Saturday, August 1

REVIEWS

Hamlet – Sam Wanamaker Playhouse
London

Hamlet – Sam Wanamaker Playhouse

The first production of Hamlet in the Sam Wanamaker Playhouse in the Shakespeare's Globe was an event to look forward to.  The intimate candle lit wooden interior of the playhouse provided the opportunity for a very different feel to what is probably the best play the Bard ever wrote.  What a disappointment it turned out to be. It started well enough, the initial scene on the battlements with the ghost was in complete darkness and when the candles were lit for the subsequent scene the characters were dressed in more or less traditional Elizabethan costumes; the stage was bare apart from one or two chairs and a large circular well in the middle.  There were a few inconsistencies:   Horatio, sported a modern university type scarf and a single musician sat on stage...
Flashdance – Grange Theatre
North West

Flashdance – Grange Theatre

After months of hard work and a 3 month delay due to Covid restrictions, Zodiac Musical Theatre have managed to bring the North-West premier of Flashdance the Musical to sold out audiences at the Grange Theatre in Hartford. Flashdance the Musical is adapted from the 1983 Paramount Pictures musical film which follows the story of Alex, an 18-year-old welder by day and ‘flashdancer’ by night, and her dreams of attending a prestigious Dance Academy. Director and Choreographer, Jessica Martin, had her work cut out to bring together this marathon of a show and she did it so well with a sharp vision and brilliant choreography, very fitting with the era, magnificent work. Craig Price as Musical Director has once again worked his magic to assist the cast in delivering killer vocals and tight...
Constellations – Altrincham Garrick Playhouse
North West

Constellations – Altrincham Garrick Playhouse

The idea of a multiverse of alternate realities, each offering slightly different versions of our existence has become a very familiar trope in film and theatre. The Marvel Studios blockbuster superhero capers are the most successful recent iteration of this oeuvre, but classic movies (It's a Wonderful Life, A Matter of Life and Death), comedies (Back to the Future, Groundhog Day) and less auspicious examples (I'm looking at you 'Sliding Doors'), all play with the idea of how small decisions in life can change outcomes in a big way. In 2012, writer Nick Payne took the premise of a chance meeting of a Beekeeper and a String Theory scientist at a barbecue and created 'Constellations' for the Royal Court Theatre. Weaving a fantastical tale of 'if', 'but' and 'maybe' which is both hilarious...
April in Paris – Birkenhead Little Theatre
North West

April in Paris – Birkenhead Little Theatre

Imagine winning a prize that whisks you away from the humdrum of life and the everyday. The kind of prize that offers excitement, opportunity and escapism with a bit of romance thrown in. That’s exactly what happens to lead characters Bet and Al in April in Paris. Entrenched in the monotony of existence, we join them as they inadvertently expand their horizons thanks to Bet winning in a ‘Romantics Breaks’ competition. Bet enters them for ‘a new life’. Al was sure she wouldn’t win. John Godber’s short observational play is layered with juxtapositions the audience can identify with - humour and depression, love and loathing, hope and pessimism – making the show a thought-provoking watch. With bags packed and contrasting enthusiasm, Bet and Al head to Paris for their first experience ab...
Riot Act – Stream Theatre
REVIEWS

Riot Act – Stream Theatre

Celebrating LGBTQ+ History month, Stream Theatre shares this eloquent and powerful one-man performance based on three verbatim interviews from three people who have been a part of the LGBTQ+ rights movement. Alexis Gregory gives a superlative performance throughout and his script is sensitive, raw, witty, and sometimes full of rage. Gregory carefully complied his three interviews into one continuous layered monologue and in so doing formed a remarkable commentary on queer activism through the years. If this all sounds quite serious and leaning towards political debate, have no fear, Gregory holds your attention throughout, and his characterisation is superb. This is such a warm and exuberant show that I challenge anyone not to admire and love. Each person has a story to tell, a...
The Hound of the Baskervilles – The Lowry
North West

