Friday, December 19

REVIEWS

Through It All Together – Leeds Playhouse
Yorkshire & Humber

Through It All Together – Leeds Playhouse

In theatrical circles stories from the world of football seem to be very much in vogue at present, already in 2025, I have reviewed “Red or Dead’ at Liverpool Royal Court and the smash UK touring production of ‘Dear England’ in Salford. Completing my personal hat trick is ‘Through It All Together’ a poignant and funny new play from local Leeds writer Chris O’Connor, which explores the subject of dementia through the lens of a family's passion for Leeds United and their manager Marcelo Bielsa. We join the action in the Summer of 2018 with Howard (Reece Dinsdale), Sue (Shobna Gulati) and their daughter Hazel (Natalie Davies) struggling to cope following Howard’s recent diagnosis with Dementia. Howard forgets little things, like where the milk is in the kitchen; he also constantly repeats ...
Noises Off – Theatre by the Lake
North West

Noises Off – Theatre by the Lake

The summer season is underway in the Lake District, and Theatre by the Lake is attracting many tourists to see a farce about a farce that wouldn’t have looked out of place in an end-of-pier theatre. Noises Off, in some ways, is the mother of the hugely successful ‘Play that went wrong’ productions that are taking the West End and TV by storm. Written in 1982 by Michael Frayn, it breaks the fourth wall and literally turns the theatre 180 degrees to present the behind-the-curtain tale of a touring theatre company. Though written in the 1980s, this farce has a much earlier feel to it, and some of the references may be lost on a younger audience. A telephone plugged into the wall is a key part of the production, as is the stereotype of the alcoholic old actor and the Benny Hill-style you...
The Highwayman – Shakespeare North Playhouse
North West

The Highwayman – Shakespeare North Playhouse

With more swagger than Ronaldo, Mick Jagger, and the cast of Made in Chelsea combined, this lively John Godber production gallops onto stage to introduce us to the most infamous scoundrel you’ve never actually heard of. Meet John Swift, a young man who decides to combine his skills as a butcher and infantryman in the French army to attempt to take Dick Turpin’s crown, robbing a living from the rich who pass through his town. But as he starts to waver in his choice of a life of crime, can he find a way of making an honest wage and afford his darling wife, Molly May the lifestyle she desires? Under Godber’s nimble direction, the show manages to keep one foot in the 18th century and the other firmly in his trademark Yorkshire grit and humour. It’s part restoration love story, part farci...
Kinky Boots – Sheffield Lyceum
Yorkshire & Humber

Kinky Boots – Sheffield Lyceum

The Sheffield Lyceum gets Kinky this week with the iconic Red Boots, and sass galore graces its stage. Inspired by true events, Kinky Boots takes you from the anything but glamorous 'Price and Son' shoe factory in Northampton to the dazzling catwalks of Milan in this sassy, vivacious and heart warming tale of true British grit with catchy songs by Tony and Grammy Award winning eighties pop princess, Cyndi Lauper and a Book by Harvey Fierstein.  With exceptional choreography on this tour by Leah Hill and pacey precise direction by Nikolai Foster adding to strong and full score under the Musical supervision of George Dyer, Kinky Boots both technically and in production is a touring tapestry of tease and tenderness. Set and costume Design by Robert Jones is in situ and avoids unnecessary...
The Croft – Festival Theatre
Scotland

The Croft – Festival Theatre

Returning to the stage after Covid-19 prematurely ended its original run, The Croft, directed by Alastair Whatley and written by Ali Milles provided many a fright when it opened in Edinburgh’s Festival Theatre. Set in a former crofters hut in a remote area of the Scottish Highlands, this production sees Laura (Gracie Follows) and Suzanne (Caroline Harker) arrive for what is meant to be a relaxed weekend trip. It isn’t long before the place’s centuries of history weaves itself into the women’s present. With no phone signal available and only the mysterious David (Gray O’Brien) for company, this thrilling piece of theatre connects past and present as the real truth of The Croft slowly unravels. The whole pace of the show is fantastic. Running at 2 hours, including the interval, audienc...
Orpheus Descending – The Cockpit
London

