REVIEWS Archives - Page 6 of 574

21Mar

By Paul WilcoxNo Comments

North West

Under Milk Wood – Theatr Clwyd

For a Welsh theatre marking its 50th anniversary, Under Milk Wood is both an obvious and a risky choice. Dylan Thomas’s “play for voices” is so bound up with its own mythology—its lyrical density, its association with Richard Burton—that any staging must negotiate the tension between fidelity and reinvention. Kate Wasserberg’s production does so with intelligence and flair, even if it occasionally brushes up against the limits of the text itself. Written for radio and first broadcast in 1954, Thomas’s portrait of a day in the fictional Welsh village of Llareggub (read it backwards) remains a defiantly literary work: episodic, associative and rich to the point of saturation. Its comparison to Thornton Wilder’s Our Town is not misplaced, but where Wilder offers clarity and restraint, Thom...

21Mar

By Kira DanielsNo Comments

London

Summerfolk – National Theatre

Does a vacation sound nice? Would a countryside retreat relax you? Would you be able to take your mind off of work or the news or the fact that the waitress delivering your sandwiches hates your guts? Summerfolk, an adaptation of Maxim Gorky’s 1904 Dachniki, poses all of these questions as gracefully as a studio photographer on family portrait day with a set and costumes by Peter McKintosh very much invoking that particular environment. An array of variously Russianified white chemises and linen suits stand in stark contrast to the woody green of the deconstructed dacha set that only vaguely implies era or country. Adapted by Nina and Moses Raine for a predominantly British company and directed by Robert Hastie for the English audience of the National Theatre this production is all over th...

21Mar

By Dylan MooneyNo Comments

Scotland

Saint Joan – Traverse Theatre

George Bernard Shaw’s Saint Joan is reimagined by writer/director Stewart Laing in a risky new version influenced heavily by an unproduced screenplay by Shaw. While this decision offers a unique take on theatrical adaptation, one must question whether this is the right form for a stage production. This version places Joan firmly at the center of the action during the Hundred Years War, showcasing her rise and eventual downfall as a soldier turned saint. With a strong focus on gender and the power of youth, Saint Joan aims to remind us that anyone is capable of making change. However, the play's structure, which moves away from familiar theatrical conventions, feels disjointed. Narrative is spoken as though direction in a screenplay, with reference to close ups and camera tracki...

20Mar

By Zain RussellNo Comments

London

Oh, Sister Mary! – Arches Lane Theatre

Oh, Sister Mary! is a delightfully entertaining new cabaret performance that introduces audiences to the unforgettable character of Sister Mary, a spirited nun from Soho, London. The show, brought vividly to life by the exceptionally funny Tim McArthur, combines storytelling, song, and audience interaction to create a thoroughly immersive and joyous experience. From the moment Sister Mary steps onto the stage, it’s clear that this is no ordinary cabaret. Through a series of amusing anecdotes from her time as a nun, Sister Mary takes the audience on a journey filled with witty observations, cheeky innuendos, and laugh-out-loud moments. Tim McArthur’s impeccable comedic timing ensures that each story lands perfectly, drawing constant laughter from the audience. Whether recalling the quirk...

Tina: The Tina Turner Musical – Leeds Grand Theatre

20Mar

By Phoebe Olivia Sian HobsonNo Comments

Yorkshire & Humber

Tina: The Tina Turner Musical – Leeds Grand Theatre

This show is more than good for the soul, an explosive and powerful performance was put on display last night at Leeds grand theatre, and we have Elle Ma-Kinga N’zuzi to thank for it. Completely engulfing her role as Tina/Anna Mae from her voice, accent, style, right down to her on stage presence and iconic dance moves. She had every member of the audience under her spell, thinking that they were truly in the presence of Tina herself. Photo: Johan Persson Picture this glitter, tassels, bright lights, a live band, backing dancers and an upbeat audience, a vibrant and infectious atmosphere combined with Tina turner’s number one hits. This is what it looks like on the surface, but executive producers Tina Turner herself and Erwin Bach work hard to demonstrate Anna Mae’s life on a deeper...