The Hound of the Baskervilles – The Lowry

Arthur Conan-Doyle’s Sherlock Holmes stories lend themselves to comedy because they are often quite fantastical. Over the years many a comedian has used the brilliant detective and his sidekick, Dr Watson, in order to get a laugh. The characters are so recognisable all you need is a meerschaum pipe and a deerstalker hat and everyone knows who you are. This production of Hound of the Baskervilles, a faintly ridiculous tale in itself when you break it down, was really entertaining and great fun to watch. It was performed with great verve, energy and pace by three very talented comic performers who played all the parts. A perfect pick-me-up on a cold night in Salford. Photographer: Pamela Raith If you go to see this play expecting a serious dramatisation of the Conan-Doyle classic, t...
Waitress – Hull New Theatre
Yorkshire & Humber

Waitress – Hull New Theatre

It’s a good job I didn’t watch Waitress on an empty stomach; I would have been tempted to storm the stage to eat the props - the props being delicious-looking pies. Real or imitation, I don’t know, but by the yummy looks of them I wouldn’t have cared. The dreamy confections took centre stage at the Hull New Theatre on Monday evening, as the pie-themed musical disarmed the tastebuds of everyone in the packed auditorium. Most of the action takes place in Joe’s Pie Diner, a popular eatery in small-town Indiana, America. A staff of four - three waitresses, Jenna (Chelsea Halfpenny), Dawn (Evelyn Hoskins) and Becky (Sandra Marvin), and chef and manager Cal (Christopher D Hunt) - keep the diner ticking over nicely. Jenna is the expert pie-maker. Married to the controlling and self...
The Play What I Wrote – The Lowry
North West

The Play What I Wrote – The Lowry

Morecombe & Wise are without doubt a British institution, with their Christmas specials drawing in over 20 million viewers in their day; delivering shows packed with laughter and jokes a plenty. To write a stage production on them must be a daunting task, but one which writers; Hamish McColl, Sean Foley and Eddie Braben have excelled at in this new play; The Play What I Wrote. With a cast of just three (well actually four but we’ll get to that), this isn’t a biographical piece about the famous duo, far from it. This is original, but yet still just as dynamic and very very funny! The story follows two performers; Dennis played by Dennis Herdman & Thom played by Thom Tuck. Dennis wants to do a play about the famous duo for the potential money, whilst Thom aspires to write serio...
Round The Horne – Kings’ Theatre, Edinburgh
Scotland

Round The Horne – Kings’ Theatre, Edinburgh

Shut your eyes and you could’ve been at home next to the wireless any time between 1965 and 1968. Along with the 14.5 million other listeners of the day. Which makes it difficult to write about this show; it was so faithful to the original that instead of judging the set or evaluating the performance(s), one spent most of the time simply wondering - nay marvelling – at the unabashed nature of Round The Horne, its refusal to dodge a risk (spelled r-i-s-q-u-é) and, ultimately, the BBC’s willingness to defend it from its many (historically, theatrically ignorant) detractors. It’s sobering to remind oneself that some of the boundaries of taste and sexuality over which it gaily skipped were, at the time, enshrined in law. Listening to a couple of the shows either side of this production (you...
Manipulate: Eat Me – The Studio, Edinburgh
Scotland

Manipulate: Eat Me – The Studio, Edinburgh

It’s difficult to describe ‘Eat Me’, as one may assume it is a play centralizing around cannibalism but not in a way in which one may expect. Eat Me follows the tale of three nameless characters described as ‘The Man’ (Ian Cameron), ‘Prey’ (Claire Eliza Willoughby) and ‘Predator’ (Isy Sharman), who come together in a very strange turn of events. Upon getting assistance from her creepy, stalker-ish neighbour, after falling over on the way home, Prey encloses that she wishes to be eaten. With not a single hint of surprise or hesitation The Man gets to work in making her dream come true. Together they explore the dark web until they come across Predator and set up a date in which Prey can become indeed food.  The production is very sound heavy with a good chunk of the dialogue being pre...