REVIEWS Archives - Page 85 of 548

Dear Annie, I Hate You – Riverside Studios

15May

By Savitha VenugopalNo Comments

London

Dear Annie, I Hate You – Riverside Studios

Samantha Ipema takes what is perhaps the most traumatic period of her life and turns it into a dramatic telling full of comedy and poignance. To say that this play offers a peek into its creator’s brain is not hyperbole, it is a mere fact. We do get to see her brain. But more on that later. The play is directed by James Meteyard and Ipema plays herself as she tells her life story from the day she met her adoptive brother, Mica. Their childhood shenanigans, school, friends, teenage, and her love for soccer. And that’s where Annie comes into her life. Annie is the personification of the aneurysm that doctors find in Sam’s brain. She is unpredictable, explosive, and is played with chaotic energy by Eleanor House. She is Sam’s unwelcome plus-one at spring break, in school, at parties. Th...

The Comedy About Spies – Noel Coward Theatre

15May

By Michelle KnightNo Comments

London

The Comedy About Spies – Noel Coward Theatre

What a play, the two Henry’s, Lewis and Shieldshave ‘cracked the funny bone’ with this one. What is there not to like about Englishmen MI6, Russian KGB and American CIA agents getting it not quite right! If you enjoyed The PLAY That Goes Wrong, well this play is one for the bucket list. The Mischief Company present The Comedy About Spies, with espionage, lots of sneaking about undercover and a dash of James Bond, wonderful. The cast’s opening gambit sets the scene in 1960’London, on a mission ‘Project Midnight’ to track down documents to avert an international disaster. With an ensemble of dialogue to make you cringe and laugh out loud the agents named by letters of the alphabet start a confusing conversation: “this mission is for you no not you U” “Why” agent Y walks in “not you Y get ...

Ormonde Ensemble – Liverpool Philharmonic Music Room

15May

By Stephanie WiswallNo Comments

North West

Ormonde Ensemble – Liverpool Philharmonic Music Room

This performance was created to bring female composers and those from underrepresented backgrounds to the forefront. A stunning 5 piece orchestra with the ability to delight and alight your senses taking you on a journey through your imagination, accompanying you with the sweet sounds and emotions. The performance began with the exciting, cheerful and exhilarating Ligeti Six Bagatelles, like layers of waves crashing together to create one almighty storm of beautiful sound. The players perfectly in symphony and a pleasure to hear were superb. Playing a mixture of both newer and more familiar compositions. Cara Houghton (flute), Helena Mackie (oboe) and Isaac Prince (clarinet) providing the chase and thrill within my imagination with their gentle, tinkering and cheery notes w...

14May

By Stephanie WiswallNo Comments

North West

Shrek the Musical – The Brindley

Step into the magical mythic tale of Shrek the Musical and follow him and his band of fairytale creatures on a journey with his beloved sidekick Donkey and his enchanted Princess Fiona as they save the Kingdom of Duloc from the evil Farquaad and find true love. Directed by Dean Callow. This performance, although it may be performed by an amateur company, is anything but amateur. A show which is guaranteed to have audiences laughing, singing and shouting for more. Audiences are captivated from the moment they enter the auditorium as the staging and set are eye catching and transport you into a magical wonderland. Then, you are hit with the most stunningly enchanting costumes which perfectly identify each individual character easily, full of colour, sparkle and pizazz. The Musical D...

The Lion, The Witch and The Wardrobe – Festival Theatre

14May

By Nazaret RaneaNo Comments

Scotland

The Lion, The Witch and The Wardrobe – Festival Theatre

As someone who spent a good portion of their childhood half-convinced there might be a secret world hiding at the back of the wardrobe, this production was always going to land somewhere between nostalgia and reverence. And I’m pleased to say, it hit the mark beautifully. Michael Fentiman’s production, adapted from Sally Cookson’s earlier version, is a rich, often dazzling journey into Narnia and one that balances spectacle and substance with real flair. From the opening bars of We’ll Meet Again, underscoring the siblings’ evacuation from London, it’s clear this is not simply a children’s story. There’s grit in the frame, a proper wartime darkness that lends weight to the fantasy. It’s still magic – of course it is – but the stakes feel real. The visual storytelling is a triumph. ...

