REVIEWS Archives - Page 44 of 548

Vaughan Williams’s A Sea Symphony – Usher Hall

17Aug

By Saira KunjuvalappilNo Comments

Scotland

Vaughan Williams’s A Sea Symphony – Usher Hall

As part of the London Symphony Orchestra residency with the Edinburgh International Festival, A Sea Symphony drew a sold-out crowd to the Usher Hall. This landmark performance brought together the orchestra led by Sir Antonio Pappano with sonic leviathan Edinburgh Festival Chorus, for a night of sweeping musical ambition and deeply human emotional resonance. The two hours and five minutes including one interval performances commenced with an eight-minute glorious Nocturne that set an atmosphere of restrained anticipation. This was followed by a ten-minute violin solo from Vilde Frang, whose music instantly won over the hearts of the audience. She put out stunning technical accuracy coupled with warmth to secure a three-minute ovation—an initial highlight which promised much more magic a...

The Front List: Nicola Sturgeon – McEwan Hall

17Aug

By Tom ScottNo Comments

Scotland

The Front List: Nicola Sturgeon – McEwan Hall

Nicola Sturgeon at the height of her popularity, was a political rockstar. In 2014 12,000 people packed Glasgow’s Hydro arena - more accustomed to hosting pop stars such as Lady Gaga - to hear her speak. It’s more than two years since she unexpectedly resigned as Scotland’s First Minister and she’s faced some torrid times since then. Now she’s written her memoirs, a 464-page book called ‘Frankly’. On Thursday more than a thousand people filled Edinburgh’s McEwan Hall for her book launch. And many more watched around the world as the event was streamed online. Nicola Sturgeon was Scotland’s longest serving First Minister (2014-23) and the first woman to hold that role. She had been Deputy First Minister for seven years under Alex Salmond’s leadership. Together they took Scotlan...

The Wind in the Willows – Blackpool Grand

17Aug

By Rebecca CaseyNo Comments

North West

The Wind in the Willows – Blackpool Grand

A lovely evening at Blackpool Grand Theatre supporting the summer youth production, this year’s performance is ‘The Wind in the Willows.’ The Kenneth Grahame’s best-selling classic book and songs by Olivier Award-winning composers and lyricists George Stiles and Anthony Drewe. The performance was accompanied by a 9-piece live band, led by Ash Goodinson. The show was vocally and musically very clean throughout. The harmonies were tight and well-polished. The team led by the director Mykey J Young and Choreographer Holly Rostron, know exactly what they’re doing. An immersive Creative very well put together performance, with every detail thought out from the scenery and props right the way down to the accessories for the costumes. Performed entirely by young local performers, 50 of t...

The Gummy Bears’ Great War – ZOO Playground

17Aug

By Charles PipeNo Comments

Scotland

The Gummy Bears’ Great War – ZOO Playground

Told using actual gummy bears, The Gummy Bears’ Great War makes for an intriguing diversion with a bite-sized runtime. Told over seven distinct chapters and spanning a single day – from sunrise to sunset – the branching plots follows three Gummy Bears as their nation decides to spontaneously declare a futile war against the neighbouring Dinosaurs. The action plays out on a table, with the two performers – Valentina Fadda and Leonardo Tomasi – puppeteering the tiny, brightly-coloured protagonists and hundreds of other characters, as well as lighting each scene with a variety of lamps, torches, and LEDs. Italian narration is provided by Fadda, Leonarda, and a pre-recorded voiceover, with English captions projected onto the back wall of the intimate space. The piece moves at a slow,...

17Aug

By Saira KunjuvalappilNo Comments

Scotland

She’s Behind You – Traverse Theatre

She's Behind You, a Johnny McKnight script and a John Tiffany direction, is a seasonal yet contemplative dive into the world of pantomime. In a co-production between the Traverse Theatre and the National Theatre of Scotland, the play grabs the art form's sense of enjoyment while nipping at its deeper cultural importance. From the moment McKnight—portraying his alter ego character, Dorothy Blawna-Gale—appeared on stage, the audience was mesmerized. The laughter was almost continuous, with spontaneous applause in rhythm to music and dance. Audience participation was a whopping 100%, with bystanders caught up in the infectious energy from start to finish. Visually, the production dazzled. Bright, sparkly, and totally immersive, the lighting and stage design contributed both to the c...

