REVIEWS Archives - Page 61 of 548

2Aug

By Jessie MartinNo Comments

Scotland

Summer Fling – theSpace @ Niddry Street

Student Theatre at Glasgow brings their satirical and raunchy rendition of ITV’s hit reality show Love Island to the Edinburgh Fringe Festival. Summer Fling, written and directed by Grace Donaldson, follows the journey of four Love Island contestants navigating their morality and sexuality as they compete to win the grand prize of £100,000, not to mention the highly sought after fast-fashion brand deal. This play highlights the social concerns and qualms surrounding reality television in a brassy but intelligent approach. Following the success of STAG’s 2024 fringe show, Lads of the Flies (also written and directed by Donaldson), it’s clear that STAG and their audiences hold great appreciation for Donaldson’s quick-wit and playful direction. Lola Gibbons (playing Ma...

2Aug

By Harry AltyNo Comments

North West

Worn Out – The Lowry

Filling the stage of the Quays Theatre is a stellar cast of gifted young performers and musicians, presenting Worn Out, a new musical brought to stage with the help of British Youth Music Theatre. This one-act musical tells the story of the fictional kingdom of Zloriv, based on Eastern European countries of the 18th century, that is unjustly ruled by King Kasimir who is more likely to look out for himself over his people. When not ruling, King Kasimir struggles to keep on top of his twelve rebellious Princess daughters, who act as the protagonists of this story. But when one of their regular outings into the local village reveals the truth of life for the local townspeople under their father’s rule – how will they support their fellow villagers? Our show is centred around a band of sist...

1Aug

By Kira DanielsNo Comments

London

The Diana Mixtape – HERE at Outernet

A “riotous royal romp” as reverent as it is raunchy, The Diana Mixtape is a hoot and a half! A jukebox musical as much as a drag concert, the show chronicles Diana’s life and love lustily. Photo: Harry Elletson Drag superstars Courtney Act, Priyanka, Divina De Campo, Rosé, and Kitty Scott-Claus shine as various iterations of the people’s princess each uniquely dolled up for the occasion and flanked by an inexhaustible army of backup dancers. Keala Seattle is resplendently regal as Queen Elizabeth but of the supporting cast it is Lucinda Lawrence who stuns and strikes as Camilla, a character so potently satirized that the audience boos hysterically from her first lighting cue. Both funny and fierce, this experience is a glorious camp celebration of both the real Diana and her actua...

1Aug

By Abigail PendleburyNo Comments

North West

Missed Calls – Hallè St Peter’s

“Missed Calls” is like someone took every unread message, ghosted text, and late-night “are you up?” call and turned it into theatre that actually understands what it's like to be young, a little lost, and trying to connect in a world that’s constantly online but emotionally offline. This beautiful piece brought together movement, silence, and unanswered voicemails to create a thought-provoking masterpiece. Audiences listen to the dialogue through headphones while the two lovers we hear from move and dance around us. Through a series of contemporary movements and mime, they tell their story without speaking. The only time the actors speak is at the end, after a time jump. This moment adds a new dimension to the performance and brings the entire story to a poignant close. Througho...

1Aug

By Michelle KnightNo Comments

London

A Role to Die for – Marylebone Theatre

How do you cast the next James Bond? pick a random actor, man or choose to embark on a journey of stereotypical negotiation, whilst battling egos and judgemental decision making you might say no easy task. Come in A Role to Die for the Marylebone Theatre ‘has been expecting you’. Don your black dinner attire and join HQ and become an insider to the best kept secret ever, who will be the next Bond. Jordan Waller’s play written five years ago was based on his personal experience of having casting difficulties, “when a famous actor and Knight of the realm pulled out last minute and ruined everything “. From a flippant remark of thank God they weren’t casting James Bond! A Role to Die For was created a perfect subject for a play. Waller’s exploratory process of Bond was one of traditi...