Orpheus Descending – The Cockpit

Orpheus Descending is a difficult and unwieldy play in which the creative team and especially the cast of this production do an excellent job of infusing with serious energy and inventiveness. Orpheus Descending is another of Tennessee Williams plays set in small town USA examining the knotty and repressed relationships of its residents. Mostly we follow the story of Val Xavier (Johnathan Aarons), an outsider with a sordid past who is trying to make a new life for himself. He is quickly drawn into the maelstrom of the town. He is pursued by Carol Cutrere (Daisy Hargreaves), the town’s own scandal, who both wants him romantically and is trying to warn him of the potential danger he is in. Soon, however, Val is falling in love with Lady Torrance (Madison Coppola), the daughter of an I...
This Bitter Earth – Soho Theatre
London

This Bitter Earth – Soho Theatre

Following his recent turn as Emcee in Cabaret, American actor Billy Porter has clearly developed a taste for the West End. This time, however, he’s on directing duty, as he stages a new production of Harrison David Rivers’ play This Bitter Earth at Soho Theatre. It follows the relationship between Black playwright Jesse (Omari Douglas) and his white BLM activist boyfriend Neil (Alexander Lincoln), with fragmented snapshots of their love story playing out against the tragic backdrop of the killings of Trayvon Martin, Eric Garner, and more Black people facing police brutality. Porter’s jaunty personal style translates to a slick and energetic staging, weaving the non-linear narrative together carefully through simple movement, props, and lighting changes. There are no other characte...
Evita – Capstone Theatre
North West

Evita – Capstone Theatre

One of the country’s oldest musical theatre society the Bentley Operatic Society once again proves its enduring legacy with a stirring production of Evita at the Capstone Theatre. The iconic musical by Tim Rice and Andrew Lloyd Webber follows the meteoric rise and tragic demise of Eva Perón. Under the direction of Alice McCormack this staging breathes fresh energy into the decades-old classic by adopting a minimalist modern era approach. This production also introduces Rosa Harrison as a new concept of ‘Young Eva’ From the outset, the production captivates. The dimly lit opening sequence, announcing Eva Perón’s death, sets an immediate tone of reverence before seamlessly transitioning into the vibrant narrative of her early ambitions. In spite of some early technical issues narrator ...
54.60 Africa – Arcola Theatre
London

54.60 Africa – Arcola Theatre

In 54.60 Africa, what begins as a funeral for a continent quickly turns into a breathless adventure as ten friends of different ages and backgrounds, all members of the diaspora in London, spurred on by their Mother Africa, seek to discover and document all those 54 countries, and all that one and a half billion people, have to offer. All in one week. All in time for Gambia’s 60th anniversary of independence. From South Africa to Tunisia, Cameroon to Seychelles, Kenya to the Republic of Congo, this show is nothing short of extraordinary. Written and directed by Femi Elufowoju jr and based on his own experiences visiting all 54 African nations before his 60th birthday, 54.60 Africa approaches the events on stage with a simultaneous vitality and thoughtfulness, deeply attentive to the hum...
Nick Costley-White Quartet – Traverse Theatre
Scotland

Nick Costley-White Quartet – Traverse Theatre

Although small in number, they certainly weren’t small in sound—Nick Costley-White and his band absolutely rocked the Traverse with their unique jazz sound. Pulling inspiration from Brazil, West Africa, Malta, and more, Costley-White has curated a full-on hubbub of sound with an inventive and experimental flair. Those pieces which used these multi-cultural influences all began with a distinctive fusion sound. However, as improvisations took over from the pre-written work, we lost those cultural distinctions, falling into patterns and conventions that are perhaps more stereotypical to the traditional western jazz sound. It would have been exciting to hear the themes and ideas presented at the beginning of each piece carry over into the solos. Nonetheless, the quality of the solos was unq...