REVIEWS Archives - Page 409 of 427

21Nov

By Paul DownhamNo Comments

London

Falling Stars – Union Theatre

How can just two people command a stage and put on such a wonderful production in such a short time? Written and conceived by the male lead, Peter Polycarpou, who along with his female co-star Sally-Ann Triplett gave us a night and a show which will live on in the memory for a long time to come. Both are well established performers in their own right and their combined talents have resulted in an unforgettably entertaining history of the music from the glorious era of 1920’s musicals. The show has been put together in just three days and after the first day of rehearsals, Lockdown 2 was announced in England which put paid to many of the ideas for this production. The show’s title is taken from a Charlie Chaplin song and tells the story of the discovery of an old songbook found hidden aw...

21Nov

By Paul DownhamNo Comments

REVIEWS

Berkoff’s Women – At Yours

Linda Marlowe has been working with Steven Berkoff since time immemorial and is often referred to as his muse, with this resurrection of her one-woman show – filmed at Charing Cross Theatre and directed by Josie Lawrence - perfectly suited to the performance constraints of the current pandemic as it provides a theatrical exploration of sensuality, revenge, pathos, heart-breaking loneliness, and riotous humour. The show is very simply performed with no set – just an elegant black dress and a chair with an occasional prop added for effect as necessary – as through a series of monologues Marlowe uses the prose of Berkoff to explore the many emotions of women with excerpts from his plays ‘Agamemnon’, ‘Decadence’, ‘East’, ‘Greek’, ‘Kvetch’, and ‘Sturm Und Drang’, and whilst there is li...

Panto.Demic – Altrincham Garrick Playhouse

20Nov

By Paul DownhamNo Comments

North West

Panto.Demic – Altrincham Garrick Playhouse

Pantomime is well and truly a British institution, and although the traditional festive offering might not be playing in theatres up and down the country this year as it normally would, the tradition of Panto has always had the capacity to adapt with the times, and even during a pandemic, the team at the fantastic Altrincham Garrick Theatre continue to entertain their audiences even during a national lockdown with a special pre-recorded ‘Panto-demic’ short for the whole family to sit down together and enjoy! The Altrincham Garrick have a well-deserved reputation for delivering one of the best family-friendly pantomimes in the North West and I’d be the first to say I was thoroughly excited to be sat in those red theatre chairs with a packet of wine gums in hand ready to sit back and enjo...

19Nov

By Paul DownhamNo Comments

REVIEWS

Marry Me a Little – Barn Theatre

Hearing of a Stephen Sondheim revue, I don’t think you’d be alone in thinking that it's going to be a bunch of ballads. I’m happy to tell you that with Marry Me a Little, this is not the case. It’s much, much more. The Barn theatre have cleverly updated this celebration of Sondheim and have produced a fresh love story. A set of two apartments sharing the centre of the stage, splits the recently parted couple as they go about their newly single lives. The production is sung-through, but the plot is brought together by innovative use of the technical elements. With a genius addition of a phone-screen backdrop, and even a song brought on by tinder swiping, catapult the story into the modern day. Jukebox musicals have attempted to merge catalogues of songs and fluid storylines for years....

19Nov

By Paul DownhamNo Comments

REVIEWS

Macbeth – The Shows Must Go On

Macbeth is a TV film version of the 2007 Chichester Festival Theatre production of William Shakespeare's tragedy directed by Rupert Goold and starring Sir Patrick Stewart and Kate Fleetwood as Lord and Lady Macbeth. The film was shot entirely at Welbeck Abbey and makes full use of its larger halls and dingier corridors, and a much more limited use of its exteriors. These often almost empty but gigantic rooms (and peeling paint in the war scenes) and the almost total lack of exterior scenes in the first half evoke an almost apocalyptic underground world in which sunshine and fresh air may be (but seldom is) reached via the lift some characters disappear into. The costumes, props and stock footage evoke the Soviet Block in the Cold War, specifically Romania in the 1960s, thus establishing...

