Wednesday, December 17

REVIEWS

Ghost the Musical – The Forum Theatre, NK Theatre Arts
North West

Ghost the Musical – The Forum Theatre, NK Theatre Arts

This musical is based on the famous film of the same name which starred Patrick Swayze, Demi Moore and Whoopi Goldberg. It is such a well-known story that I guess it is pointless of me to go over the storyline, so I will concentrate instead on describing this production by the cast and crew of NK Theatre Arts who have put together a highly entertaining version of this story. Kerry Day (ably assisted by Nickie Simms) has put together a highly entertaining production which was enjoyed by a capacity audience on this opening night. The music (Dominic Stannage and Scott Mitchell) and choreography (Helena Davies in her debut as lead choreographer after many years performing on stage) all did an excellent job with the roles they had to undertake. Mention should also be given to the contributio...
The Mikado – Drayton Arms Theatre
London

The Mikado – Drayton Arms Theatre

One presumes it is no easy task to reimagine a classic from a time long gone for an audience of today. Preserving its original form could horrify modern sensibilities; washing the script in political correctness would strip it of its essence. What does one do? Forbear Theatre does a refreshing job of giving comic operetta The Mikado a new look. With a few tweaks, it dusts off the exoticism and stereotypes of the original, while preserving the wit and the tension, the topsy-turviness that the creators intended. Photo: Jon Lo Photography Deviating from the original setting of Japan, this new iteration takes place in the fantasy land of Pa’gæn, populated with woodland creatures, elves, and mages. The names are no longer Far-Eastern either. Rather, according to the director’s note, th...
& Juliet – Sheffield Lyceum
Yorkshire & Humber

& Juliet – Sheffield Lyceum

& Juliet storms the Sheffield Lyceum this May, with the west-end blockbuster reframing the classic romantic tragedy to great effect. Ironic gender-bending, scenes of female empowerment married to laddish disruption, there is something for everyone here. Soundtracked to Swedish pop-anthem writer Max Martin, songs from the catalogues of the Backstreet Boys and Bob Jovi to Jessie J and Katy Perry boom from Verona to Shoreditch. It’s a journey worth taking for partygoers and story-lovers alike. The design of this show is particularly astounding. Audiences are treated to perhaps one of the most dynamic and alive sets they’re likely to see on stage. Stellar skylines are transient and embellish the shifting fixtures beautifully. The lighting design is also ambitious, bold and handled effec...
Dear Evan Hansen – Blackpool Grand
North West

Dear Evan Hansen – Blackpool Grand

I spent my evening at Blackpool grand Theatre. ATG Productions and Gavin Kalin Productions present The Nottingham Playhouse Production of Dear Evan Hansen. This is my first time watching the show, I have never seen the movie and I’m not familiar with the music, I heard one of the songs on a televised concert during Covid, so other than a quick Google I was walking into this evening blind. The book by Stephen Levenson and Music and lyrics by Benji Pasek and Justin Paul, creators of The Greatest Showman. The show premiered in 2015 followed by a movie version in 2021, Dear Evan Hansen is the recipient of six Tony Awards. This story is an exploration of complex themes including anxiety and grief with a recommended minimum age of twelve. With a focus on mental health, the majority of o...
North by Northwest – Liverpool Playhouse
North West

North by Northwest – Liverpool Playhouse

Billed as a ‘theatre legend’ in the production’s accompanying notes, celebrated director Emma Rice’s adaptation of this Hitchcock classic for the stage is sumptuous and visually arresting but sadly more style over substance with its lack of storyline. It would be strange would it not, poses The Professor (Katy Owen) who narrates much of the evening’s proceedings, if in a city of seven million people, one man was never mistaken for another. And in a flash we are transported to the bright lights of the big city – New York – in 1959, where we meet reluctant hero Roger Thornhill (Ewan Wardrop), whose mistimed phone call to his mother lands him smack bang in the middle of a Cold War conspiracy. Now he’s on the run dodging spies and airplanes as he tries to evade the clutches of villain Phill...
The Rheingans Sisters – Traverse Theatre
Scotland

