REVIEWS Archives - Page 414 of 427

9Oct

By Paul DownhamNo Comments

REVIEWS

Lone Women – Tmesis Theatre

Lockdown has produced some inventive gems from resourceful artists, often operating in physical isolation and on a shoestring, & these five short films by women based in the North from Tmesis & First Take are treasured fragments, quietly & poetically reminding us of our fragility and humanity in the face of individual, personal struggles and uncertainty. All the pieces are performed as physical theatre pieces with character voice-over monologues and delicately composed scores by Meike Holzmann. Award winning scriptwriter Lizzie Nunnery’s film, It Hurts, deals with the plight of the parent in lockdown, trying to soften the crisis & protect her child from her own needs, frustrations and psychological suffering; a simple mishap, however, brings everything into focus. Poe...

Così fan Tutte – Royal Opera House (2019)

9Oct

By Paul DownhamNo Comments

London

Così fan Tutte – Royal Opera House (2019)

Jan Philipp Gloger’s production from 2019 starts not at the beginning of the show but rather at the end with a curtain call for a traditional period-piece – perhaps Così – being played out during the overture, after which the four young lovers emerge from the audience into a world of theatrical fantasy orchestrated by Don Alfonso (Johannes Martin Kränzle), who proceeds to put the two young couples – Ferrando (Daniel Behle) and Dorabella (Angela Brower), and Guglielmo (Alessio Arduini) and Fiordiligi (Corinne Winters) – through their respective paces with the assistance of an oft-disguised Despina (Sabina Puértolas). With an emphasis on the artificiality of the plot and the need for strong theatrics to pull it off, we are taken on a time-travelling whistle-stop tour of sets that include ...

9Oct

By Paul DownhamNo Comments

REVIEWS

Seeds – No Stone Theatre

No Stone Theatre were developing a play looking at the legacy of Nikolai Vavilov when everything was stalled by the Covid-19 pandemic. So instead the focus was shifted to create an audio drama podcast drama series, the first of which has been released this week. The subsequent seven episodes will be released weekly on a Wednesday. Nicolai Vavilov (1887-1943) was a Russian botanist, agronomist and geneticist He was very concerned over the inability of much of the world to escape famine and worked to improve wheat and other cereal crops in the hope of sustaining the world population. He started the world's first seedbank in Leningrad as part of his ambition to create an easily maintained food source. Unfortunately, he fell foul of Stalin and was arrested and imprisoned in Saratov, dying t...

6Oct

By Paul DownhamNo Comments

Yorkshire & Humber

Connecting Voices – Leeds Playhouse

There’s no doubt that after seven months away most theatre lovers were so desperate for any live experience they’d watch pretty much anything – good, bad or indifferent. But that low benchmark was never going to be good enough for Leeds Playhouse and Opera North who have teamed up to create Connecting Voices as their comeback socially distanced mini-season of four very different short pieces. These two powerhouses have carefully crafted stripped down pieces almost devoid of any staging focusing instead on both the safety of the creatives, and the small audiences safely dotted around the Playhouse’s different spaces. It is a smorrebrod of styles that can be enjoyed in one sitting over a few hours that begins with Francis Poulenc’s short opera La Voix Humaine based on Cocteau’s play...

6Oct

By Paul DownhamNo Comments

London

Il Trovatore – Royal Opera House (2017)

Verdi wrote Il Trovatore (The Troubadour) – with libretto largely written by Salvadore Cammarano – hot on the heels of Rigoletto, with its premiere in 1853 a mere two months before that of La Traviata. German director David Bösch made his UK debut with his original production at the Royal Opera House in 2016 with this revival in 2017 overseen by Julia Burbach. The Count di Luna (Vitaliy Bilyy) loves Leonora (Lianna Haroutounian), but she loves Manrico (Gregory Kunde), the Count’s military enemy. Manrico’s mother Azucena (Anita Rachvelishvili) tells him how her mother was burnt to death for supposed witchcraft against the Count’s baby brother. Azucena intended to throw the baby onto the fire – but blinded by revenge she lost her own child to the flames. The Count captures Manrico and ...

