REVIEWS Archives - Page 44 of 406

13Jul

By Max EdenNo Comments

North West

& Juliet – Opera House, Manchester

When this Musical first debuted in Manchester in 2019; I became an immediate fan and I was over the moon when &Juliet announced a UK Tour this year with its first stop at the Manchester Opera House. The vibrant reimagining of Shakespeare’s classic is such a feel good musical, you can’t help but love it as it takes you on an exhilarating journey that is both uplifting and deeply entertaining, powered by an incredible back catalogue of hits penned by the legendary Max Martin. From the opening number to the final curtain and cancelling to Justin Timberlake hit ‘Can’t Stop the Feeling’, & Juliet is a joyous celebration of self-discovery and empowerment throughout! This new tour features a brand new cast; with Matt Cardle as the Bard himself and the sensational Gerardine Sacdal...

13Jul

By Scot CunninghamNo Comments

North West

I Was Dancing in the Lesbian Bar – The King’s Arms, Salford

In a packed-out King’s Arms, musical stand-up Holly Redford Jones’ tuneful contribution to Greater Manchester Fringe seeks to answer the question: where have all the lesbian bars gone? Redford Jones instantly draws the audience in with a reassuring stage presence, achieving many laughs through the sardonic delivery of her musings. Social critique remains sharp as well as facetious throughout. The show’s description promises many things- including a celebration of queer women of the past, present and future. It was therefore a missed opportunity for the piece to be noticeably light on sapphic content. Where did all the lesbian bars go? A brief history of the country’s venues- from the 1930s’ Gateways Club to London’s newest joint La Camionera- would have been a welcome inclusion. ...

12Jul

By Hannah EsnoufNo Comments

North West

The Giant Killers – Royal Court Studio

Leaving behind them a trail of raving reviews as they travel around the country, it is no surprise that Long Lane Theatre keeps impressing. The story is simple enough, but it is brought to us in a way that is both remarkably efficient, funny and educational. Though it is set in the 1800s, something that may put theatregoers off, may they be assured that this production feels as present as the day itself. Each performance has tenacity, complexity and human value and will keep audiences, whether they’re football fans or not, entertained throughout. The studio at Liverpool Royal Court is not a massive space, and noticing the compact nature of The Giant Killers set, neither were any of the touring show’s previous venues. It is testament to the quality of the cast of four per...

12Jul

By Tracey BellNo Comments

Yorkshire & Humber

Chariots of Fire – Crucible Theatre

Chariots of Fire is the stage adaptation by Mike Bartlett of the 1981 Oscar winning motion picture. This Sheffield Theatre production is cleverly directed by resident award winning Artistic Director Robert Hastie and unfortunately, his last Sheffield production in the role. Hastie with Associate Director Lilac Yosphon and Assistant Director Chantell Walker re-imagine what was first performed at the Hampstead Theatre in London in 2012. In the Olympic year of 2024, this production marks 100 years since the Paris Olympics of 1924 when this extraordinary real life story takes place and is subsequently dedicated to Sheffield Olympians past and present. It would seem the circular stage (theatre in the round) of the Sheffield Crucible is the perfect location to house a production that requires...

12Jul

By Olivia CoxNo Comments

London

Dog Sh!t – Theatre 503

With a title like ‘Dog Sh!t’ and a promotional poster featuring a cartoon canine caught in that very act, audiences watching Bellaray Bertrand-Webb’s play at Theatre503 should know to expect the unexpected. Selling out an acclaimed run at the Dublin Fringe Festival last year, Dog Sh!t has transferred to London’s Theatre503 for two nights, directed by Ursula McGinn. The 70-minute play focuses on four characters: the existentially melancholic Emma (Laura Brady), passionate thespian Raven (Gracie Oddie-James), creative-turned-corporate Nora (Breffni Holahan), and Nora’s boyfriend Obi (Aaron Shosanya), the tech bro with a surprising obsession with Greek philosophy. Advertised as a satirical comedy, I’m happy to say that Dog Sh!t definitely isn’t all bark and no bite. Firstly, the c...

