REVIEWS Archives - Page 449 of 547

Beautiful: The Carole King Musical – Leicester Curve

5Mar

By Robert BartleyNo Comments

East Midlands

Beautiful: The Carole King Musical – Leicester Curve

Carole King is such an exceptional songwriter (both with her husband Gerry Goffin and singlehandedly in her own right), that a biographical musical detailing her life and extensive back catalogue was inevitable. Sure enough, ‘Beautiful: The Carole King Musical’ first hit US stages in 2013, transferring to Broadway in 2014 and the West End in 2015, and has also enjoyed a UK tour in 2017. Leicester’s Curve have teamed up with the Theatre Royal Bath and the Mayflower Theatre Southampton to create a new adaptation, which has kicked off a new UK tour this week. Spanning 1958 to 1971, ‘Beautiful’ tells King’s story from being a 16-year-old aspiring songwriter, to finding success with Goffin (in more ways than one), rivalry with fellow songwriters and friends Barry Mann and Cynthia...

5Mar

By Alice RoseNo Comments

London

Persuasion – Rose Theatre

A fresh perspective on Jane Austen’s adaptation, Persuasion with WAP, Frank Ocean and a foam party. This production follows Anne and her desperate sisters on their conquest for love but as their 30s approach, they worry about compatibility and finding a match that will ensure a long and easy life. However, as with classical romance there is always one who suffers in the quest for true connection, Anne (Sasha Frost) and her desperate love for Captain Wentworth (Fred Fergus) are knocked together like conkers as they try to rekindle a love they once had. We are very much in an age of reflection and in result, seeing the return of a lot of classical texts. It’s refreshing more so to be seeing new interpretations and a wittier perspective on the structures we enforced upon ourselves. It spea...

My Favourite Place in the Whole Wide World – Hope Mill Theatre

3Mar

By Lou SteggalsNo Comments

North West

My Favourite Place in the Whole Wide World – Hope Mill Theatre

Trauma can have impact people in many different ways – some people grow and flourish from the ashes, some people can see their life, and the things that bring them comfort, cruelly collapse and leave them shattered. Award-winning playwright Ian Townsend explores this journey along with themes of sexual identity, self-esteem and the very human craving of connection with others in his newest work, “My favourite place…”, directed by James Schofield. In and amongst a simple set of stacked black and orange-striped boxes, we meet J and Ruth, two people who have endured their own childhood traumas, and who, through a cleverly executed moment of serendipity, are thrust into a most unlikely friendship. The script is very much a tale of two halves. In part one, we watch each character lay o...

3Mar

By Alice RoseNo Comments

London

Work.txt – Soho Theatre

An audience, mostly of whom are 9 to 5, maybe some are freelance, of mothers and fathers, of Pisces and Gemini’s, of people who hate their bosses and those who earn more than 30,000 a year have all bought tickets to an immersive show. There are no actors, just a stage manager but they are just clicking a button. We decide if we speak and we listen to those who do, we talk what is written and together we build a city. I was unsure where this play might take me. It’s a Wednesday night and I’m not that up to getting involved so I sit down on the front row with slight anxiety and my mask pulled up very high. I notice the subtle sound of ‘The Sims’ theme music playing, a horrible memory of my Covid pass-time activities. At this point, I’m flustered. As the lights dim, the projector ...

The Merchant of Venice – Shakespeare’s Globe

3Mar

By Carole GordonNo Comments

London

The Merchant of Venice – Shakespeare’s Globe

The current rise of antisemitism around the world gives extra resonance and relevance to Shakespeare's 16th Century play on usury, religious conflict, revenge and the manipulation of justice. Abigail Graham's direction packs a serious punch, with a stellar cast who draw out every nuance of the text. The claustrophobic atmosphere of the Sam Wanamaker Playhouse is brilliantly heightened in this beautiful candlelit production set in the present day, but which could relate to any era. Young Bassanio is a spendthrift and hedonist, partying with his buddies and going through money as though there's no tomorrow. Needing cash to pursue his wooing of the rich heiress, Portia, he turns to his friend, the merchant, Antonio, who has bailed him out previously. Antonio agrees and asks Shylock, ...