1Aug

By Harry AltyNo Comments

North West

A Manchester Anthem – Hope Mill Theatre

For a city steeped in music history, it is no wonder those who grew up in and around Manchester see it as an accompaniment to life. That is evident in A Manchester Anthem, a story that sees our protagonist at a crossroads in life where he must decide either to evolve into someone new or continue being the person he is. Written as a birthday gift to our solo performer Tom Claxton, playwright Nick Dawkins creates a comedic and poignant piece on that nervous period in the build-up to leaving for university. What shines in the writing is the authenticity and relatability, especially when it comes to the many characters we meet within this one-act play. Nick Dawkins creates a character that quickly gets the audience on his side, bringing them along for a night into the buzzing heart of Manch...

Midnight at the Palace – Guilded Balloon, Patter House

31Jul

By Greg HolsteadNo Comments

Scotland

Midnight at the Palace – Guilded Balloon, Patter House

My first show of the gauntlet, the scrum, the gladiatorial fight to the death that is the Edinburgh Fringe, kicks off with a world Premier, Midnight at the Palace. An energetic and at times engaging musical, a reimagining of the true story of The Cockettes, a posse of counter-culture glitter-bearded drag queens who took San Francisco by storm in the sixties. Rallying against discrimination at home and unwanted wars overseas, writers Brandon James Gwinnett and Rae Binstock set words to the flower power revolution powered by drugs and free love that drove The Cockettes all the way to the big apple where it all came to a messy end in the early seventies. The talented 8-strong cast from across the pond provide plenty to see and hear, with excellent live keyboard accompaniment, and some ...

Medea the Musical – Upstairs at The Gatehouse

31Jul

By Stewart Who?No Comments

London

Medea the Musical – Upstairs at The Gatehouse

If the Camden Fringe summons visions of damp carpets and edgy comics managing onstage meltdowns, ‘cause it’s easier than getting therapy on the NHS, then The Musical Medea added another dimension entirely. Upstairs at the Gatehouse is an award-winning Off West End theatre in leafy Highgate Village. The hilly avenues feel painfully civilised after the grunge and crackpipe vibes of Camden. It’s a refurbished 1895 auditorium, which sits above the Gatehouse pub and has the distinction of being London’s ‘top’ theatre (at 446ft above sea level). Historically, the venue has been a music hall, cinema, Masonic lodge, and a jazz and folk music club that once hosted Paul Simon. The ‘60s spirit of that iconic singer/songwriter greeted the audience of The Musical Medea as they wandered into the...

31Jul

By Olivia CoxNo Comments

London

Second Class Queer – Theatro Technis

Opening with a beautiful dance sequence that takes a ghastly turn to reveal the news of a horrifying homophobic attack, Kumar Muniandy’s solo play Second Class Queer is a raw exploration of identity through the lens of race, sexuality, and post-colonialism. Muniandy portrays Krishna, a queer Indian Malaysian man who is living in Berlin, where he attends a gay speed dating event. This event provides the framework for the majority of the 60-minute play as we watch Krishna chat with five different men, each conversation slowly revealing Krishna’s buried trauma and guilt over his role in his mother’s death. It’s a clever structural device that lends itself to some interesting dialogue and light humour — delivered with plenty of charm by Muniandy — but many of the conversations feel m...

31Jul

By Paul DownhamNo Comments

London

Macbeth – Royal Botanic Gardens, Kew

Arriving in London from a sold-out season in Melbourne, The Australian Shakespeare Company brings Macbeth to the beautiful Royal Botanic Gardens in Kew. Played outdoors, the sun sets, and darkness encroaches as much as it does within Macbeth providing a haunting atmosphere. Hugh Sexton and Nicole Nabout as Macbeth and Lady Macbeth have strong chemistry and a magnetism between them, helping the relationship feel absolutely real. Sexton shines in the big moments, his ‘and tomorrow’ soliloquy is a highlight. Nabout really sells Lady Macbeth's journey into madness. Both excel as the story goes on and they move from their shared ambition into isolation and guilt. While the grief of Macduff is well presented by Jackson McGovern, a little more time would have been appreciated in particular ...