REVIEWS Archives - Page 88 of 549

6May

By Ben PearsonNo Comments

London

WEER – Soho Theatre Walthamstow

I was exhausted as I sat down in the newly opened Soho Theatre Walthamstow to watch Natalie Palamides’ WEER. It had been a long day at work and, if I’m honest, I needed a bit of a pick-me-up. Luckily, Palamides more than delivered. I am not exaggerating when I say that WEER was one of, if not the funniest plays I have ever seen. The premise is simple; Palamides’ plays both sides of a couple in turmoil. And I mean that literally. One side of her, ‘Mark’, sports a beard, wig, and stereotypically masculine clothes, whilst the other side, ‘Christina’, wears a dress. At least to start with… the number of costume changes Palamides managed to pull off was something to behold. I was amazed by how distinct Palamides’ portrayals of Mark and Christina were. They each had unique physical mannerisms...

6May

By Wendy McEwanNo Comments

Scotland

In Other Words – The Studio

When your partner is diagnosed with a life-changing illness, your shared history becomes a prologue. At first, nothing tangible changes between you. But at that moment, you each gain a new identity within your relationship. They are the patient, and you are the carer. And the future you had planned together is revealed as a mirage. As the audience enters, Jane (Lydia White) and Arthur (Matthew Seager) are falling in love. They sit beside each other, blissfully conversing and gazing into each other’s eyes, accompanied by the music of Frank Sinatra. This is the very beginning of the life they will spend together. Then, the lighting changes. Arthur remains seated, but now he is nonverbal, trembling, childlike. Jane comforts him. Photo: Tom Dixon We follow their relationship from t...

5May

By Michelle KnightNo Comments

London

Romeo & Juliet – Shakespeare’s Globe

The Shakespeare Globe presents as part of the summer season. A new lively production of Romeo and Juliet, a play of young love and tragedy. This is one of Shakespeare’s controversial plays “which the age of a character is overtly stated, Juliet is just thirteen”. Romeo’s age is never mentioned but the sense is he is not much older than his Juliet played by Lola Shalam. It offers Shakespeare style, set within the wild west times of the 19th Century, yes cowboys. Don’t be fooled It has its scenes of tragedy, violence and misfortunate heartache. Set in Verona it revolves around a story of feuding families, the Montagues and the Capulet’s of which Romeo is a Montague and Juliet a Capulate. The two meet for the first time at a ‘coming out’ banquet for Juliet. Romeo with his friends Ben...

Mermaids Have No Tears — Barons Court Theatre

5May

By Zak RosenNo Comments

London

Mermaids Have No Tears — Barons Court Theatre

It can be hard not to fall into despair when contemplating all the different apocalypses we face today — climate change, oligarchic billionaires, social media brain rot, rising authoritarianism, talking to your father about your gender. But Mermaids Have No Tears, written by Ellis Stump and directed by Julia Sopher, manages to take in the overwhelming chaos of life in this moment and explores it with hope, humility, and a whole lot of humour, all through the lens of the fascinating subculture of Mermaiding. Set during the 2024 and 2025 New York Mermaid Conventions and the intervening year, the play follows the intricate and mildly unhinged antics of three twenty-somethings. Fyn (played by Everleigh Brenner) is the environmental activist child of an oil tycoon trying to figure out ho...

Scottish Ballet: The Crucible – Festival Theatre, Edinburgh

5May

By Greg HolsteadNo Comments

Scotland

Scottish Ballet: The Crucible – Festival Theatre, Edinburgh

Excelling in pretty much every aspect of theatrical performance, this revival of Scottish Ballet’s 2019 adaptation of Arthur Miller’s iconic play is a cast-iron cross-over hit full of exquisite movement, sublime sound, theatrical storytelling, ethereal lighting and brilliant set design, magical, darkly complex and supernaturally good. I say cross-over because this does not feel, or indeed sound like any ballet I have ever witnessed before. There is so much modern dance and passionate movement mixed in here with storytelling and set to a scintillating modern score by Peter Salem it feels like something completely new, different and exciting. The giant stage of The Festival Theatre can be daunting, some productions just get swallowed up here. But not this one. In Emma Kingsbury and Dav...

