Monday, December 22

REVIEWS

Eurobeat: The Pride of Europe – stream.theatre
REVIEWS

Eurobeat: The Pride of Europe – stream.theatre

Once a year we gather in front of our TV’s, expect the unexpected and enjoy a singing competition like no other.  Parodying the popular tournament of talent, Eurobeat is a wacky, hilarious piece of theatre sure to appeal to the masses. After previous concern, Liechtenstein finally has its chance to host this celebration of European pop and it does not disappoint! It’s everything you wish for, and some more. There’s questionable lyrics, hidden politics (ahem, Brexit), outlandish costumes and campness galore! Marlene Cabana, (played by David O’Reilly’s Orla Board) is the glamorous host with the most, treating us to costume changes and double entendres with every appearance. Marlene also dazzles with some performances of her own, opening the show with a classic dance tune and a hil...
Tennis Elbow – Pitlochry Festival Theatre and Lyceum Theatre Edinburgh
REVIEWS

Tennis Elbow – Pitlochry Festival Theatre and Lyceum Theatre Edinburgh

The good folk of the Nitshill Writing Circle have gathered together to eulogise the life of writer and painter Pamela Crichton Capers, but the conceit of John Byrne’s first play for 13 years is that their late mentor’s career is one of utter mediocrity at best. This is a companion piece with a gender twist to Byrne’s seventies hit show Writer’s Cramp that explored the life of another mediocrity Frances Seneca McDade. Fans of that earlier work will relish his fleeting appearances in this radio play produced by Pitlochry Festival Theatre and Lyceum Theatre Edinburgh as part of their Sound Stage season. Byrne traces Pam’s life story from her early days as a pretentious schoolgirl in a crummy religious boarding school where we are treated to one of her dreadful poems, and the veteran pla...
Rocky Road – stream.theatre
REVIEWS

Rocky Road – stream.theatre

Having been a long admirer of Shaun McKenna’s writing for both theatre and radio I looked forward to seeing his latest thriller from Stream Theatre and I wasn’t disappointed. Filmed at the Jermyn Street Theatre in London, Rocky Road is a dark and quite intense thriller that has revenge as its central theme. Basically McKenna’s play is a powerful two-hander that explores not only revenge but the power of grief and the inability to move forward. Zoe (Kirstin Foster) moves into a new apartment and meets up with the buildings young caretaker Danny (Tyger Drew-Honey) and at first everything seems normal enough except (as we all know in any great thriller) things are not what they seem and soon we come realise the terrible crime that has brought Zoe and Danny to this place. To reveal an...
Money – Southwark Playhouse
REVIEWS

Money – Southwark Playhouse

Money. It makes the world go round. We all need it to live. But where does it come from, and does its source really matter? That’s the question at the heart of ‘Money’ by Isla van Tricht, a digital co-production with Southwark Playhouse. The Nyoni Youth and Community Project does great charitable work to help local people, but the pandemic has decimated its finances. Enter the Anders Corporation who have offered a large donation. Not only will it help the struggling charity and so many worthwhile causes, it will enable the charity to thrive – helping more and more people. But is it worth it? What cost does this money have? What are the implications of accepting such a large donation? How do the Anders Corporation make their money and is it ethical? The questions are real...
Cells – Metta Theatre
REVIEWS

Cells – Metta Theatre

Produced entirely during lockdown, Metta Theatre brings seven-part episodic musical Cells to the small screen, with all donations supporting the recovery of the Royal & Derngate Northampton, Queen’s Theatre Hornchurch and Stephen Joseph Theatre in Scarborough. The piece follows the reserved chemistry fresher JoJo (Lem Knights) and outgoing university lab technician Neil (Clive Rowe), two strangers contemplating the next chapters in their lives as their paths look set to cross. P Burton-Morgan’s script lacks originality and only provides a surface-level insight into the pair’s social struggles in the thirty-minute run time. Some of the narrative’s happenings are contrived to the point of being completely unrealistic: the function of a soiled napkin sends the plot spinning into rid...
The Winter’s Tale – RSC Online
REVIEWS

