REVIEWS Archives - Page 63 of 549

29Jul

By Ben PearsonNo Comments

London

People – Etcetera Theatre

Anna Manuelli’s People explores existential questions about the nature, purpose and meaning of life through an intriguing device; the use of doppelgängers. Manuelli plays four characters from different timelines, far removed from one another, who nonetheless share the same face. She uses this premise to demonstrate that the answers a person seeks, and indeed the questions they ask, can vary hugely depending on their context. Is it retribution and revenge that gives life meaning? Is it power? Is it happiness? The design of People is minimal, with limited use of lighting, sound and blocking. Thus, the show relies on Manuelli’s performance to keep the audience engaged. Luckily, her turn as the four characters is inspired, embodying each individual with unique physicality’s and expressi...

Maiden Voyage – Southwark Playhouse Elephant

29Jul

By Kira DanielsNo Comments

London

Maiden Voyage – Southwark Playhouse Elephant

Maiden Voyage, a new musical with book and lyrics by Mindi Dickstein and music by Carmel Dean, tells the story of the 1989-1990 Round the World Whitbread Race Maiden crew, an all-female sailing team that broke barriers in competitive sailing and made history in the worldwide race. The scope of this story is pretty narrow despite the globality of its setting, and the writers choose to focus almost exclusively on Tracy (Chelsea Halfpenny), the crew’s young skipper and navigator. Tracy builds the team up from her personal and professional circle into a solid chorus for her sea ballads. Halfpenny is an able performer and is well supported by the surrounding cast, but she is not particularly well served by the story itself, which doesn’t go very far in exploring its characters’ emotional dep...

28Jul

By Hannah KellyNo Comments

North West

Flat 4 – The King’s Arms

Influenced by her own experiences and trauma, Isobel Songer’s ‘Flat 4’ is a powerful one-woman show that forms part of the Greater Manchester Fringe 2025 at the King’s Arms Theatre. Impressively, Songer has both written the play and performs the roles of all characters and monologues within the story. Through its entirety, ‘Flat 4’ demandsthe audience’s undivided attention. The performance is essentially about the complexities of female friendships, introducing ‘Alex’ and ‘Becks’ and their flat share at university. Songer guides the audience through Alex’s downwards spiral as she deals with abuse, anorexia and her subsequent depression. The combination of spoken word poetry alongside theatre is an interesting approach to the story. Integrating frequent poetic monologues ...

26Jul

By Angela KellyNo Comments

North West

The Invocation – The King’s Arms

In one of the most suited theatres for such a performance, the King's Arms welcomes "The Invocation", a bizarre twilight zone-esque evening by Casino Improv, an Improv troupe from Wigan as part of Greater Manchester Fringe.As the audience settled into their seats, the cast, clad in black clothing and red capes, began engaging with the audience in a ceremonial fashion as they asked for "requests" that could be improvised into a horror story. The requests chosen were randomly selected via an iPad and then the stories began!The evening then essentially became the presentation of a bunch of improvised horror stories in a hilarious "off the cuff" style by the comedy quintet. Eerie music and various sounds to accompany stories were used throughout. There is no denying the talent on stage and the...

Extraordinary Women – Jermyn Street Theatre

26Jul

By Carole GordonNo Comments

London

Extraordinary Women – Jermyn Street Theatre

In post-First World War Italy, a multi-national group of women are enjoying a bohemian lifestyle on the fictional island of Sirene off the coast of Naples, with new-found freedoms and relationships. The island's calm is maintained by a group of four sirens who watch over the island and its inhabitants. It's an idyllic set-up, until the arrival of the penniless Rosalba upends the island's serenity. Flirting with everyone, manipulating relationships, and enjoying creating chaos and mayhem, she causes distress and jealousy to her lover Aurora, who has sunk her money into buying a villa as their intended home. Friendships and relationships are formed and shattered as Rosalba romps through the group like a human Vesuvius, egotistically declaring how extraordinary she is. Every...