A Play, a Pie, and a Pint: The Swansong – Traverse Theatre

20Mar

By Jessie MartinNo Comments

Scotland

A Play, a Pie, and a Pint: The Swansong – Traverse Theatre

In a continuation of this year’s Spring season of A Play, A Pie, And A Pint, The Swansong made its way to The Traverse theatre this week. This is a musical play that sees a young woman on the brink (Lydia played by Julia Murray) take to her local duck pond with a plan to end her life. As she washes her sorrows away with a bottle of gin, she finds company in an unlikely companion - a beautiful swan (Paul McArthur). The Swan tells her he has the power to end her life as soon as she snaps her fingers and truly means it. Hesitant to let her go ahead with her plan, The Swan takes Lydia on one last night of adventure, and on this night, Lydia seems to regain the hope she had lost. Set against the beautiful compositions of Finn Parker, we are taken along to piano bars, ...

20Mar

By Michelle KnightNo Comments

London

YENTL – Marylebone Theatre

Yentl is synonymous with the 1983 musical featuring Barbara Streisand which told the story of a Jewish girl seeking an education, decides to disguise herself as a boy and enters an orthodox school where she falls in love with Avigdor her classmate. All is going well until Avigdor’s fiancée falls in love with Yentl. This matrix of deceit, lies and romance is crystallised in Abrahams, Hearst and Klas writingandproduction of Yentl. This play forms part of the Kadimah Yiddish Theatre’s centenary celebration and their “commitment to sharing the richness of Yiddish language and Jewish culture”. Straight from the Sidney Opera House to its premier in London. There are no surprises that this play’s hybrid dialogue is English and Yiddish which is aided by projected readable subtitles on the se...

20Mar

By Olivia CoxNo Comments

London

Welcome to Pemfort – Soho Theatre

The titular Pemfort we’re welcomed to in Sarah Power’s new play is a castle – or, arguably, a fort – nestled in a sleepy village that’s home to a host of quirky characters. The 90-minute comedy-drama zeros in on Pemfort’s quiet gift shop, in which the absence of regular customers allows the staff to focus on a new venture: Pemfort’s first ‘living history’ event. The gift shop (brought to life exquisitely by Alys Whitehead’s vivid yet lived-in set design) is run by Uma (Debra Gillett), a dreamy and motherly figure with a penchant for calling her younger staff members “poppet” or “chicken”. The rest of her team initially comprises adventurous Ria (Lydia Larson) and strait-laced Glenn (Ali Hadji-Heshmati), who is especially passionate about ensuring the upcoming event is as historically ac...

20Mar

By Adam WilliamsNo Comments

North West

My Name is Rachel Corrie – 53two

It is really quite rare that you get to see a truly great work of art. This was such a stunning, mesmerising, heart-and-gut-wrenching piece of work that it left the audience collectively speechless as they tried to process what they had just witnessed. Unfortunately, there is no avoiding the subject matter of the play, which is the Israeli-Palestinian conflict, particularly the treatment by Israel of Gaza. The action of this drama takes place in 2003, twenty-plus years before the current carnage, and it centres around one remarkable young lady. Rachel Corrie was a real person who decided in her early twenties to go to Rafah in Gaza in order to protest against the policies of the US government and its support for the actions of the Israeli army in the West Bank and the Gaza Strip....

Good News! It’s Been Destroyed – The Beaten Track, Sheffield

19Mar

By Nathan DunnNo Comments

Yorkshire & Humber

Good News! It’s Been Destroyed – The Beaten Track, Sheffield

Bróccán Tyzack-Carlin’s latest live stand-up project has taken its first steps in the capital and Manchester before finding its way to Sheffield, where I was fortunate to catch it. ‘Good News! It’s Been Destroyed’ is a full-length stand-up comedy show that orbits around the hopelessness of current affairs, allowing ourselves to be angry and use the energy of that anger to laugh. It takes on serious topics but is never too serious to be misinterpreted as a reductive polemic. That said, it is full of comical diatribes and carefully crafted anecdotes that will leave your face worn from laughter. Tyzack-Carlin makes our lives easier. He goes by ‘Brogan’, as opposed to the Irish pronunciation and spelling of his name (which he likes to remind us has never caused him any difficulty in his...