The Rheingans Sisters – Traverse Theatre

Performing the entirety of their 2024 album, Start Close in, Anna and Rowan Rheingans shared their talent with us in a continuation of their UK tour. I use the word “shared” very intentionally here - folk music is inherently a genre which is made for, and by, a collective - there is such a feeling of connection and intuitiveness within the genre that the Rheingans Sisters manage to capture and uphold beautifully. The melding of tradition and modernity in the composition, along with the sisters’ blending of Scandinavian, French, and British musical heritage truly encapsulates the collectivity of folk music.  The range of instruments played by the sisters was a feat to behold, from the ancient tambourin à cordes, to a handmade banjo made from a gourd.  The Rheingans Sisters d...
Rocky Horror Picture Show – Palace Theatre
North West

Rocky Horror Picture Show – Palace Theatre

Time Warping its way back into Manchester, with fishnets and flair, The Rocky Horror Picture show has rolled into Manchester ready to make audiences quiver with antici…pation. Under the stead hand of director Christopher Luscombe, Jason Donovan has returned to the role and high heels of theatre’s iconic transexual scientist, Dr. Frank N. Furter, doing so with gusto. He brings a fabulous balance of louche flamboyance and furtiveness to invigorate the show with the unpredictability and playfulness it needs. He clearly enjoys himself teasing his fellow castmates and the audience and delivers chaos (including a misbehaving pair of heels) and a touch of menace to his performance. Jackie Clune brings a witty edge as the narrator, imbuing the usually ‘stuffy accountant’ vibe with somethi...
The Fifth Step – @sohoplace
London

The Fifth Step – @sohoplace

David Ireland’s Edinburgh Fringe hit The Fifth Step transfers to London, making its debut at @sohoplace in a new version with substantial changes. Staying from its Edinburgh run is Jack Lowden with Martin Freeman joining to complete the two-hander.  The title refers to the fifth step of the 12-step programme; writing down everything which brings guilt and shame so you can tell them to a trusted friend in order to reduce the chance that these will drive you to drink. There is the usual David Ireland wit and black humour as he explores themes of addiction, masculinity, and in particular, religious faith.  Photo: Johan Persson The set is minimal - a blank stage with just a few chairs and a coffee point. Director Finn den Hertog has chosen to strip away all the staging from the E...
Die Walküre – Royal Ballet & Opera
London

Die Walküre – Royal Ballet & Opera

Following 2023’s Das Rheingold, conductor Antonio Pappano and director Barrie Kosky reunite to continue the mythical adventure with Die Walküre (The Valkyrie), the second work of Richard Wagner’s four-opera cycle Der Ring des Nibelungen. On a stormy night, fate brings Siegmund (Stanislas de Barbeyrac) to the door of Sieglinde (Natalya Romaniw), the fearful wife of bully Hunding (Soloman Howard), unleashing a love with the power to end worlds. Meanwhile, in the realm of the gods, an epic battle ensues between their ruler Wotan (Christopher Maltman) and his rebellious daughter, Brünnhilde (Elisabet Strid), after his wife Fricka (Marina Prudenskaya) has laid her own law down to him, and the battle of the Valkyries – Helmwige (Maida Hundeling); Ortlinde (Katie Lowe); Gerhilde (Lee Bisset); ...
Elgar’s Cello Concerto and More – Liverpool Philharmonic
North West

Elgar’s Cello Concerto and More – Liverpool Philharmonic

While much of Europe was glued to the Eurovision Song Contest, Liverpool offered its own musical spectacle at the Philharmonic Hall – and if the city had a jury, this concert might well have earned its own douze points. The evening opened with Fandangos by Puerto Rican composer Roberto Sierra, a vibrant and rhythmically charged piece that immediately set a cosmopolitan tone. Sierra, known for blending Latin American musical idioms with contemporary classical techniques, delivered a work full of colour and flair. The muted trumpets added a smoky, mysterious texture, while Helena Mackie’s agile oboe lines danced effortlessly above the ensemble. Tom Lessels’ velvety bass clarinet added depth, and the piece ended with a flourish that drew enthusiastic applause. It was a bold and brilliant o...