslighting is my Love Language – Just The Tonic at The Grassmarket Centre
Scotland

Gaslighting is my Love Language – Just The Tonic at The Grassmarket Centre

Fielding Edlow’s Gaslighting is my Love Language is a brutally honest, unapologetically explicit, and immensely entertaining hour of comedy. The premise is simple; Edlow has recently divorced her husband of thirteen years and wants to share her new perspective on the marriage with the audience. What results is akin to a farcical therapy session, where the audience plays the role of the therapist. While they don’t often get involved, with one notable exception you’ll have to discover for yourself, Edlow regales them with the ups and downs of the marriage, pinpointing exactly where it all went wrong. Spoiler alert, it was when they first met. While most comedians bring in elements of truth to their performances, Edlow takes it to a whole new level. She makes a point of informing the audi...
Macbeth – Shakespeare’s Globe
London

Macbeth – Shakespeare’s Globe

The Shakespeare’s Globe hit the headlines recently, when a man in a full latex gimp suit and face mask rocked up to a performance of The Comedy of Errors. It prompted a few complaints, but Globe staff shrugged off the furore and were largely worried that the rubbery punter might overheat. He was stood in front of the stage at a matinee on a warm day. Fetish enthusiasts were less visible on the night we attended Macbeth at the Globe, but one of the venue’s strengths is to render the audience as almost another actor in the proceedings. The shape and design of the Globe means that in the summer months when it is light, the full range of humanity is on show, whether that’s in the cheap ticket pit or one of the galleries. At one point, Macbeth (Max Bennet) exited the stage through the au...
Coffee Kid – Underbelly Cowgate
Scotland

Coffee Kid – Underbelly Cowgate

If you have a free afternoon this Fringe ditch the overpriced coffee and indulge in Coffee Kid. Nominated for Best Performer and the Spirit of Wit award at the Dublin Fringe Festival 2022, Coffee Kid is a one-woman play exploring the absurd character Beanie Clooney (Síomha McQuinn) the love child of George Clooney and a Nespresso machine. The show was unsurprisingly whacky but also relatable: the familiar coming-of-age themes of identity, love and belonging were revitalised by the originality of the protagonist. It also brought together classic Fringe comedy and new ideas in a refreshing way: satirical jokes towards Womanhood, Hollywood and patriarchy were complimented by more niche puns about the unique character and plot. Despite moments of depth the storyline was kept light-hearted...
This Girl: The Cynthia Lennon Story – Upstairs at the Gatehouse
London

This Girl: The Cynthia Lennon Story – Upstairs at the Gatehouse

The Programme description:  The play is also a musical featuring original songs and music arrangements by BBC Radio Merseyside’s Frankie Connor, Billy Kinsley and Alan Crowley and depicts the emotional journey of Cynthia (CIN’s) life before, during and after Beatlemania. THIS GIRL features eight brand new songs making it a must see musical for theatre lovers of original and contemporary theatre. THIS GIRL tells a story of Cynthia Powell a shy student from Hoylake, who fell in love with a young musician called John when they met at Liverpool Art College in 1957. She became Cynthia Lennon and mother of their son Julian. This play has been created it seems to showcase their love and affection for each other, her struggles and the challenges she faced in her relationship with John Len...
Shrek the Musical – Opera House, Manchester
North West

Shrek the Musical – Opera House, Manchester

Shrek the Musical is mesmerising extravaganza that is a great way to introduce children to the theatre and performing arts. Shrek the Musical has arrived at Manchester Opera House and is an absolute delight that brings the beloved ogre and his endearing companions to life on stage in an unforgettable theatrical experience. The cast is an absolute tour de force, with each actor embodying their iconic character with undeniable charm and flair. Shrek played by Anthony Lawrence has a warmth and energy that the audience immediately connect with and perfectly captures the grumpy yet lovable demeanour of everyone’s favourite ogre. Lawrence has a great on stage chemistry with Joanne Clifton who plays Princess Fiona with a great stage presence. Brandon Lee Sears as Donkey and James Gillan...
A Greasy Spoon – Liverpool’s Royal Court
North West

A Greasy Spoon – Liverpool’s Royal Court

A Greasy Spoon started its life as part of the Everyman’s new writing showcase written by Alice Bunker-Whitney. Alice is described by Kevin Fearon (Liverpool Royal Courts Executive Producer) as “a great new writing talent”. So, it’s no wonder the Royal Court has made this production its new home for the next four weeks. A Greasy Spoon is set in ‘Scrantastic’ which is just your completely normal ‘caff’ and takes you on the journey with your completely normal workers Mandy & Shannon. Honestly, it sounds quite bland when you put it like that. But, if you’re a regular at the Royal Court you know their productions are anything but normal and absolutely anything but bland. I wouldn’t want to give too much away but you can expect MURDEROUS laughter from the audience and a lesson that w...