Highlights from Wagner’s Ring Cycle in Concert – Liverpool Philharmonic

5May

By Mark HumphreysNo Comments

North West

Highlights from Wagner’s Ring Cycle in Concert – Liverpool Philharmonic

Wagner’s monumental Ring cycle, often described as a feat of artistic ambition and endurance, was distilled into a thrilling concert experience at the Royal Liverpool Philharmonic Hall last night with soprano Elena Pankratova under the assured baton of Domingo Hindoyan. This handpicked journey through the Ring brought drama, grandeur and pathos to life in a way that transcended the absence of sets and staging. But it was far from a bare stage. No fewer than six harps, four Wagner tubas, and an expanded instrumental palette that included bass clarinet, contrabassoon, bass trumpet and contrabass trombone made it clear: Wagner liked his low notes. The evening opened with the Entry of the Gods into Valhalla from Das Rheingold, a piece that shimmered with prophetic splendour. Hindoy...

Murder at the Three Ring Circus – Ellesmere Port Civic Hall

4May

By Damian RiverolNo Comments

North West

Murder at the Three Ring Circus – Ellesmere Port Civic Hall

AMT productions presents Murder at the Three Ring Circus at Ellesmere Port Civic Hall. This is no ordinary theatre production as you are transported to the Circus as soon as you enter, with different acts dotted around the bar area, posters of the main acts hanging from the ceiling and little stalls dotted around to entice and involve you from the beginning. Once the main ‘Circus’ is open, we enter the auditorium which has been fully transformed to make you feel like you're in a big Circus tent, with seating around three sides of the Circus Ring. The set up is brilliant, with ‘backstage’ announcements taking place from the stage manager and the acts running around getting ready for the show. The show takes place over two levels, with the main story taking place down at audience l...

Liverpool Improvisation Festival 2025 – Unity Theatre

4May

By Caroline WorswickNo Comments

North West

Liverpool Improvisation Festival 2025 – Unity Theatre

As the dust settles, and the individual show reviews have now been written, it seems like a good time to take a step back and reflect on last weekend’s improvisation festival. The four-day event consisted of three days of improvised shows, and the final day was workshops aimed at fellow improvisers. The Unity Theatre offered two good sized spaces, so it was easy to move between the two theatres whilst the organisers set up the next act. The vibe of the event was one of community, and inclusivity, and a warm welcome was given to all who came to the event. I attended one whole day on the Saturday, which offered a varied schedule, beginning with a charming family show, ‘Jungle of Emotions’ which encouraged children to join in, by making their own suggestions, and th...

The School Of Night – Liverpool Improvisation Festival – Unity Theatre

4May

By Caroline WorswickNo Comments

North West

The School Of Night – Liverpool Improvisation Festival – Unity Theatre

Twenty years ago, under the stewardship of Ken Campbell, ‘The School of Night’ was formed and made its first appearance at Shakespeare’s Globe Theatre. It is interesting to note that the original members of the Elizabethan version of The School of Night, were such luminaries as Sir Walter Raleigh, Thomas Harriot, Christopher Marlowe et al, who may very well have frequented the original Globe Theatre, which was built in 1599, which makes The School’s anniversary feel significant. It is thought that the name ‘The School of Night’ came from a line in Shakespeare’s play ‘Love’s Labour’s Lost,’ but there were other possibilities for the original name of this group of radical freethinkers. These include ‘The School of Atheism,’ and the ‘Durham House Set’ named after Sir Walter Raleig...

Moulin Rouge The Musical – Edinburgh Playhouse

2May

By Jessie MartinNo Comments

Scotland

Moulin Rouge The Musical – Edinburgh Playhouse

Premiering at the Edinburgh Playhouse, the musical theatre adaptation of Baz Lurhmann’s 2001 film Moulin Rouge, kicks off the first ever tour in the show's history this month. Set in 1899 Paris in the infamous Moulin Rouge cabaret, we follow the secret love affair between the cabaret’s star performer Satine (played by Verity Thompson), and bohemian writer Christian (played by Nate Landskroner). Despite the grandiosity of the Moulin Rouge, it is struggling financially so owner Harold Zidler (Cameron Blakely) arranges for Satine to seduce The Duke (James Bryers) and in return the Duke will provide Zidler with a large investment to put towards their next show. Satine has to choose between living a life of poverty with her true love Christian or submitting to the Duke in orde...