REVIEWS Archives - Page 474 of 548

28Oct

By Natalie J RomeoNo Comments

London

The Dresser – Richmond Theatre

The Olivier award-nominated tragicomedy The Dresser, by Ronald Harwood, is poignant, funny and a little heart-breaking. The show at Richmond Theatre last night was emotive enough to draw a tear or two from some in the audience as well as a cacophony of laughs. After it’s run at Richmond, this touring version will surely draw audiences all over the UK. Set in wartime Britain, with the rumble of bombs falling and air raid sirens disturbing the otherwise peaceful dressing room of a revered actor known only as ‘Sir’, the play opens with the dresser himself, Norman, played by Julian Clary, hard at work. Confidant, counsellor and loyal friend, it’s hard to distinguish where Norman’s job ends and where his duties to the man he admires and ultimately loves begin. As Sir struggles to prepare ...

An Unexpected Hiccup – The Studio, Edinburgh

28Oct

By Oliver GigginsNo Comments

Scotland

An Unexpected Hiccup – The Studio, Edinburgh

“An Unexpected Hiccup” was directed by Ian Cameron and Maria Oller and produced by touring theatre company Plutôt La Vie and Lung Ha Theatre Company, an Edinburgh-based theatre company for people with a learning disability. It tells the story of Murdo, a musician who, caught in a storm, is forced to take refuge in an isolated house whose inhabitants he may or may not have mutual friends with. They also seem to have quite a lot going on, including an apparently dying father in the next room and a fair few conflicting stories about what's going on... The play is based on a story by co-director Ian Cameron, itself apparently inspired by something that happened to him years ago. The script was subsequently developed by Michael Duke and the cast, Emma Clark, Ryan Duncan, Tim Licata, Emma ...

Bedknobs and Broomsticks – Sheffield Lyceum

28Oct

By Tracey BellNo Comments

Yorkshire & Humber

Bedknobs and Broomsticks – Sheffield Lyceum

First, we had the spectacles that are The Phantom of the Opera, Harry Potter and the Cursed Child and Mary Poppins and now there is a new contender to the crown with more magical illusions than you can shake a magic wand at! From the very opening sequence we are inundated with illusion and magic from Illusion Designer Jamie Harrison and it doesn’t let up for one moment. The children in the audience gasp and the technically minded amongst us try to work out how it was done. From flying broomsticks to beds, magical moving clothing to magical magician’s tricks. Then there is Kenneth MacLeod’s puppets of mighty lions to neon fish and rabbits to ostriches, this production is nonstop wonderment with a sense of humour and more than a dash of panache! The 1971 Disney film classic staring Angela...

28Oct

By Damian RiverolNo Comments

Wales

The Show Must Go On – Theatr Clwyd

What a joy seeing Tip Top back doing what they do best, on a stage entertaining the masses and tonight they came back with a bang. The Show Must Go On brings us a mash up of musicals with something for everyone. The vast stage in the Anthony Hopkins theatre stood completely empty with just a few lights shining across the darkness but it was soon filled with incredible vocals, killer choreography and a cast so full of joy and enthusiasm. Bringing a show of this size together during a pandemic brings its own challenges and Tip Top rose to those challenges. Three groups created their own bubble, carrying out lateral flow testing and following Covid regulations, doing everything to pull together a show stopping show and co-directors/choreographers Phil Cross and Rhian Lyon should be applaud...

27Oct

By Rachel FosterNo Comments

North West

Fred – The Kings Arms

Trish and Danny are getting divorced and are having couples counselling to finalise the finer details such as who gets custody of Fred and the couples’ assets, it’s never going to be plain sailing. Their Counsellor Marc has disappeared out of the blue, so they get another counsellor Ellie at the last minute played by Louise Wilson. Louise has appeared in Coronation St as Nurse Lingard. She takes a brilliant part as the slightly unhinged replacement therapist who turns out to be Marc’s partner. Complicated? Yes. The dialogue is carefully concocted to reflect real life woes. Themes of jealousy, infidelity and conflict in relationships are brought to life in a sparklingly realistic way. The gender divide is comically highlighted with seething dialogue as the couple lock horns and take s...