17Aug

By Jessie MartinNo Comments

Scotland

Oh Plagues – C ARTS

Oh Plagues, performing at the Edinburgh Fringe, produced by Mebe Productions, sees a group of young aristocratic women attending a soirée when they suddenly learn that they have been locked in to prevent contamination as the smallpox epidemic of 1810 rages on. This isn’t any ordinary period piece however, as the ladies are given a modern twist - swearing, taking drugs, partaking in lesbianism and the like. There’s even a baroque-ified dance breakdown featuring Chappel Roan’s hit song “HOT TO GO!” at one point with the help of Yohana Bayekula’s movement direction. Making up the group are a bundle of East 15 Acting School students and graduates who implement both scripted and improvised dialogue throughout the show to provide an all round good time for us. Writ...

16Aug

By Triona ScullyNo Comments

Scotland

Living on the Moon – Gilded Balloon

“After experiencing her mother's demise from Alzheimer's, writer-performer Molly McFadden learns how to face the truth and let go in this poignant, yet humorous one-woman show told with music, puppetry and love” The promotional material captures the ambition of this project and I was keen to see how these ideas would translate to a show. I wasn’t disappointed. Molly McFadden is an accomplished performer with a presence. As soon as she enters the room, she engages her audience, sharing a story of her early experiences in the cabaret circuit, complete with belting show tunes and toe tapping rhythm. As her tale continues, something appears to be troubling her when she struggles to remember the words to ‘Fly me to the Moon’. From her first subtle introduction of the concept of memory...

16Aug

By Danielle FarrowNo Comments

Scotland

Not Without Right – C alto

What right has anyone to claim they know what Shakespeare intended, and which parts come directly from his life, in the works of Shakespeare? What right has anyone to doubt these were written by Shakespeare? And what right has a non-university-educated player to create works still claimed to contain all of humanity, 400 years after they first appeared? If this sounds like a literary or historical treatise, fear not! Will and Company’s play is full of vigour, vim and humour. It has passionate attack and defence which entertains as well as informs, and two strong performances from actors who thrive on bouncing off each other and Shakespeare’s lines, here well understood and dexterously used. These attributes in themselves grant the right to at least explore those first questions and S...

Mary, Queen of Rock! – Underbelly, Cowbarn

16Aug

By Greg HolsteadNo Comments

Scotland

Mary, Queen of Rock! – Underbelly, Cowbarn

Mary, Queen of Rock! reimagines Scotland’s most famous monarch as a leather-clad rock rebel, taking on John Knox in a battle of the bands. The cast delivers strong vocals, with Mhairi McCall in the lead role commanding the stage and Rebecca Williamson as Queen Elizabeth I, who brings plenty of ‘tude and sly wit and a fine voice to boot! The songs, especially Loud Women, deserve to shake the walls, but the volume is only half what it should be. With more punch in the sound and sharper tech, this could be a killer rock gig. I’m at the Underbelly’s Cowbarn, and the lights come up on Mary, Queen of Rock! Unfortunately, this nicely proportioned and comfortably seated raked venue is less than half full. In this version of history, Mary returns from France in 1561 to find John Knox running...

16Aug

By Greg HolsteadNo Comments

Scotland

Garry Starr – Underbelly, George Square

Some Fringe shows are clever. Some are chaotic. And some, like Garry Starr: Classic Penguins, gleefully throw themselves off the rails and somehow land in a place of dazzling, ridiculous beauty. Damien Warren Smith’s alter ego, Garry Starr, attempts to perform every Penguin Classic novel in the space of 70 minutes. Dressed in the publisher’s signature flippers and not much else, in fact, absolutely nothing else for most of the show, he cycles through Frankenstein, Wuthering Heights, Little Women, Of Mice and Men and dozens more at a breakneck pace, each rendered in his distinctive cocktail of physical clowning, improvisation, and subversive silliness. Yes, he’s naked. The first thing an audience member needs to know is that this isn’t a fleeting gimmick, it’s the performance unif...