12Jul

By Kira DanielsNo Comments

London

Dressing Gown – Theatre at the Tabard

Have you been bed rotting? Are you in your dressing gown? Is it mostly clean? Are you itching to get out and get dressed, or get dressed and get out? It’s amazing how the trappings of coziness can feel so oppressively snug when certain conditions of comfort are not met. The intimacy of the the Tabard Theatre for instance shifts into something else entirely under the influence of Andrew Cartmel’s new bedroom farce, aptly if unimaginatively titled Dressing Gown so called after its leading man’s essential predicament and sole comfort. Jamie Hutchins stars as Ash, a theatre director whose morning recumbence is interrupted by a series of visitors who each come bearing a unique challenge to his efforts to finally clothe himself. Much like the play’s title, its characters and plot are p...

12Jul

By Adam WilliamsNo Comments

North West

Dead Dad Show – 53two

I read an article by the comedian Cariad Lloyd about the death of her father. In particular, she wanted to give advice to people on how to approach someone dealing with grief. Her favourite reaction, she said, came from the comic actor Ken Campbell who asked if her dad was going to come and see the show they were performing and she explained he had died and he replied, “Huh, yeah, they have a habit of doing that, dads.” Humour, as opposed to sentimentality or the stock phrase, was, as always, the best policy. Which is the attitude of this rip-roaring, full-on, no-holds barred of a show which is not averse to the odd profanity, contains nudity, cross-dressing but also has a cool satirical edge. It is brash, cocksure you might say, cheeky, confident and it certainly has plenty of s...

12Jul

By Mark DavorenNo Comments

North West

Rumours – Thingwall Community Centre

Under the capable direction of Paul Arends, Thingwall Players excel in their Anglified delivery of one of Neil Simon’s most farcical of plays where the humour comes thick and fast and the only risk of missing a gag is that you’re still in fits of laughter from the previous one. This 1980’s tale reset to London involves a 10th wedding anniversary party to which the first couple, the Bevans (Charlotte Holguin; Zoran Blackie) arrive only to find the wife and servants missing and the husband doped up on painkillers with a gunshot wound through one of his earlobes. Desperate to avoid any scandal for the wounded man, who happens to be the assistant deputy minister of finance, the first couple, both lawyers, try to cover up the incident from the second couple, the Cummings (Kate Mulvi...

Amy Webber: No Previous Experience – The King’s Arms

12Jul

By Brian MaddenNo Comments

North West

Amy Webber: No Previous Experience – The King’s Arms

Ambitious opera graduate Amy Webber brings a delightful blend of music, role-play, and a hint of job-hunting to the King’s Arms theatre with her stand-up routine. Webber opens with a playful sing-through of her CV, interspersed with anecdotes that keep the audience laughing throughout. Her ad-libbed lyrics and charming fumbles on her mini keyboard are reminiscent of a genre-bending act you’d see at Eurovision, mixing humour and talent seamlessly. With an energetic and quick-witted persona, Webber enacts various occupations, from teacher to therapist, and engages in tongue-in-cheek audience interaction. Among the interesting careers in the audience were an engineer and a skyscraper window cleaner, to whom she offered some frivolous networking pointers. A humorous stint with a volu...

11Jul

By Kira DanielsNo Comments

London

Interview with the Vamp – Soho Theatre

A love letter to the lost and found art of vamping, this rambunctious queer song-cycle has it all. We get logos in a well-reasoned critique of the sinister ascendance hyper realistic cakes, ethos in the unimpeachable credentials provided by Dr Adam Perchard’s perfect hair, and just almost surfeiting pathos in ten top notch cabaret songs each braver, funnier, and filthier than the last. Perchard’s uneasy chemistry with composer and pianist Richard Thomas juxtaposes well with their easy command of the eager audience instantly won over by their unique mixture of sheepish charm and operatic bravado all bundled up in a scintillating gold trained over gown that can’t help but sparkle. Composed of a lot of singing and a little talking, Interview with the Vamp comprises about an hour’s w...