Frozen: A Musical Spectacular – Disney Cruise Lines

17Nov

By Paul DownhamNo Comments

REVIEWS

Frozen: A Musical Spectacular – Disney Cruise Lines

This reviewer must be one of the few people to have never watched the film Frozen, although even then has been unable to entirely escape a certain level of knowledge! The film cast though were at least credited, whereas the cast of the stage show performed on the Disney Cruise Lines are forever doomed to anonymity thanks to the Disney policy of not crediting their live performers because they are the character. Frozen – A Musical Spectacular is an abridged version of the film, mostly the songs and some interlinking short scenes and feels like a cross between a spectacularly staged musical and a provincial pantomime. A small cast of principles and ensemble are tasked with creating a feel of a show that needs to be bigger. The cast, uncredited, vary in skill. The young woman playing An...

16Nov

By Paul DownhamNo Comments

London

We Missed You – Voila Festival

‘We Missed You’ is two clowns' interpretation and message of lockdown and a fitting homage to the general feeling that currently pervades. They want to tell us that they missed us and create a warm fuzzy feeling inside audiences. It’s part of Voila Festival or Voila Europe that runs annually at the Cockpit Theatre in London’s Marylebone. But of course, the pandemic has brought it to our homes via the digital world. The enigmatic clowns are Julia Masli and Viggo Venn from Estonia and Norway respectively and are not the circus ring bright wigged & make up of nightmares but a more refreshing (and less scary) Harlequino and Pierrot who have a huge variety of fun costumes and tell us they are more Commedia Dell Arte. This draws on a European tradition where clowns travelled from ma...

West End Unplugged: Vol 1 – The Shows Must Go On

14Nov

By Paul DownhamNo Comments

REVIEWS

West End Unplugged: Vol 1 – The Shows Must Go On

As a die-hard musical theatre aficionado, by far and away the best part of lockdown for me has been a little thing called “The Shows Must Go On”. For many, these words mean nothing more than a whimsical credo, very much a theatrical take on the British saying “Keep Calm and Carry On”. However, “The Shows Must Go On” is also an aptly-named YouTube channel dedicated to “bringing you showtunes, backstage access and full performances from some of the best loved musicals in history!” – so for me, it’s been a lifeline, a much-needed (if socially-distanced) ticket back to the magical world of theatre. During the Coronavirus pandemic that has swept the world and kept most of us out of work, out of pubs and restaurants, and crucially out of the theatres, “The Shows Must Go On” has stoically c...

13Nov

By Paul DownhamNo Comments

London

Title of Show – London Coliseum Online

This one-act musical, by Hunter Bell and Jeff Bowen, is a musical about writing a musical. Yes, that’s right. Title of Show follows two writers in their quest to create “an original musical”. The complications, arguments and struggles are all aired out in this performance piece with a difference. It’s an ingenious concept. The action is constantly twisting and turning in this show within a show. It’s a complete musical with catchy numbers but also a work-in-progress where a song may be interrupted half-way through to be cut. Obviously with a lot more moments like this, it’s also a comedy. And it does offer a lot of laughs. “Four chairs and a keyboard does not a musical make” says one critic of the show… within the show. This performance proves that you can put on a musical with just ...

12Nov

By Paul DownhamNo Comments

London

Continuity – Finborough Theatre Company

Firstly, a warning. If this were a film it would have an over 15s certificate. It seems that every sentence has a word starting with the letter “F”, admittedly much of it in context, although I would certainly be embarrassed if I had taken my mother along to see this play. Having said that, if you look beyond the strong language, you will discover a tale of a man torn between his personal life and his political commitments to “The Cause” of the Irish freedom fighters. Written by a new playwright, Gerry Moynihan, and set in the country of Northern Ireland in the year 2017, it tells the story of a dissident Irish Republican (hence the play’s title), Padraig Devlin and his relationships with other members of his terrorist cell, Joe the leader and Eammon his somewhat intellectually-c...