REVIEWS Archives - Page 416 of 416

1Jun

By Paul DownhamNo Comments

North West

Weekly Watch – Up ‘ere Productions

Up ‘ere Productions are currently holding a Weekly Watch on Zoom to keep theatre alive during the COVID-19 crisis. This week’s offering was two new short plays, Chekhov’s Gun by Anghus Houvouras and Where the Time Went by Jim Spencer Broadbent, both directed by Jordi Williams and linked by themes of mental health issues and the overwhelming feeling of reaching the end of your tether. Performed in the actor’s own homes with no set and the bare minimum in terms of props and costume, the Company deserve credit for pulling this off with what can only have been very difficult rehearsal conditions and the need to devise a whole new way of working. The first play, Chekhov’s Gun, opens with two young men, Stuart (Matthew Heywood) and Jonathan (Alan Lewis) bumping into each other outside of t...

Back to the Future – Opera House

There have been many a screen to stage adaptation over the years, some working better than others, but tonight in Manchester a capacity audience witnessed the World Premiere of what I believe to be the best adaptation of them all. Manchester’s Opera House is once again the setting for yet another World Premiere cementing itself as the go to place for some of the best theatre producers to showcase their new work before it invariably heads to the West End and beyond. It follows in the footsteps of Ghost the Musical, Bat Out of Hell and &Juliet to name just 3. Back to the Future the Musical has long been rumoured to come to the stage and trust me when I tell you the wait has been worth every single second. Staying true to the original movie written by Robert Zemeckis and Bob Gale vi...

Pride & Prejudice* (*sort of) – Royal Lyceum Theatre

For anyone who battled through Jane Austen’s ‘Pride & Prejudice’ at school - or university - this play is for YOU. If you spent those hours-you’ll-never-get-back watching one of the film or TV adaptations, hurling abuse and shouting increasingly colourful language into the mouths of the characters, this script is for YOU. To witness this irritating novel set about with such irreverent relish was a filthy pleasure. Never mind what legions of readers and viewers have wanted to tell Lady Catherine De Bourgh to do, this play - via The Best Ever Mr Darcy - finally does it. How? First off, we’re introduced, not to Mr and Mrs Bennet, but to six of Longbourn’s servants clad in white utility smocks and DM’s (Dear Young Team, that’s a brand of footwear, not a form of soshal meeja); the sto...