Cruel Intentions The ‘90s Musical – Hull New Theatre

14May

By Jackie FoottitNo Comments

Yorkshire & Humber

Cruel Intentions The ‘90s Musical – Hull New Theatre

Although an avid movie-goer, the 1999 cinema release of Cruel Intentions, passed me by, so when the musical of the same name came to the Hull New Theatre, I had no clue of what to expect. The theatre was filled far from capacity on Tuesday evening, which was a shame, but those of us who did attend were in for a treat. The many trigger warnings in the press release hinted at themes that may upset some folk, and although “explicit sexual language and behaviour, racial discrimination and drug usage” did raise their ugly heads, I can honestly say they didn’t overshadow proceedings, meaning such events came and went and then we were on to the next scene. That’s not to minimise such gross deeds, but they were so cleverly interwoven as to seem unimportant, if that makes sense. Based o...

13May

By Leanne RushtonNo Comments

North West

& Juliet – Regent Theatre, Stoke

The Regent Theatre was packed out with eager theatre goers ready to watch &Juliet on its first UK tour. The audience was full of people of all ages. On entering the auditorium, the spectacle that this show draws you in instantly. Projecting London landmark names onto all walls and playing instrumental versions of the music your ears will be graced with throughout the rest of this show. The ensemble cast entering the stage and engaging with the audience before curtain up was a really sweet touch. The second you stepped foot into the auditorium you knew that this was going to be a special night and the show lives up to these expectations and more. This Jukebox musical mixes the traditional story of Romeo and Juliet and adds Modern twist. With Shakespeare (Jay McGuiness) and Anne...

13May

By Peter KinnockNo Comments

West Midlands

Peter Grimes – Birmingham Hippodrome

For many, opera is another country; they do things differently there. Images of armour-clad Rheinmaidens and vain bass baritones with over-inflated girths and egos have permeated popular iconography for decades and not without reasons - in some places those stereotypes have and do exist, but not tonight, not at the WNO. The Welsh National Opera Company is peopled with performers, creatives and technicians clearly with their feet on the ground intent on delivering work which is accessible, engaging and truthful - and a prime example of this is tonight’s offering “Peter Grimes” which, on paper, could read as a dreary, sodden coastal tract but on stage is dances with wit, insight, and perception. The opera, I’m sure I don’t need to remind you, has a libretto by Montagu Slater (a name itsel...

Simon Boccanegra – Royal Liverpool Philharmonic

13May

By Mark DavorenNo Comments

North West

Simon Boccanegra – Royal Liverpool Philharmonic

Director PJ Harris’ dramatic concert staging of Verdi’s 1881 version of Simon Boccanegra for Opera North is an absolute joy, a true sensory delight for the ear and eye. A Prologue establishes that Boccanegra (Roland Wood), a plebeian, is about to become the first elected Doge of Genoa. But he loves – and has secretly had a child with – Maria, the daughter of his political rival and sworn enemy, Jacopo Fiesco (Vazgen Gazaryan), a patrician. When Maria dies, the baby disappears. Fast forward 25 years and Fiasco is in hiding under the alias Andrea Grimaldi and plotting his revenge against Boccanegra who is still in power. He has become guardian to an orphan girl named Amelia (Sara Cortolezzis) who it later transpires is his missing granddaughter. She wants to marry Gabriele Adorno (Andr...

Cavalleria rusticana / Pagliacci – St George’s Hall, Liverpool

13May

By Mark DavorenNo Comments

North West

Cavalleria rusticana / Pagliacci – St George’s Hall, Liverpool

North Wales Opera Studio’s welcome return to Liverpool to perform a one-act verismo pairing became a little disjointed as director Anne Williams-King was unable to take full advantage of the venue’s performance space. Cavalleria rusticana and Pagliacci or, more familiarly, Cav and Pag is an archetypal one-act opera pairing, and it’s hard to imagine two more closely matched pieces even though it was not the result of any concerted strategy on the part of the two composers, Mascagni and Leoncavallo. Composed just two years apart, these two dramas of jealousy, passion, and murder, show obvious similarities as early exponents of Italian Opera’s Verismo movement towards greater theatrical reality involving supposedly realistic settings and the dramas of ordinary people as an...