5Oct

By Paul DownhamNo Comments

REVIEWS

Wait For Me – Online

In the week that we are told that arts jobs are “not viable”, I was introduced to a unique dance musical that brings together creativity and impassioned storytelling. It’s a traditional love story; two lovers meet, go through hardship, and come back together. But not every romance adds spirits and singing inner voices into the mix. The two guardian angels, unbeknownst to their human counterparts, are guiding and influencing them in their movements, as in their life. When the characters’ emotions are elevated, the singers add another layer to convey their feelings. It is a very clever concept from writer, Sam Cassidy, and one that culminates in a full-circle romantic ending. The lovechild of Cassidy and Ainsley Ricketts (choreographer, director and performer in the piece) was mean...

Tonight at the London Coliseum: Cassidy Janson

3Oct

By Paul DownhamNo Comments

London

Tonight at the London Coliseum: Cassidy Janson

The most recent acoustic concert in the Tonight at the London Coliseum series features the star of Beautiful: the Carole King Musical and & Juliet, Cassidy Janson. Having already watched her livestream from her house earlier in the year, and seen her live in the intimate setting of the Coliseum’s Balcony Bar back in February, I have become familiar with her choice of songs, and this concert very much focuses on the crowd-pleasers and big-hitters. It remains a sad feeling to see any show broadcast from an empty space where an audience should be, however large or small. The beautiful Coliseum auditorium is lit up in reds, golds, and blues but without an audience there is a lack of energy and atmosphere. Janson, however, is a likeable and perceptive performer, and brings warmth to the ...

Michael Ball: Past & Present Tour – The Shows Must Go On

3Oct

By Paul DownhamNo Comments

REVIEWS

Michael Ball: Past & Present Tour – The Shows Must Go On

It is no secret that I have and always have had since I can remember, a massive crush on Michael Ball and I have seen him in concert before and I would love nothing than to see him live again, but this will have to do.. However, he never ceases to amaze me with how he enthrals, energises and entertains his audience with his stories, wit and cheeky smile. This particular concert is to mark 25-year career of a lovely, cheeky man who is a genuinely, down to earth, loveable guy obviously humbled by the praise he was receiving. Michael was joined on stage by 5 guest vocalists: Adrian Hansal, Ben James Ellis, Emma Williams, Louise Clare Marshall and Louise Dearman and we were privileged to hear so much talent on one stage. The set was simple but effective with blue & ...

3Oct

By Paul DownhamNo Comments

London

Romeo & Juliet – Shakespeare’s Globe

Romeo & Juliet is a favourite for school examiners, and we see it re-appearing onto the curriculum at regular intervals. The Globe have joined with Deutsche Bank, who for the last 10 years have funded online resources for their youth engagement programme, to enhance their ‘Playing Shakespeare with Deutsche Bank’ project. Each year 20,000 free tickets are given to schools for shows that have been specially created for students to introduce and nurture a greater understanding of Shakespeare and the performance of his plays. This exceedingly useful resource offers students a chance to come to the home of the Bard to experience the thrill of live performance. This experience undoubtedly helps the words to leapfrog from the page into their young minds, to help to vis...

Wake the Dragon – St Luke’s Bombed Out Church

28Sep

By Paul DownhamNo Comments

North West

Wake the Dragon – St Luke’s Bombed Out Church

Wake the Dragon was a free event and part of Liverpool Ignitus Festival of Performing Arts and the event managed in partnership with St Luke’s Bombed Out Church, Bring the Fire Project, and Zest Event Management, and with funding from Culture Liverpool’s Without Walls scheme. With a focus on wellbeing, the event was a platform for some of Liverpool’s finest performing artists and organisations to flex their creative muscle and do what they do best: perform and connect with their audience, this time with the added constraint of social distancing. There were three specific acts listed, opening with international theatre company Teatro Pomodoro who also served as MC for the night. Our bubble of four (two couples in case you’re wondering), all of whom met at the celebrated École Phillipe...