REVIEWS Archives - Page 9 of 574

11Mar

By Kira DanielsNo Comments

London

Salt – Riverside Studios

A bitter song for a bloody story, Contemporary Ritual Theatre brings a strange and slippery offering to Riverside Studios, weaving dance, song, and dialogue in a summoning circle of rope and sweat that ensnares its audience and holds them in a merciless grip well beyond the threshold of pleasure. The play’s brutal stranglehold on its audience is a testament to its enigmatic and often energetic performing corps comprised of veteran actor Emily Outred as the Widow Pruttock, Contemporary Ritual Theatre regular Mylo McDonald as her son Man Billy, and relative newcomer Bess Roche as Sheldis, the strangely seductive interloper in their squalid little life whose lascivious ways threaten to upend the little order they are able to impose in their chaotic sea ruled community. Composer and mus...

It Walks Around the House at Night– Southwark Playhouse Borough

10Mar

By Charles PipeNo Comments

London

It Walks Around the House at Night– Southwark Playhouse Borough

When struggling working-class actor Joe (George Naylor) accepts a seductively well-paid job offer from an alluring and wealthy man, he is thrust into an increasingly nightmarish situation that has him questioning his sanity. It Walks Around the House at Night blends elements of psychological thriller, Gothic horror, and dark comedy into an atmospheric and entertaining thrill ride. Naylor gives a fantastic performance as Joe, supported by a very strong script from playwright Tim Foley. With a sardonic yet affable charm, Joe immediately wins the audience over, and as a result they are invested and gripped when he is placed into peril. Sometimes Joe’s characterisation is a little inconsistent – one moment he is naïve and credulous, the next he has near-psychic levels of insight – but...

Priscilla Queen of the Desert – Liverpool Empire

10Mar

By Stephanie WiswallNo Comments

North West

Priscilla Queen of the Desert – Liverpool Empire

Glittering, joyous, and unapologetically bold, Priscilla Queen of the Desert bursts onto the stage as a dazzling celebration of identity, friendship, and resilience. Directed by Ian Talbot. Based on the 1994 Australian film of a similar name, this stage musical transforms the road-trip story into a vibrant theatrical spectacle packed with iconic disco hits, stunning choreography (Matt Cole) and exuberant costumes (Vicky Gill). A show absolutely NOT to be missed! The story follows three friends Tick (Mitzi) played by Kevin Clifton, Adam/Felicia (Nick Hayes), and Bernadette (Adele Anderson)—as they travel across the Australian outback in a battered old school bus named 'Priscilla'. Along the way, they encounter both hostility and kindness, forcing them to confront prejudice, pers...

Think of England – Glasgow Film Festival

9Mar

By Greg HolsteadNo Comments

REVIEWS

Think of England – Glasgow Film Festival

At the screening at the Glasgow Film Theatre during the Glasgow Film Festival, the festival director began with a small confession. Introducing a film called Think of England, he suggested, required a certain amount of bravery when standing in front of a Glasgow audience. It got the laugh it deserved, but it also set the tone rather nicely for what followed. Because Think of England begins with a premise that sounds almost like a joke, and gradually becomes something rather more thoughtful, and occasionally rather unsettling. Written and directed by Richard Hawkins, the film is set during the Second World War and built around a wartime rumour so improbable it almost feels invented, that somewhere within the labyrinth of British military bureaucracy someone proposed mak...

Dead Poets Live: Emily Dickinson – Coronet Theatre

8Mar

By Louise PennNo Comments

London

Dead Poets Live: Emily Dickinson – Coronet Theatre

Dead Poets Live aims to bring poetry to the stage, “creating theatre out of poems and poets”. Over the last ten years, poets from the past from Yeats and Byron to Robert Frost and Stevie Smith have been resurrected in the person of actors such as Rupert Everett, Glenda Jackson, Denise Gough and Monica Dolan. Patsy Ferran is centre stage tonight as one of America’s greatest poets, Emily Dickinson, a 19th century writer who flirted with modernism before it had a name and engaged fully with the world while remaining reclusive and withdrawn physically from it. Her poems are noted for their odd metre and punctuation – chiefly dashes – while offering playful and perceptive views of melancholia, religion and nature. Although other stagings of Dead Poets Live have been presented in full ...

