REVIEWS

This minimalist one-man drama traps the audience within the four walls of a psychiatric hospital room and forces you to confront the inner workings of Delaney’s mind. First of all, I want to give Ruben Sparks all the praise for diving headfirst into such an emotionally demanding role. The character of Delaney, who we follow throughout, opens up about his past while switching between a multitude of personalities, all demanding a high quality of physical vitality from Ruben. The switching between characters definitely pays off, as it not only provides great context for his life throughout the show, but you also just can’t help but fall into a trance-like state when watching. Ruben takes advantage of the small space in relation to his physical movements to create an almost animalistic ...

Barefoot in black combats and a pink top, Alice excitedly enters the stage with infectious energy and begins an impromptu audience interaction to launch her story. She’s a waitress, originally from Louisiana, but has now found herself in England. The rapid-fire tour of her young life so far then ensues. Her descriptions allude to a youth spent in a geographically idyllic place. The hum of Cicadas, the presence of fireflies and the all-consuming areas of swampland paint an involved and interesting picture of a home where something is evidently wrong. The facade exists to be dismantled and over the next fifty minutes confident direction from Amber Buttery punctuates the framework of Alice’s story. The mise en scene is simple; key props litter the edges of the small stage, an involved lightin...