The Winter’s Tale – RSC Online

According to the Washington Post President Trump made 30,573 false or misleading claims during his four years in office. At the time of writing this review the Prime Minister Boris Johnson has been accused of acting dishonestly in a number of different scandals. Shakespeare knew that those in charge are not always honest and truthful. In this play he examines the consequences when an all-powerful man fails to act with honour. The shadow of Henry VIII and his treatment of Elizabeth I’s mother Anne Boleyn hangs over the drama. The play is all about honesty, integrity, honour and trust.  It is at base a moral fable where purity is rewarded and sin is punished. King Leontes, a jealous tyrant believes his pregnant wife Hermione is having an affair with his boyhood friend, the king...
I Wish My Life Were Like a Musical – King’s Head Theatre
REVIEWS

I Wish My Life Were Like a Musical – King’s Head Theatre

A stage, four performers and a pianist is all it takes to put on this witty love letter to the stage. This clever parody piece pokes fun at the musical theatre art form, with just the right number of big notes and jazz hands. The show consists of stand-alone songs, some duets and small inputs from the performers to keep it moving along. The first song parodies traditional opening numbers of popular shows, with slick choreography (also by the director, Chris Whittaker) and complex four-part harmonies. Alexander S. Bermange’s writing is brilliantly satirical and an absolute treat for musical theatre fans. The writing does not shy away from the ridiculousness of the genre either. It takes multiple digs at the dramatics involved, and has whole songs dedicated to divas and unworthy star c...
In Pieces – Future Spotlight Productions
REVIEWS

In Pieces – Future Spotlight Productions

Originally presented at the Lincoln Center, Joey Contreras’ new musical In Pieces explores love and relationships in the heart of New York City. Directed by Louis Rayneau, the musical film features a talented cast with stars including Jordan Luke Gage as Grey, Amy Di Bartolomeo as Alex, Danielle Steers as River and Ross Harmon as Charlie. The production pieces together the romantic stories of eight individuals, merging musical theatre with pop music to create a versatile soundtrack reflecting the trials and tribulations of different types of relationships. From the upbeat opening number ‘You Never Know’ focusing on love as a journey and taking that leap rather than the anxieties it can cause, to the emotional finale ‘The Fork in the Road’ exploring the struggle of making our own choices...
The London Climate Festival ‘Songs for Nature’ – Sky Arts
REVIEWS

The London Climate Festival ‘Songs for Nature’ – Sky Arts

The London Climate Festivals ‘Songs for Nature’ was filmed at the stunning London Coliseum, the largest theatre in the West End and surrounding areas over three days with the crucial intention of raising awareness of climate change. It was free to watch on Sky Arts on 22nd April or ‘Earth Day’. Directed by Dominic Dromgoole and Bill Buckhurst, it featured an eclectic array of acts, from comedian Rob Brydon to Nathan Evans (of the recent Sea Shanty fame). It also included dance and orchestra and of course an essential thread of activists throughout, with contributions from the likes of Cool Earths Dr Hannah Peck and also Born Frees Youth Ambassador, a very passionate Bella Lack. The concert opened to an introduction by David Suchet. In some ways he almost looked lost as he stood alone...
Soft Sessions Live In Concert – stream.theatre
REVIEWS

Soft Sessions Live In Concert – stream.theatre

Together at Woolwich Warehouse, a line-up of West End regulars swap their usual, familiar stages for a more intimate venue where they perform a series of gentle acoustic covers. The six singers all lend their idyllic voices to the songs, and they blend wondrously in the duets. Grace Mouat and Courtney Stapleton harmonise with each other particularly well, soothing any listening ear in their rendition of ‘Teach You’. Eloise Davies and Martha Kirby’s mellifluous collaboration on ‘Don’t Make It Harder on Me’ is another highlight, and it looks like the pair are having genuine fun as they simultaneously hit their notes. Similarly, Danielle Flamanya and Jake Halsey-Jones have great vocal chemistry in ‘Never Too Much’, and their animated performances show them both getting caught up in the ...