8Mar

By Stewart Who?No Comments

London

tell me straight / aggy – Park Theatre

Despite an avoidance of capital letters, ‘tell me straight’ follows sold-out runs at The King’s Head and Chiswick Playhouse. Paul Bradshaw’s play explores sexuality and dating in a semi- autobiographical coming of age drama. Writer and co-producer Paul Bradshaw stars as the character known only as ‘Him’. Flashing back to childhood and progressing to the present day, it’s a comedic journey of sexual adventures, but mostly charts a chaotic fetish for straight men. Fresh from playing Alexander the Great in a Netflix historical drama, Buck Braithwaite abandons smouldering soldier homoerotica and plays a roll call of men who have little idea what to do with their sword, never mind their helmet. He pulls it off with considerable skill. In fact, the nuances of sexual confusion that Braithwaite...

8Mar

By Damian RiverolNo Comments

Wales

Macbeth – Storyhouse

Adapted and directed by Jamie Sophia Fletcher, Shakespeare has returned to Storyhouse with a fresh, bold and ambitious telling of Macbeth. We also see the return of the thrust configuration within the theatre which sees the stage area built out over the original stalls and creates a more intimate space where the audience surround three sides of the stage and feel even more involved with the story being told, with cast occasionally entering through the audience, inviting us in a little closer. The stage is pretty bare except for some strip lighting hanging down at different levels above the stage area and ‘Something wicked this way comes’ written all across the floor. The lighting is a huge part of this production, used to differentiate different families or groups, each with their own l...

8Mar

By Dylan MooneyNo Comments

Scotland

Medea – Traverse Theatre

Eurpides’ Greek tragedy, Medea, is revived once more by Kathy McKean, arguably bringing more life to the title role, putting Medea front and centre in her own story. This adaptation stays true to its source material while also modernising to fit with today’s usual audience. Her husband, Jason (Jonny Panchaud), gained the golden fleece while Medea (Nicole Cooper) has largely been forgotten. Left at home to look after her two sons, assisted by the Nurse (Isabelle Joss), Medea begins to play a dangerous game of revenge after Jason falls in love with the Princess and daughter of King Creon (Alan Steele). Cooper’s performance as Medea is truly incredible. From the moment she enters the stage, she commands attention, bringing a great sense of naturalism to this well-known Greek tragedy. Sh...

6Mar

By Paul WilcoxNo Comments

North West

Macbeth – Octagon Theatre

Over four hundred years since it was written and first performed, Shakespeare’s Macbeth still proves to be the quintessential study of guilt, paranoia and vaulting ambition. With this modern-dress version of the tragedy, Director Mark Babych produces an accessible and clear rendition of the text that emphasises the domestic trauma of the central couple at the expense of the wider political context of the play. When watching and reviewing any Macbeth, my interest always centres around the decision a director takes to emphasise certain key themes inherent in the text. Will they choose to focus on the political, martial or domestic elements that conspire to push the eponymous character from warrior hero at the outset towards bloody regicide and insecurity, culminating in his fatalistic dea...

Rozencrantz and Guildenstern Are Dead – Assembly Roxy Upstairs

5Mar

By Greg HolsteadNo Comments

Scotland

Rozencrantz and Guildenstern Are Dead – Assembly Roxy Upstairs

Tom Stoppard’s Rosencrantz and Guildenstern Are Dead is a play that wears its cleverness cheerfully on its sleeve and occasionally waves it about like a philosophical flag. Absurd, witty and quietly unnerving, it takes two minor characters from Hamlet and places them centre stage in a universe where the rules of narrative appear only partially understood. For any company, let alone one mounting its very first production, it is a formidable undertaking. Yet Gutter Theatre of Edinburgh, present the play at The Roxy Upstairs, approach the challenge with a pleasing mixture of ambition and good humour. The play famously opens with a coin tossing sequence in which probability appears to abandon the building entirely. From that moment onward Stoppard’s world of existential ...