After The End – Theatre Royal Stratford East

3Mar

By Riana HowarthNo Comments

London

After The End – Theatre Royal Stratford East

Dark, disturbing and incisive, Kelly’s apocalyptic play examines human nature and hostility like a thought experiment. Louise and Mark are the lab rats in this harrowing social commentary. Louise finds herself in Mark’s bunker as they shield themselves from a nuclear attack outside. With limited supplies and suffocating, rising tension, anything could happen. The two work colleagues, make for an unlikely pairing with Louise’s feisty, uncompromising strength and Mark’s dorky enthusiasm and rigidity. As a result, it is fascinating to watch their sharp back and forth dialogue. Nick Blood is particularly skilful at bringing Kelly’s idiosyncratic style of writing to life, catching its jerky rhythm. He is perfect as Mark, balancing his comical strangeness with his darker aspects which seep ou...

Made in Dagenham – Riley Smith Theatre, Leeds

3Mar

By Paul WilcoxNo Comments

Yorkshire & Humber

Made in Dagenham – Riley Smith Theatre, Leeds

A successful west end musical can have the most unlikely source material. Who would have thought that the story of 19th Century French politics (Les Misérables) or a book of T.S. Eliot poems (Cats) would be in the top ten list of most successful shows ever? Given this, it is less than surprising that a musical based on the seemingly dry subject of equal pay in a car factory in grey, late 1960's industrial Britain, became a surprise hit back in 2014. Now LUU Music Theatre Society brings their considerable talent and energy to this revival at Leeds University for the next four nights. The story follows Rita O'Grady (Ellen Corbett) and her rise from a modest sewing machine operator at the Ford factory in Dagenham, to spokeswoman for her gender, striking when asked to do the equivalent job ...

3Mar

By Katie LeicesterNo Comments

North West

Footloose – Manchester Opera House

Hooray theatre land is beginning to get back to some normality after being hit hard by the pandemic, for the first time there was no need for Covid passes or compulsory wearing of masks. For that alone there was a heightened sense of excitement, and it was clear theatre goers are feeling more confident to mix as the Opera House in Manchester was packed to the rafters with barely one seat empty. Footloose the musical is the brainchild of Dean Pitchford and Walter Bobby with Music from Tom Snow it’s based on the 1984 film which starred Kevin Bacon as city boy Ren McCormack (played by Joshua Hawkins), who arrives with his mother Ethel (Geri Allen) in Beaumont from Chicago in a rebellious mood after learning of the town’s dancing ban. The ban came following an incident five years prior a...

But I’m A Cheerleader: The Musical – Turbine Theatre

3Mar

By Gemma PrinceNo Comments

London

But I’m A Cheerleader: The Musical – Turbine Theatre

Based on the 1999 cult comedy film starring Natasha Lyonne and drag icon Ru Paul which has become a queer classic, But I’m A Cheerleader: The Musical, written by Bill Augustin and Andrew Abrams, has been a decade in the making. The show marks the first brand-new musical to be staged at The Turbine Theatre in London. Directed by Tania Azevedo, the show tells the story of Megan (Alice Croft), the all-American high school cheerleader who seemingly has the perfect life with her jock boyfriend and loving parents until she is shipped off to True Directions, a gay conversion camp after they suspect she is a lesbian. Spearheaded by the strict camp leader Mary Brown (Tiffany Graves), Megan undergoes a five-step programme with the hope that it’ll banish her sexual urges when she unexpectedly meet...

3Mar

By Aditi DalalNo Comments

London

Boot – Lion & Unicorn

A bright red sofa, comfy carpet and warm amber lighting welcome the audience into Karen’s intimate living room. The first and only guest here is a visibly anxious Emma (Kate O'Rourke), touching up her dress and make-up to possibly hide her internal distress. Enter Karen (Eliza Williams). One nervous energy is met with another awkward one. As the story unfolds, the reason for this tension gets clearer (rather, more complex). The two old friends are (seemingly) meeting each other after a long time but as the story unfolds, we see how intertwined their lives have actually been and how much more consciously connected they are about to be. Dramaturgically, Jen Wooster plays with the different levels of awareness in the room. Karen has information that she is desperate to reveal; Emma knows n...