The Daughter of Time – Charing Cross Theatre

26Jul

By Paul AckroydNo Comments

London

The Daughter of Time – Charing Cross Theatre

It must be the ultimate cold case: the investigation of the reputation of Richard the Third and his involvement in the disappearance of the Princes in the Tower. This is the task which Inspector Alan Grant sets himself when he is laid up in bed convalescing from an injury in M Kilburg Reedy's new play, based on the renowned book by Josephine Tey. The setting is Grant’s rather spacious hospital room, where nurses are encouraging their reluctant patient to undertake the necessary exercises to ensure his full recovery. His interest in King Richard is stimulated by a portrait provided to him by a friend. Using his police skills and assistance from a number of friends and acquaintances, he obtains as many contemporary accounts as he can to try and uncover the truth behind the life of Ric...

26Jul

By Lou SteggalsNo Comments

North West

Robo Bingo 2.0 – The King’s Arms

‘IT Consultants’ Lloyd Henning and Peter Sutton, better known as Foxdog Studios, have, in true IT style ‘turned it off and on again’ on one of their popular shows, Robo Bingo, rebooted as 2.0 with new wi-fi, new games and a whole lot of new coding headaches to keep both our dynamic duo and audience on their virtual toes. Mixing Flight of the Conchords musical jamming with the social awkwardness of The IT Crowd, Foxdog invite the audience to play along not only in games of bingo but also classic childhood games of Snap, Guess Who and Spot the Difference albeit constantly interrupted with a variety of pop-ups and other technological interludes. Henning and Sutton are a charming and witty duo, with quips and quick thinking as they navigate the chaos, bringing gales of laughte...

25Jul

By Alice RoseNo Comments

London

101 Dalmatians – Eventim Apollo

A well-known Disney classic retold in musical form, showing at the Hammersmith Apollo. This big production has spared no expense in its flashy lights, big stage and a few well-known faces. Unfortunately, it doesn’t hit you quite the same way as it may have in your childhood. This retelling is scatty, nonsensical and just basic. Photo: Johan Persson We begin with meeting Pongo, one of our central characters and told through puppetry. The stage is mostly filled with beautifully designed puppets, moving very effectively and breathes so much life into this story. Eventually met with Purdy before birthing 15 adorable puppies. After this, the story goes a little bit diagonally- Cruella played by Sydnie Christmas, a fashion idol is looking for her big hit for London’s fashion week and has h...

25Jul

By Stewart Who?No Comments

London

For the Lack of Laura – Shaw Theatre

I have medals in Irish dancing. My Dún Laoghaire-born father busks in Borough Market with a fiddle, and my youngest sister plays jigs on a penny whistle, so one might say the Emerald Isle is in my blood. This cultural heritage led me like a lilting leprechaun to a musical by Kurt Rosenberg called For the Lack of Laura. It’s billed as, ‘a new Irish fantasy romance musical with Celtic and classic musical theatre-inspired songs. That’s a lot to live up to and a risky mixed grill to say the least. Thankfully, this project is in highly skilled hands. Over 26 songs, using a 12-person cast and a couple of hours, the show conjures up a charming and often dazzling dose of entertainment. Kurt Rosenberg is a multi-award-winning composer, lyricist, filmmaker, and theatre creative who hails fro...

Marcus Is Alive – Manchester Jewish Museum

25Jul

By Mark DavorenNo Comments

North West

Marcus Is Alive – Manchester Jewish Museum

With direction and dramaturgy by Mark Rice-Oxley, Marcus J Freed’s solo show recounts the true story of his near-death experience and two brain surgeries following a hit-and-run incident one crazy night in LA. Add in six failed marriage proposals, a psychic detective, and a wayward rabbi and you get a glimpse of some of the surreal experiences which also follow. But never fear, as Marcus’ friend Metuka (voiced by Jill Moray Reichman) assures Marcus’ mum, Gill (voiced by Amy Wisenfeld), in the opening scene, ‘Marcus is alive.’ Coming in at just shy of ninety minutes, which, like Marcus’ accident, went by in a flash, it segues through its three acts with perfect pacing whilst serving up a much deeper exploration of the mystery as to why he survived as well as to why any of us are here...