Saturday, November 16

REVIEWS

Grand Theatre, Blackpool
North West

Grand Theatre, Blackpool

The Blackpool Grand was designed by Victorian theatre architect Frank Matcham and was opened in 1894 after a construction period of seven months, at a cost of £20,000 between December 1893 and July 1894. The project was conceived and financed by local theatre manager Thomas Sergenson who had been using the site of the Grand for several years to stage a circus. He had also transformed the fortunes of other local theatres. Matcham's brief was to build Sergenson the "prettiest theatre in the land". The Grand was Matcham's first theatre to use an innovative 'cantilever' design to support the tiers, thereby reducing the need for the usual pillars and so allowing clear views of the stage from all parts of the auditorium. Sergenson's successful directorship of the t...
Empire Theatre, Liverpool
North West

Empire Theatre, Liverpool

Liverpool Empire Theatre is a theatre located on the corner of Lime Street and London Road in Liverpool, Merseyside, England, United Kingdom. The playhouse, which opened in 1925, is the second one to be built on the site. It has the largest two-tier auditorium in Britain and can seat 2,348 people. During its time it has hosted many types of entertainment, including variety shows, musicals, operas, pop concerts, and plays. The Beatles appeared in the theatre in their early days. The theatre has hosted two Royal Command Performances and in 2007, a Royal Variety Performance to mark Liverpool's being designated a European City of Culture the following year. It is sited in the William Brown Street Conservation Area. History The site's first theatre, which was at that time was Liverpoo...
Opera House, Manchester
North West

Opera House, Manchester

The theatre opened as the New Theatre in 1912, renamed the New Queen’s Theatre in 1915 and as the Opera House in 1920 when it came under the wing of John Hart and his associates of United Theatres Ltd. In 1931 it was bought by, and prospered under, Howard & Wyndham Ltd which had been formed at the Theatre Royal, Glasgow in 1895 by Michael Simons. The group`s managing director A Stewart Cruikshank, headquartered at the group's headquarters in the King's Theatre, Edinburgh was joined on the board by Charles B Cochrane who now became a visiting producer at the Opera House, premiering numerous musicals and revues. The theatre staged the full range of plays, musicals, opera, and pantomime. It closed in 1979 and for five years was a bingo hall. The Palace Trust acquired it in 1984 and ret...
Palace Theatre, Manchester
North West

Palace Theatre, Manchester

The Palace Theatre, Manchester, is one of the main theatres in Manchester, England. It is situated on Oxford Street, on the north-east corner of the intersection with Whitworth Street. The Palace and its sister theatre the Opera House on Quay Street are operated by the same parent company, Ambassador Theatre Group. The original capacity of 3,675 has been reduced to its current 1,955. History The theatre, originally known as the Grand Old Lady of Oxford Street, opened on 18th May 1891, having been designed by the architect Alfred Darbyshire at a cost of £40,500. The Palace Theatre was redecorated and altered in 1896 to the designs of the renowned Theatre Architect Frank Matcham, and he again worked on some improvements to the Theatre in 1899 when he was commissioned to put in a pass d...
Fresh Blood – Arrival Festival 2020
REVIEWS

Fresh Blood – Arrival Festival 2020

Fresh Blood from Popbox is a reinterpretation of Bram Stoker’s classic gothic novel, Dracula, set in the modern world of social media, online influencers and live streamed workouts and video games. Created and performed by Josh Cannon, Tom Morris and Georgie Sykes, this surreal piece of theatre allows you to jump between three channels, each one focussing on one of the cast, creating a unique jigsaw of this much loved vampiric story. All three channels are very different, with Georgie’s consisting of dramatic readings of sections of the original novel, Josh’s focussing on the characters’ social media presence and Tom’s being an original peek into everyday life. The three cast members play various roles across the three channels bringing to life both modern versions of the original chara...
Three Kings – Old Vic In Camera
London