27Oct

By Tracey BellNo Comments

Yorkshire & Humber

The Lemon Table – Crucible Theatre

The Lemon Tree is presented by Wiltshire Creative, Malvern Theatres, Sheffield Theatres and Home, in association with MGC. It is two short stories penned by Julian Barnes, co-directed by Michael Grandage and Titus Halder and performed by the actor Ian McDiarmid. Lighting designer Paule Constable, Associate lighting designer Ryan Day and Sound Designer by Ella Wahlstrom make up the creative team. Barnes’ 2005 book of Short Stories are first person accounts on the reality of ageing. The two chosen stories in the Lemon Table are told through the eyes of Jeffrey in ‘Vigilance’ and the Finnish composer Jean Sibelius as he draws to the end of his life, in the second – ‘Silence’. Both these dramatizations are depicted back to back over a 65 minute period by McDiarmid with the ease of a masterc...

Beauty and the Beast – Edinburgh Playhouse

27Oct

By Beth EltringhamNo Comments

Scotland

Beauty and the Beast – Edinburgh Playhouse

"Be our guest" and so you should, this toe tapping bonanza of a musical is a treat for the eyes. Mixing pre-recorded projections, detailed set pieces of course some magic, this production is one for the whole family. The story follows a Selfish young Prince turned beast and a bookworm beauty who doesn't quite fit in and find herself pursued by a man who just can't take no for an answer. When her father is held prisoner by the beast, belle volunteers to take his place, thus beginning our love story. Of course, one cannot forget the merry band of living furniture who guide us along the way. Expect classics from Howard Ashman and Tim Rice such as: Beauty and the Beast, Be Our Guest, Human Again and Gaston. Casting for this production does not disappoint for the most part, with the ro...

27Oct

By Alison BainesNo Comments

North West

The Good Life – The Lowry

Modern society is fascinated with the idea of sustainable, eco-friendly living - rightly so, when the threat of mother nature and climate change are knocking on your door. So, its oddly fitting that the 70’s British sitcom, The Good Life, should focus on ecological living. The TV show was enjoyed by millions when it premiered way back when, in 1975. The show was adapted by Jeremy Sams and it now hits stages for the first time, before heading to the West End. It features Tom and Barbara, as we join them on Tom’s 40th Birthday. In the midst of what Barbara describes as a midlife crisis, Tom quits his job as a designer of plastic toys for cereal boxes and the couple decide to commit to a new lifestyle, in a hope to make for a more interesting life. They set off on their quest to become eco...

27Oct

By Pooja SivaramanNo Comments

London

Vanara — Hackney Empire

Vanara has all the ingredients to make for an epic musical: an ancient legend, a talented cast, a live orchestra, beautiful costumes, and a community of eager eyes awaiting its release. The show had its world premiere this weekend at the Hackney Empire, a fitting venue for the grandeur the story promises. Vanara is the story of two tribes: the Kogallisk, servants of the moon, and the Pana, servants of the sun. The Kogallisk live on a mountain and hone the power of fire, a secret power which they must protect from the thieving Panas, who according to legend can steal a Kogallisk’s inner fire by looking them straight in the eyes. The Panas do not have access to this fire, and so must hunt and trade to remain alive. What then ensues is a battle between the two tribes, with two star-crossed lo...

26Oct

By Peter KinnockNo Comments

West Midlands

Chicago – Wolverhampton Grand

“Chicago” can hardly be described as bursting with colour with a limited design palette of black, white, grey and occasional splatters of bloody red light during the murders it aims to emulate, perhaps, the movies of the period. More accurately it emulates the still photographs of the newspapers of the period and chooses to present it all in a stilted and, oddly, uninvolving fashion. As the production adopts a distancing alienating technique (I’m guessing more a directorial decision than an authorial one) it deliberately stops us from engaging and empathising with the characters or plot - so all that is left to beguile us is technique and design. The band dominate the stage sitting like a jazz orchestra trapped in a roll-top desk leaving just a sliver of fore stage for the remainder of ...