REVIEWS Archives - Page 65 of 549

Alice in Wonderland – Marylebone Theatre

22Jul

By Louise PennNo Comments

London

Alice in Wonderland – Marylebone Theatre

This new adaptation of the classic novel by Lewis Carroll (and a couple of his other works) is described as an attempt to reimagine the story as “a vivid, immersive dreams cape bursting with colour, shape, and play.” Writer Penny Farrow and director/designer Nate Bertone have developed a charming and chaotic story that intrigues from the moment you see the set of playing cards, mushrooms, and unusual shapes. Alice (Charlotte Bradley) finds herself in a mad world populated by talking animals and a larger than life Queen of Hearts (Daniel Page with his best and most scary pout on). Her changing size is conveyed by the switch of ever-growing drink bottles, and her encounters with the familiar characters crackle with contemporary jokes and impersonations to amuse adults while entertainin...

20Jul

By Mark DavorenNo Comments

North West

A Grain of Sand – Unity Theatre

Commissioned by London Palestine Film Festival and supported by Liverpool Arab Arts Festival, Good Chance theatres’ A Grain of Sand, dramatised and directed by Elias Matar, is an adaptation from A Million Kites: Testimonies and Poems from the Children of Gaza by Leila Boukarim and Asaf Luzon. Taking an intimate look at war through the eyes of a child and blending Palestinian folklore with real-life testimonies from children in contemporary Gaza, we follow the fraught and dangerous journey of Renad (Sarah Agha), a young Gazan girl, who with the echoes of her grandmother’s tales and the spark of her own imagination, searches for her family and the ‘Anqaa’ – the mythical Palestinian Phoenix. Photo: Ellie Kurttz Large scale crises and the ongoing devastation like the one unfolding in Gaz...

Delusions and Grandeur – Anthony Burgess Foundation

20Jul

By Peter KinnockNo Comments

North West

Delusions and Grandeur – Anthony Burgess Foundation

The best fringe moments are discovering something unexpected and brilliant. World-renowned cellist Karen Hall’s Delusions and Grandeur is both. A thought-provoking, inventive and emotional hour of storytelling that is bursting with talent. The blurb isn’t quite clear, though. “Come for the music, stay for the existential crisis,” it suggests. Audiences are told to expect a “classical cello recital” that “plays out like a piece of performance art run by a masterly jester”. Its one of those examples of marketing that makes total sense after the event. Hall’s one-woman show is, essentially, a recital of Bach’s famous Suite No. 1, interspersed with part monologue, part audience dialogue that tells her own musical story and poses some fascinating questions. What does it reall...

20Jul

By Adam WilliamsNo Comments

North West

Almost Famous – The King’s Arms

“Escaping and pretending is better than the truth,” says Emily Benton (Jac Wheble), the hero of this one-woman show about identity, fame, and the desire to be seen, not for what you are, that’s boring. She has a thirst, a craving almost to be seen in the spotlight, out front, and famous. Benton, we find out, is living a lie from the start. Suddenly, we are taken into an examination of identity in a world where everyone is pretending. She came from Australia to the UK in the early 1970s to pursue her dream of finding fame and fortune as a performer. “Naivety gets you through,” she says as she looks back at her younger self and the pitfalls she faced in a business where more established, powerful men will take advantage of her with the promise of a record contract or a juicy part o...

The Beyond Broadway Experience: Footloose – Festival Theatre

19Jul

By Jessie MartinNo Comments

Scotland

The Beyond Broadway Experience: Footloose – Festival Theatre

Edinburgh’s hit youth-theatre company The Beyond Broadway Experience, took to the Festival Theatre with their rendition of the cult-classic Footloose. Featuring a cast of almost 200 actors aged 8-25, this was a showstopping, full-out musical extravaganza. This cast performs with such flair and professionalism it’s hard to believe the majority of the cast are under 20! With aerials, split leaps, and tumbling, the acrobatic and dancing capabilities of the whole cast was astounding, each cast member bringing maximum energy to their performances. Unfortunately, I cannot provide the names of the actors in this production so will henceforth refer to them by their character names. Our leading ladies, Rusty and Ariel were an unstoppable duo - true triple threats, bri...