Three Kings – Old Vic In Camera

The Old Vic celebrated 200 years of theatre in 2018 and even though its doors are closed to live performance, they have taken their expertise in producing high quality theatrical productions and transported this grandfather of London theatre into the digital age. In a striped back production due to many of the staff being furloughed, the Old Vic have taken on their second live screening, following on from the success of ‘Lungs’.  Written by Stephen Beresford, who began his career as an actor and then found quick success as a writer penning such films as ‘Pride’ and ‘Tolkien’ and for the stage, ‘The Last Of The Haussmans’.  ‘Three Kings’ was written for Andrew Scott who performs this dialogue alone on the stage at the Old Vic, and if you have been fortunate enough to have seen ...
Scrounger – The Finborough Theatre
London

Scrounger – The Finborough Theatre

In partnership with Scenesaver, The Finborough Theatre gave a final digital viewing of Scrounger and they plan to continue with monthly releases from their back catalogue to help to raise money to keep the theatre afloat.  Scrounger was part of the Vibrant 2019 Festival of Finborough Playwrights and premiered in January 2020.  Written by and starring Athena Stevens, the play focuses upon an incident that occurred when Stevens was attempting to travel to Scotland via a flight from London City Airport.  Stevens was born with a condition called ‘athetoid cerebral palsy’ which has meant she needs a special wheelchair to be able to get on with her everyday life.  After booking onto a flight and confirming with British Airways (BA) that they were able to carry her wheel...
Die Meistersinger von Nürnberg – Glyndebourne
REVIEWS

Die Meistersinger von Nürnberg – Glyndebourne

It’s a delight to see a virtual performance of David McVicar’s 2011 Glyndebourne production of Wagner’s epic midsummer opera that is more comic than comedy. At a church service, Walter (Marco Jentzsch) becomes smitten with Eva (Anna Gabler), who tells him she is to be engaged the next day to the winner of a song contest sponsored by the local Mastersingers. Her friend, Magdalene (Michaela Selinger), asks her boyfriend David (Topi Lehtipuu), an apprentice to cobbler Hans Sachs (Gerald Finley), to explain the rules of the competition. The Mastersingers arrive for a preliminary song trial and Walther upsets smug town clerk Beckmesser (Johannes Martin Kränzle) who is keen to win. When Eva’s father, goldsmith Veit Pogner (Alastair Miles), confirms her hand as the prize, Sachs suggests she sh...
Declan – Traverse Theatre
Scotland

Declan – Traverse Theatre

Kieran Hurley’s powerful theatre work Mouthpiece has been transformed into a 25-minute short film Declan for Traverse Theatre’s online festival in lieu of the Edinburgh International Festival. Angus Taylor revives the titular role of Declan with ferocity, anger and tenderness. Although the script is only altered slightly from the original theatre work, the relationship between Declan and failing playwright Libby is compromised here, but we gain a more intimate insight into Declan’s home life and lived experience. Transferring Mouthpiece to film has allowed Declan’s artwork to come forth among animated sections of plot. Nisan Yetkin’s stunning and emotional animations bring interactions to life between Declan and an unseen Libby, driving the relationship between them with written dial...
Lucky 8 – The Space UK
Scotland

Lucky 8 – The Space UK

Glass Half Full Theatre’s Lucky 8, written by Stephanie Silver and directed by Amelia Lovsey, is an original look at dating at work and the effect different commitments at home have when looking for love. Marcy (Stephanie Silver) has a crush on a woman at work, played by Valenzia Spearpoint. Marcy is clumsy, awkward and suffers from self-confessed verbal diarrhoea, while Spearpoint’s character is confident and well put together in stylish linen clothing. Marcy develops a habit of watching Spearpoint from afar while trying to talk herself into asking her out, noticing that Spearpoint regularly consults a Magic 8 ball she keeps in her office, making Marcy believes that she believes in fate. One morning Marcy excitedly tells us she has told her mother, who has MS and whom she cares for,...