Your Therapist is Clueless – The King’s Arms

19Jul

By Lou SteggalsNo Comments

North West

Your Therapist is Clueless – The King’s Arms

Holding an audience rapt for any period of time where the subject is the meaty, nuanced and personal elephant that is mental health support in the UK is a very big ask of any performer. One thinks of writers such as Adam Kay, who’s book and tour, This is Going to Hurt, vividly brought to life the warts and glory of being an NHS doctor. Or copper turned stand-up comic Alfie Moore’s It’s a Fair Cop in which, by allowing the audience to play police, he highlights the idiosyncrasies and impotencies of the criminal justice system. Tonight, performer Nathaniel Tresise shares his experiences of working for a Greater Manchester mental health charity where a dreadfully under-resourced service attracts people with all the quirks you expect, often risking those with genuine, urgent need bei...

19Jul

By Peter KinnockNo Comments

North West

Daddy’s First Gay Date – Waterside Arts

After the success of BI-TOPIA, writer and performer Sam Danson has once again collaborated with legendary director Rikki Beadle-Blair for a new show about the bisexual experience. Daddy’s First Gay Date is Danson’s first full-length play for multiple cast members and is set to tour the UK after an initial couple of dates at Sale’s Waterside theatre. Much like BI-TOPIA, the show focuses on a slice of queer life that is sadly often underrepresented in mainstream culture. Danson takes the audience on an interesting and, often, unexpected journey. Ben (Danson) and Helen (Megan Edmondson) are celebrating their 15-year anniversary at the local restaurant. Well, Helen thinks she is there to celebrate. To celebrate and to enjoy Ben popping the question. Ben, on the other hand, thin...

19Jul

By Michelle KnightNo Comments

London

Don’t Rock the Boat – The Mill Sonning

The Mill at Sonning is an 1800 circa flour mill converted into a professional theatre and restaurant. Located on an island in the River Thames at Sonning Eye. The environment offers guests dinner and theatre and a welcoming greeting by the Director of Don’t Rock the Boat, Sally Hughes. Sally Hughes decided to keep Don’t Rock the Boat this 1990’s play to its original prose billed as a comedy but beneath the surface “there are some sharp and family themes” that unfold throughout. This play features two quite different families, the perfect and the chaotic who spend a weekend together on ‘The Bunty’, a barge situated on the River Thames. Everything is not quite how it seems, as the families grapple with ideologies of morality, bribery and political differences. Thes two seeming...

19Jul

By Peter KinnockNo Comments

West Midlands

Mary Poppins – Birmingham Hippodrome

P.L.Travers, by all accounts, cried at the opening of the Disney adaptation of her famous children’s novel - and not in a nice way. She was a stickler for accuracy and precision and wanted her book recreated almost exactly as she had envisioned it - Disney had other plans. Disney often did. In reinventing her novel (and ignoring Traver’s demands) he gave the world one of its most beloved family films which has woven itself in the DNA of our shared culture for over sixty years. It gave us those indelible Sherman Brothers songs coupled with an endearing, cute plot and one of the worst cockney accents committed to celluloid. So when Cameron Mackintosh landed on the idea of staging the show he not only took on the behemoth of a cultural icon, the might of Disney but, perhaps most intimidatingl...

The Great Gatsby – Pitlochry Festival Theatre

19Jul

By Jessie MartinNo Comments

Scotland

The Great Gatsby – Pitlochry Festival Theatre

Set in the grand manor of Jay Gatsby in 1922, Pitlochry Festival Theatre presents us with Elizabeth Newman’s dreamy adaptation of The Great Gatsby as part of their 2025 Summer repertoire. With a winding imperial staircase, sheer curtains that drift in the breeze, and a magnificent art-deco style glass chandelier, Jen McGinley’s set design establishes the splendour and veil over New York in the roaring twenties. The band sits atop the staircase, observing the mayhem below them unfold from behind their white-rimmed glasses. As in Pitlochry’s latest production of grease, the cast act in the play as well as making up the band. Accompanying the play with classic jazz standards, setting the tone for Gatsby’s (played by Oraine Johnson) raucous parties. The story unfolds...